Emma | |
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Genre | Costume drama |
Based on | Emma by Jane Austen |
Written by | Sandy Welch |
Directed by | Jim O'Hanlon |
Starring | Romola Garai Jonny Lee Miller Michael Gambon Tamsin Greig Rupert Evans Robert Bathurst Jodhi May Louise Dylan Blake Ritson Christina Cole Laura Pyper |
Composer | Samuel Sim |
Country of origin | United Kingdom |
No. of episodes | 4 |
Production | |
Executive producer | Phillippa Giles |
Producer | George Ormond |
Original release | |
Network | BBC One |
Release | 4 October – 25 October 2009 |
Emma is a four-part BBC television drama serial adaptation of Jane Austen's 1815 novel Emma . The episodes were written by Sandy Welch, writer of previous BBC costume dramas Jane Eyre and North & South , and directed by Jim O'Hanlon. The serial stars Romola Garai as the titular heroine Emma Woodhouse, Jonny Lee Miller as her loyal lifelong friend Mr Knightley, and Michael Gambon as Emma's father, Mr Woodhouse. The serial originally ran weekly on Sunday nights on BBC One from 4 to 25 October 2009. [1]
Critical reception to the series was generally positive, especially the first episode, with many of the main actors being praised. Later episodes attracted fewer viewers, and some critics felt that the initial tone was not maintained; alternatively, the lower figures may have been due to a scheduling conflict with the very popular X Factor on ITV1.
No. | Title | Directed by | Written by | Original release date | UK viewers (millions) | |
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1 | "Episode One" | Jim O'Hanlon | Sandy Welch | 4 October 2009 | 4.84 [2] | |
Rich, independent and kind-spirited, nothing delights Emma Woodhouse more than matchmaking. Once she has credited herself with marrying off her former governess, Anne Taylor, to Mr Weston, she attempts to match her new friend, Harriet Smith, to Mr Elton, the ambitious local vicar. Emma persuades Harriet to refuse a marriage proposal from Robert Martin, a respectable young farmer. Emma's life-long friend Mr Knightley disapproves of her activities. | ||||||
2 | "Episode Two" | Jim O'Hanlon | Sandy Welch | 11 October 2009 | 4.12 [2] | |
Emma continues her attempts to marry off Harriet and Mr Elton. Although uninterested in marriage herself, she is intrigued by the mysterious and elusive Frank Churchill, Mr Weston's son, whom she hopes to meet for the first time at the Westons' Christmas party. Frank, however, does not arrive, detained at home by his controlling aunt. Mr Elton mistakenly believes Emma is in love with him, and proposes marriage. Emma is horrified, and when she tells him she believed him to be attached to Harriet, he is outraged, considering Harriet socially inferior. Harriet is heartbroken. When Frank Churchill arrives at last, Emma finds him charming and easy-going. Emma's impecunious and garrulous friend Miss Bates receives a visit from her niece, Jane Fairfax, who is to become a governess. A large piano arrives for Jane, sent by an anonymous admirer, amid much speculation about the donor. | ||||||
3 | "Episode Three" | Jim O'Hanlon | Sandy Welch | 18 October 2009 | 3.32 [3] | |
Frank and Emma arrange a ball at the Crown inn. Emma finds herself forced to include Mr Elton, who has just returned from a six-week visit to Bath with a pretentious, nouveau-riche wife. During the first dance, Harriet lacks a partner, and when it is suggested to Mr Elton that he should ask her to dance, he rudely cuts her. Seeing this, Mr Knightley asks her himself. With her matchmaking now abandoned, Emma feels cooped-up and bored, and Mr Knightley suggests a day trip to Box Hill, a local beauty spot, for a change of scene. He also tells Emma that he suspects Frank and Jane to be secretly in love. Emma scoffs and says that she can personally vouch for Frank's indifference to Jane, leaving Mr Knightley feeling hurt at Emma's indifference towards him. | ||||||
4 | "Episode Four" | Jim O'Hanlon | Sandy Welch | 25 October 2009 | 3.66 [4] | |
The picnic at Box Hill goes badly. Emma and Frank flirt, and Emma thoughtlessly insults Miss Bates, joking about her inability to stop talking. Jane, too, looks angry, as does Mr Knightley. Scolded by Mr Knightley, Emma is ashamed. She tries to reconcile with Jane and Miss Bates, but Jane will not see her; Miss Bates tells her that Jane cried all night and has now accepted a job as a governess. Mr Knightley unexpectedly announces that he must go to London and that he will be away for a while. Meanwhile, Frank visits his aunt, who dies soon after his arrival. Freed from his aunt's influence, Frank reveals that he and Jane have been secretly engaged for some months, long before both came to Highbury. Emma seeks to console Harriet, believing due to a misunderstanding that she is in love with Frank, only to learn that Mr Knightley is in fact the object of Harriet's love, and that she believes her love to be reciprocated. Emma is startled and realises, perhaps too late, that she is also in love with Mr Knightley. When Mr Knightley returns, he consoles Emma about Frank's engagement, thinking her heartbroken. When she admits her foolishness, he proposes, and she accepts. Frank and Jane marry, and Harriet accepts Robert Martin. Finally, Emma and Mr Knightley are wed. |
