Country | Italy |
---|---|
Language | Italian |
Subject | Performing arts |
Genre | Reference encyclopedia |
Publisher | Casa Editrice Le Maschere; Unione Editoriale |
Publication date | 1954-1966 |
Media type | Hardcover; 9 original volumes; 2 supplementary; Index-Directory |
The Encyclopedia of Performing Arts (Italian: Enciclopedia dello Spettacolo; sometimes cited as Enciclopedio dello Spettacolo) [1] was an Italian language specialty encyclopedia of performing arts, published between 1954 and 1965. [2] Its first editor was the Italian theatre critic and journalist, Silvio D'Amico. [3] Considered to be the most comprehensive international performing arts encyclopedia, [4] it is included in the reference section of many libraries. [5]
The Encyclopedia of Performing Arts was created by two separate projects, one dating to 1945 and the other to 1954. [6]
Starting in 1945 or 1946, D'Amico conceived of a project to develop an encyclopedia of the performing arts. Undertaken by an editorial team composed of a few people and led by D'Amico, it was produced in three or four years and contained four volumes. Considered superficial, it was not publishable. However, it developed a model for the scientific study of the theatre and other performing arts. [6]
Conceived as a set of 12 volumes, the second project took on an ethnographic approach. It had the advantage of a stable editorial group and used foreign employees. D'Amico's editorial staff worked at the Palazzo Doria Pamphili, Via del Plebiscito 112. [6] The attorney Carlo Minù, D'Amico's brother-in-law, found funding for the second project and referred D'Amico to publishers. [7] In drawing up lists of dramas, operas, ballets and films, the editorial team wondered if it their work was worthwhile or helpful. It was Francesco Savio who sometimes said, "Of course it is; if someone else wants one day to create an Encyclopedia of Performing Arts, they would find these materials to be useful." When the news spread that the encyclopedia was about to be published, a delegation arrived wanting guidance in the organizational work to start up an encyclopedia of Prague theatre. [7]
The structure of the work was better articulated. Responsibility for each section, such as film, music, or theatre, was delegated to an initial small staff that rapidly grew to thirty editors who coordinated over five hundred employees. [6] Large blocks of work were assigned to collaborators, many of them in foreign countries.
D'Amico felt that the second project benefited from finding amateur collectors without whose assistance entire sectors of biographical entries would have been less detailed. Collected material came from abroad or was bought directly in the antique market. An example of a collector was Ulderico Rolandi, a gynaecologist who lived in the Via Veneto, and who had made a hobby of collecting, filing and examining librettos. He had accumulated what was thought to be the largest collection of opera librettos after the Library of Congress. Another example was David Turcotte who had developed a catalog of American cinema.[ citation needed ]
The project suffered a severe crisis in 1957, two years after the death of D'Amico, due to disagreements between the editorial office and the publisher. The publisher's expectation was to publish two volumes a year, but the editorial staff was only able to put out a single volume each year. Because of this crisis, there is an imbalance between the first volume and the last four whose detail is considered sometimes less accurate. [6]
Published between 1954 and 1962, the original nine-volume Enciclopedia dello Spettacolo covers ballet, films, opera, plays, theatre, vaudeville, and other areas of entertainment. They include signed essays that discuss performers, directors, and writers. Other sections discuss genres and themes, as well as history, technical subjects, and bibliographies. [8] The encyclopedia is over 18,000 pages in length and profusely illustrated with thousands of illustrations of which 700 are in the text, 1800 are out of the text, and there are 320 colour plates. The first print run of 10,000 copies was followed by a reprint of 5,000 additional copies. Originally published in Rome by Casa Editrice Le Maschere, reprints were published by UNEDI.[ citation needed ]
Published in Rome by Unione Editoriale in 1966, the Enciclopedia dello spettacolo. Aggiornamento 1955-1965 ("Encyclopedia of Performing Arts, Supplementary 1955-1965) is an update of the main set. The Aggiornamento addresses developments and biographies. [8]
Published in Rome by Unione Editoriale in 1968, the Enciclopedia dello spettacolo. Indice-repertorio (Encyclopedia of Performing Arts. Index-Directory) is a title index of the 145,000 entries cited in the main set and the supplements. It addresses the author, genre and year of composition. [8]
D'Amico conceived of the project and brought it to fruition. The theater section was under the direction of Luigi Squarzina; he also did the film section. D'Amico's father worked on the drama theatre section, while his brother Mario worked on the music section. Gabriele Baldini and later Gian Luigi Rondi were responsible for the cinema section. Additional sections were led by others including: classical antiquity by Bruno Gentili, German theater by Paolo Chiarini, Slavic theater by Angelo Maria Ripellino, English theater by Brunacci, French theater by Gian Carlo Roscioni, Iberian theater by Luciana Stegagno Picchio, and Italian theater by Niccolò Gallo, Giulio Cesare Castello, and Caesar Garboli. The Chamber music section was under the direction of D'Amico's son, Fedele D'Amico, a musicologist, with Nino Pirrotta, Franco Serpa and Emilia Zanetti as editors.
