Emma Dabiri | |
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![]() Dabiri in 2021 | |
Born | Dublin, Ireland |
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Academic background | |
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Academic work | |
Discipline | Black studies |
Sub-discipline | African Diaspora Studies |
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Emma Dabiri FRSL (born 25 March 1979) is an Irish author,academic,and broadcaster. Her debut book,Don't Touch My Hair,was published in 2019. [3] She was elected a Fellow of the Royal Society of Literature in 2023. [4]
Dabiri was born in Dublin to an Irish mother and a Nigerian Yoruba father. After spending her early years in Atlanta,Georgia,her family returned to Dublin when Dabiri was five years of age. [3] She says that her experience of growing up isolated and as the target of frequent racism informed her perspective (2019). [5] After school she moved to London to study African Studies at the School of Oriental and African Studies (SOAS),her academic career leading to broadcast work,including co-presenting BBC Four's Britain's Lost Masterpieces ,Channel 4 documentaries such as Is Love Racist?,and a radio show about Afrofuturism,among others. [6]
Dabiri is a frequent contributor to print and online media,including The Guardian , Irish Times ,Dublin Inquirer, Vice ,and others. [7] She has also published in academic journals. Dabiri's outspokenness on issues of race and racism has caused her to have to deal with extreme trolling and racist abuse online. She says of this that "it's just words" and the racism she grew up with fortified her to deal with it. [8] She is the author of two books:Don't Touch My Hair (2019) and What White People Can Do Next:From Allyship to Coalition (2021).
Dabiri holds a Western Marxist's critique of capitalism,and in What White People Can Do Next,she dedicates a chapter to "Interrogate Capitalism",building upon the ideas of Herbert Marcuse,Angela Davis,and Frantz Fanon. [9] Western Marxism places greater emphasis on the study of the cultural trends of capitalist society. Dabiri summarizes:"In fact,in many ways race and capitalism are siblings",while "capitalism exists,racism will continue". [9]
Dabiri lives in London,where she is completing her PhD in visual sociology at Goldsmiths while also teaching at SOAS and continuing her broadcast work. [10] [11] She is married and has two children. [5]
Dabiri has appeared on the television programmes Have I Got News For You , Portrait Artist of the Year . [12] and Question Time.
In her 2019 book Don't Touch My Hair,Dabiri combines memoir with social commentary and philosophy. She moves beyond the personal to examine African hair in wider contexts,with the book travelling across geographical space and through time to take in pre-colonial Africa up to modern day Western society. Throughout she writes that African hair represents a complex visual language. [13] The review by Charlie Brinkhurst-Cuff in The Guardian summed up Don't Touch My Hair by saying:"The first title of its kind,with fresh ideas and a vivid sense of purpose,Dabiri's book is groundbreaking." [14]
In this book,Dabiri explores the erasure,stigmatization and appropriation of Black hair. Dabiri takes a historical and cultural approach to investigate the global history of racism towards Black hair,all while leading readers on her own personal journey of self-love and acceptance. [15]
Dabiri analyzes topics such as the criminalization of dreadlocks and the Natural Hair Movement.
TIME magazine described Dabiri's 2021 book "What White People Can Do Next:From Allyship to Coalition as
Dabiri's manifesto for radical change in a world impacted by the pandemic and the surge of attention on the Black Lives Matter movement. With essays titled 'Stop the Denial,' 'Interrogate Capitalism,' and 'Denounce the White Saviour,' Dabiri marries historical context with contemporary commentary and analysis in a direct, accessible style, referencing thinkers including Fred Moten, Angela Davis, Audre Lorde and bell hooks." [1]
Roll of Thunder, Hear My Cry is a 1977 Newbery Medal awarded novel by Mildred D. Taylor. It is a part of her Logan family series, a sequel to her 1975 novella Song of the Trees.
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African-American hair or Black hair refers to hair types, textures, and styles that are linked to African-American culture, often drawing inspiration from African hair culture. It plays a major role in the identity and politics of Black culture in the United States and across the diaspora. African-American hair often has a kinky hairy texture, appearing tightly coiled and packed. Black hair has a complex history, culture, and cultural impact, including its relationship with racism.
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Reni Eddo-Lodge is a British journalist and author, whose writing primarily focuses on feminism and exposing structural racism. She has written for a range of publications, including The New York Times, The Guardian, The Independent, The Daily Telegraph, The Voice, BuzzFeed, Vice, i-D and Dazed & Confused, and is a contributor to the 2019 anthology New Daughters of Africa, edited by Margaret Busby.
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