Lexington Conservatory Theatre

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Lexington Conservatory Theatre LCT press photo.jpg
Lexington Conservatory Theatre

Lexington Conservatory Theatre was an equity summer theatre company in the Catskills town of Lexington, New York. Co-founded in 1976 by a group of professional theatre artists including Oakley Hall III, Michael Van Landingham and Bruce Bouchard, the theatre operated for five seasons at the historic Lexington House, a former hotel turned artist retreat. [1] Hall was seriously injured in a fall from a bridge during the summer of 1978. That summer and Hall's life in the aftermath of a traumatic brain injury were the subjects of the documentary The Loss of Nameless Things . [2] [3]

Contents

"...on par with the Woodstock, Williamstown and Berkshire playhouse troupes," summarized Fred LeBrun in the Albany Times Union, "but with an attitude all their own." [4]

Formation

Playwright Oakley Hall III on the Rt 42 Bridge in Lexington, NY Oakley Hall III on Lexington Bridge 8-19-79.jpg
Playwright Oakley Hall III on the Rt 42 Bridge in Lexington, NY

Oakley Hall III, Michael van Landingham, Thomas Culp and Bruce Bouchard met while attended college at UC Irvine, working together on productions at Irvine Repertory Theatre and American Conservatory Theater. [5] The group of friends eventually moved to New York City to continue their careers. In 1974, Evelyn Weisberg, owner of Lexington House, met Bouchard and fellow actor Kate Kelly while operating a local educational theatre program. Learning of the nascent theatre group forming in New York, Weisberg supported the formation of the group in 1975, inviting them to take residence at Lexington House and its surrounding facilities. LCT launched its first season in 1976 after several summers of work to prepare the facility. Photographer John Margolies visited the site that summer. [6]

Leadership included executive director Michael Van Landingham, treasurer Thomas Culp, and artistic director Oakley Hall III, later briefly joined by Abraham Tetenbaum for the 1979 season [7] [8]

The facility at Lexington House included an art gallery, cabaret/bar, numerous smaller cabins and two 150-seat theatres, presenting a main stage season as well as numerous staged readings and developmental works. Tickets were sold via several subscription packages in addition to single ticket sales. [9] When LCT opened in 1976, the Barn Theatre was the primary theatre space, outfitted with seats donated from Theatre 80 in Greenwich Village, NYC. In 1978, after extensive work by the company, the River Theatre opened with the production of A Streetcar Named Desire. [10]

1976-1980 Seasons

Lexington House (1883), Route 42, Lexington, New York LCCN2017713039.tif

Over the course of its first three years, the organization had grown to include several simultaneous projects. In addition to the main summer series at Lexington, LCT produced PROVOS, a new play reading series, an Upstate Tour production series aimed at serving rural communities, and a League of Women Artists focused on developing theatre opportunities for women. Company members also taught a series of theatre classes to students ages 6–18. [11]

The 1977 season featured Earful, a concert series by Joseph Lyons and future Dream Theater star Jordan Rudess. Lyons served as the music director and Rudess as associate music director, composing and performing for several shows as well. [12] On August 14, 1978, PBS affiliate WMHT broadcast a documentary about the theatre company as part of its Summer Show series. Hosted by Joan Lapp, the production interviewed cast and crew of the production of Monte Merrick's Nurseryland. [13]

By its third season, the company had secured significant funding from the New York State Council on the Arts and was growing its reputation nationally, with attention from critic Brooks Atkinson. [14] In 1978, the company won a regional theatre award from The Rockefeller Foundation. [15] In 1979, the company received a $2,000 grant from the National Endowment for the Arts for its new play development work, and in 1980, $4,000. [16] [17]


1980 production of A Midsummer Night's Dream Lexington Conservatory Theatre, A Midsummer Night's Dream.jpg
1980 production of A Midsummer Night's Dream

Move to Albany

In 1977, the company received a Whitney Foundation award to support the search for a city in which to develop a resident theatre company. [18] 1978, LCT staff began visiting Albany to plan such a theatre, envisioning a downtown space for a 400-500 seat facility. [19]

On April 18, 1979, executive director Michael Van Landingham and artistic director Abraham Tetenbaum held a press conference at the EBA Dance Studio in Albany, NY. They announced that the company would form a theatre in downtown Albany that followed a fall-winter-spring season, to be known as Capital Repertory Company or "Capital Rep." While they had reviewed various buildings in search of a suitable facility, they had decided that refurbishing a non-theatre building into a 450-seat theatre was the most viable option. On April 19 and 20, the company presented a series of events called "The Break In", intended to orient the community to the theatre company and its work. The event included music and video presentations, a discussion with director Lev Shekhtman, and selections of scenes from past productions. [20] [21] [22]

In March 1980, LCT produced The Tavern by George M. Cohan at the Egg Theatre in Albany, under the Capital Rep name. Directed by future producing artistic director Peter Clough, it starred company members Michael J. Hume, Court Miller, Janni Brenn, Patricia Charbonneau, Sofia Landon Geier and Steve Hytner. "The idea is to make Albany the hub of our operations," Van Landingham told The Knickerbocker News prior to opening night. "We want to construct a network of productions, centered here." [23] [24] [25]

By October 1980, executive director Michael Van Landingham announced that the theatre would not return to Lexington House and instead move permanently to Albany. [26] In December 1980, the group began its first full season as Capital Repertory Theatre at Page Hall in Albany.

Legacy

LCT helped launch the careers of several notable alumni, and produced numerous world premieres as well as development workshops for emerging writers, including playwrights such as Paula Vogel, Peter Parnell, Monte Merrick, Wendy Kesselman and Kathleen Betsko.

The company's descendant, Capital Repertory Theatre, continues to produce a year-round season of productions, including a new play development program. [27]

In 2022, photographer and documentary filmmaker Michael Bronfenbrenner published Lexington Through the Lens, a photographic recollection of the company. [28]

Notable alumni

World Premiere Productions

In addition to the company's summer productions, LCT also produced plays in New York City, Off and Off-Off Broadway.

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References

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