Consultants included Sabatino Moscati for Hebrew and Yiddish theater; Dario Puccini for the Iberian language theater; Luigi Salvini for Slavic, Finno-Ugric and Romanian language theater; Giuliano Bertuccioli for Chinese language theater. Almost all of the drawings were made by young, recent graduates. Some of the illustrations were edited by Helen Poveledo. Texts and drafts were reviewed by professors. [7]
Most libraries found it to be an essential component of their reference section.
The proposed biographies of many lesser figures were not included as the editorial staff were unable to keep up with the publisher's deadline. [6]
Criticisms of the encyclopedia have included the fact that it was only available in the Italian language, that it was Eurocentric, and that non-European theatre and 20th-century theatre were underrepresented. While the encyclopedia was first published in the 1950s, it was based on pre-World War II documentation. By the 1970s, the Encyclopedia of Performing Arts was considered out of date. [5]
Stefania Sandrelli is an Italian actress, famous for her many roles in the commedia all'Italiana, starting from the 1960s. She was 14 years old when she starred in Divorce Italian Style as Angela, the cousin and love interest of Ferdinando, played by Marcello Mastroianni.
Jean Coralli was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating Giselle (1841), the quintessential Romantic ballet of the nineteenth century.
Ivo Garrani was an Italian actor and voice actor. In films since 1952, Garrani is possibly best known for his role as Prince Vajda in Mario Bava's Black Sunday (1960).
Pierre-Luc-Charles Cicéri was a leading French set designer of his era.
Accademia Nazionale d'Arte Drammatica Silvio D'Amico is a national drama school in Rome, Italy. Founded in 1936 by the theatrical theorist, critic, and writer Silvio D'Amico, the academy is the only state school for the training of actors and directors. Funded jointly by the Ministry of Education, Universities and Research (MIUR) and the Ministry of Cultural Heritage and Activities, the Academy grants academic degrees equivalent to Bachelor of Arts as well as master's degrees. Its value comes from being the only school in Italy to be recognized by the Prime Minister / Department of Performing Arts and the Ministry of University and Scientific and Technological Research.
Silvio D'Amico was an Italian theatre critic, journalist, and theorist of Italian theatre. Not a Fascist himself, D'Amico was the major theatre critic during the ventennio, the twenty years (1922–1945) of Fascist rule in Italy. He was the first editor of the nine-volume Enciclopedia dello Spettacolo, published between 1954 and 1965, that covered theatre, music, cinema, and dance. Most notably, he held an eminent position in theatrical study in Italy, giving his name to the Silvio D'Amico National Academy of Dramatic Art in Rome, Italy's most prestigious drama school.
Mala Pasqua! is an opera in three acts composed by Stanislao Gastaldon to a libretto by Giovanni Domenico Bartocci-Fontana. The libretto is based on Giovanni Verga's play, Cavalleria rusticana which Verga had adapted from his short story of the same name. Mala Pasqua! premiered on 9 April 1890 at the Teatro Costanzi in Rome, six weeks before Pietro Mascagni's opera Cavalleria rusticana which was also based on Verga's play. Bartocci-Fontana's libretto adds some elements that were not in Verga's original and expands on others. The name of the Santuzza character was also changed to Carmela, but the basic plot and setting remain the same. Its title refers to the curse which Carmela places on Turiddu, the lover who had spurned her: "Mala Pasqua a te!". Following its Rome premiere, Mala Pasqua! had a few more performances in Perugia and Lisbon, but it was completely eclipsed by the phenomenal success of Mascagni's opera. After the 1891 Lisbon run it was not heard again until 2010 when it was given a semi-staged performance in Agrigento, Sicily.
Carlo Lombardo dei Baroni Lombardo di San Chirico known also under the composer-pseudonyms Léon Bard, Leo Bard, Leblanc and M. Fernandez, was an Italian operetta impresario, comedian, librettist, publisher and "composer" of pasticcio productions of other composers' music. He is regarded in Italy as the father of the late 19th and early 20th Century revival in Italian operetta.
The Italian publishing house Editoria & Spettacolo di Maximilian La Monica I.i. was established in 2001 in Rome. Under the initiative of Maximilian La Monica, they specialize in the publication of theater and spectacle editions.
Fiorenzo Carpi was an Italian composer and pianist, probably best known for the "Pinocchio" theme.
The Grolla d'oro is one of the oldest Italian film awards.
Anchise Brizzi was an Italian cinematographer.
Giancarlo Zagni was an Italian director and screenwriter.
I fratelli Dinamite is a 1949 Italian animation film directed by Nino and Toni Pagot.
Giuliana Lojodice is an Italian former stage, television and film actress.
Guido Lauri was an Italian dancer, actor, choreographer, ballet master, company director.
Toni Pagot was an Italian comics artist and animator.
Luigi Squarzina was an Italian theatre dramatist and director.
Vincenzo Fioravanti was a prolific Italian opera composer active in Naples. He composed 39 operas, of which 34 were performed in his lifetime. Like his father, Valentino Fioravanti, he specialised in the opera buffa genre, but he also composed sacred music including two oratorios during his time as maestro di cappella of Lanciano Cathedral (1839–1843).
Luigi Ferdinando Casamorata was an Italian composer and music critic.