Elizabeth Gertsakis (born 1954) is an Australian visual artist and photographer known for her use of archival photographic images in installations that highlight cultural perspective.
Gertsakis was born in 1954 in Florina, Greece from a Greek and Slavic family background. [1] Her family emigrated with her to Australia when she was 3 months old. [2]
She studied art, critical theory and English literature, graduating from the University of Melbourne and Monash University and started her work as a visual artist in 1986. [3]
From 1976 to 1993 she lectured in art history and Australian cultural studies and worked as a curator in Australian museums and galleries between 1995 and 2011. She was senior curator of the Australia Post National Philatelic Art and Design Collection from 1995 – 2010. [3] Her doctoral research at the University of Melbourne focuses on the uses of photography in the Southern Balkans & Northern Greece. [3]
Her works deal with the personal and social influence on the everyday lives of women in culture and public institutions and her artwork has been exhibited in Australian public galleries, including the Geelong Art Gallery, [4] the National Maritime Museum, Art Gallery of South Australia, the Art Gallery of Western Australia, the Australian National Gallery, Griffith University Collectio n and Waverley City Gallery. [5]
Jane Sutherland was an Australian landscape painter who was part of the pioneering plein-air movement in Australia, and a member of the Heidelberg School. Her advocacy to advance the professional standing of female artists during the late nineteenth century was also a notable achievement.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by Daine Singer for The View From Here: 19 Perspectives on Feminism, an exhibition and publishing project held at West Space as part of the 2010 Next Wave Festival.
Constance Stokes was an Australian modernist painter who worked in Victoria. She trained at the National Gallery of Victoria Art School until 1929, winning a scholarship to continue her study at London's Royal Academy of Arts. Although Stokes painted few works in the 1930s, her paintings and drawings were exhibited from the 1940s onwards. She was one of only two women, and two Victorians, included in a major exhibition of twelve Australian artists that travelled to Canada, the United Kingdom and Italy in the early 1950s.
Jean Bellette was an Australian artist. Born in Tasmania, she was educated in Hobart and at Julian Ashton's art school in Sydney, where one of her teachers was Thea Proctor. In London she studied under painters Bernard Meninsky and Mark Gertler.
Lina Bryans, was an Australian modernist painter.
Ruth Maddison is an Australian photographer. She started photography in the 1970s and continues to make contributions to the Australian visual arts community.
Jennifer "Jennie" Boddington was an Australian film director and producer, who was first curator of photography at the National Gallery of Victoria in Melbourne (1972–1994), and researcher.
Natalie King is an Australian curator and writer working in Melbourne, Australia. She specializes in Australian and international programs for contemporary art and visual culture. This includes exhibitions, publications, workshops, lectures and cultural partnerships across contemporary art and indigenous culture.
Brenda L. Croft is an Aboriginal Australian artist, curator, writer, and educator working across contemporary Indigenous and mainstream arts and cultural sectors. Croft was a founding member of the Boomalli Aboriginal Artists Cooperative in 1987.
Banduk Mamburra Wananamba Marika, known after her death as Dr B Marika, was an artist, printmaker and environmental activist from Arnhem Land, Northern Territory, Australia, who was dedicated to the development, recognition and preservation of Indigenous Australian art and culture. She uses her artwork to translate her ancestral stories through figures and motifs. She was one of the few Indigenous artists to specialize almost entirely in print making. She was the first Aboriginal person to serve on the National Gallery of Australia's board.
Yvonne Boag is an Australian painter and printmaker whose work reflects the many places where she has lived and worked.
Stephen Wickham is an Australian photographer, painter and printmaker.
Robert Ashton (1950) is an Australian photographer and photojournalist.
Elizabeth Gower is an Australian abstract artist who lives and works in Melbourne. She is best known for her work in paper and mixed-media monochrome and coloured collages, drawn from her sustained practice of collecting urban detritus.
Jacky Redgate is an Australian-based artist who works as a sculptor, an installation artist, and photographer. Her work has been recognised in major solo exhibitions surveying her work has been included in many group exhibitions in Australia, Japan and England. Her works are included in major Australian galleries including the National Gallery and key state galleries.
Virginia Fraser was born on 28 December 1947 in Melbourne, Victoria. She was an Australian artist, writer, curator and advocate for women artists. Her art practice consisted mainly of video and installation works, often made in collaboration with Destiny Deacon. Fraser died on 26 January 2021, aged 74.
Sue Pedley is an Australian multi-media artist known for site-specific artworks in Australia and overseas. She has participated in residencies including the Bundanon Trust Creative Research Residency in 2016, the Tokyo Wonder Site in 2012, and the 2008 International Sculpture Symposium, Vietnam. Pedley works solo and in collaboration with other artists.
Margaret Plant is a Professor of Australian art history, and as of November 2022 Emeritus Professor of Visual Arts at Monash University.