Principal photography commenced with a four-day shoot in the Kent village of Chilham from 14 to 18 April 2009. Production design staff covered several roads with gravel to disguise the 21st-century road markings, and erected a fountain in the village square. [5] Filming occurred from 8 a.m. to 7 p.m. every day and was scheduled to coincide with the Easter school holiday to minimise local disruption. [6]
Filming continued at the parish church of St. Mary the Virgin in Send, Surrey on 24 and 28 April, where scenes of a wedding and a Sunday service were completed. [7] Further filming took place at Squerryes Court, Westerham, Kent where many interior scenes were shot. [8]
The scene that shows Emma and Harriet Smith on their way to visit the poor was filmed in Hatfield, Hertfordshire, England. The church they pass along the wooded path is St Etheldreda's Church, Hatfield.
Reviewing the first episode, Sam Wollaston of The Guardian called it "very good... even if it's not necessary", wishing the BBC would adapt some lesser-known novels rather than churning out the same adaptations again and again. He nevertheless praised the acting, suggesting Garai's "eyes alone deserve a BAFTA" and that Michael Gambon made "a splendid old Mr Woodhouse". [9]
John Preston of The Telegraph also noted Romola Garai as "particularly good" in the titular role, and noted that while Jim O Hanlon's direction was perhaps a little too "steady and sure" there was still "plenty of sprightliness there too". [10] After the third episode of the series, however, he wrote that "[it] was a disaster, becoming ever more coarse and clumsy as it went on. The narration was obtrusive, the charm next to non-existent and the secondary characters insufficiently delineated." Emma he deemed "too bovine, too cocksure" in order for her to be truly in doubt. He did not find that Jonny Lee Miller, "who could have been a first-class Mr Knightley, was given enough screen time to make an impact". He concluded: "Contrivance ha[d] taken over. Sprightliness ha[d] disappeared. The soufflé ha[d] fallen." [11]
Tom Sutcliffe of The Independent wrote in a review that "the primary-colour brightness seems to have carried over into some the performances." He found that Garai "[did]n't capture the sense of frustrated intelligence that makes Emma bearable on the page", but blamed the script for it. He also saw a casting problem with Emma and Knightley in the sense that Miller "still carrie[d] too much of the seductive bad boy about him" so that he was not convincing as a "surprising love object", and "that threatens one of the novel's great achievements, which is to educate us alongside its heroine." [12]
Some critics also noted the dip in ratings following the first episode. In The Independent , Jonathon Brown observed that while "the critics have given it a qualified nod of approval" the second instalment of the serial "pulled in only 3.5 million viewers – down nearly 1 million on the opening episode the previous week – while the third episode saw another 200,000 switch off". He suggests this may be due to the "13 million-strong audience from ITV1's all-conquering X Factor" which had launched a Sunday night results show for the first time, or that "the days of bonnet and bustle are [simply] over". [13]
Award | Category | Recipients and nominees | Result |
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Golden Globes [14] | Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television | Romola Garai | Nominated |
Primetime Emmy Awards | Outstanding Hairstyling for a Miniseries or a Movie | Anne Oldham [15] | Won |
Outstanding Casting for a Miniseries, Movie or a Special | Gemma Hancock (casting director), Sam Stevenson (casting director) | Nominated | |
Outstanding Costumes for a Miniseries, Movie or a Special | Rosalind Ebbutt (costume designer), Amanda Keable (costume supervisor) | Nominated | |
Outstanding Supporting Actor in a Miniseries or a Movie | Michael Gambon | Nominated | |
Royal Television Society | Best Music, Original Score | Samuel Sim | Nominated |
Satellite Awards | Best Miniseries | Emma | Nominated |
Shanghai Television Festival | Magnolia Award for Best Television Film or Miniseries | Emma | Nominated |
The original soundtrack with music composed by Samuel Sim was released on 8 December 2009 and features numerous themes featured in the series, including music from the dance sequences during the ball at the Crown Inn. A track listing for the album is as follows: