| Ends and Means | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 14, 2006 | |||
| Recorded | June 2005 | |||
| Studio | Knoop Music, River Edge, NJ | |||
| Genre | Jazz | |||
| Length | 57:04 | |||
| Label | HighNote HCD 7149 | |||
| Producer | Vincent Herring | |||
| Vincent Herring chronology | ||||
| ||||
Ends and Means is an album by saxophonist Vincent Herring which was recorded in 2005 and released on the Highnote label the following year. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| All About Jazz | [3] |
| All About Jazz | [4] |
| The Penguin Guide to Jazz Recordings | [5] |
Allmusic reviewed the album stating "For this 2005 studio session, Vincent Herring switches to a rhythm section that he had previously worked with exclusively in Europe ... Highly recommended". [2] JazzTimes said "This is a thoroughly enjoyable record: memorable melodies, a top-notch rhythm section and a saxophonist who plays his instrument like a man who’s having a good time. Vincent Herring was a protégé of Nat Adderley, and you can hear Cannonball in Herring’s nice round tone and soulful approach". [6] On All About Jazz Edward Zucker noted "Where Herring once sounded like Cannonball Adderley, he has developed his own distinctive sound over the years, whether on alto or soprano. Herring was one of the young lions of the '80s and early '90s (although unfortunately underrated) and has matured into a respected leader in mainstream jazz ... Ends And Means is another excellent addition to his growing catalogue as a leader in the world of modern mainstream jazz". [3] On the same site Nic Jones observed "Vincent Herring's association with HighNote has easily been the most productive of his career, in terms of documenting his growth as an artist. Where once he perhaps owed a debt of allegiance to the work of Cannonball Adderley, he now has the sound of a musician who has come into his own". [4]
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E♭, smaller than the B♭ tenor but larger than the B♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz.
Vincent Dwyne Herring is an American jazz saxophonist, flautist, composer, and educator. Known for his fiery and soulful playing in the bands of Horace Silver, Freddie Hubbard, and Nat Adderley in the earlier stages of his career, he now frequently performs around the world with his own groups and is heavily involved in jazz education.
Know What I Mean? is a 1962 jazz album by alto saxophonist Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on the Riverside label as RLP-433.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.
Jump for Joy (1958) is the final album by jazz saxophonist Cannonball Adderley released on the EmArcy label and featuring Adderley with an orchestra arranged by Bill Russo.
Cannonball Adderley Quintet in Chicago is an album by jazz saxophonist Cannonball Adderley, his final release on the Mercury label, featuring performances by Adderley with John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb.
The Cannonball Adderley Sextet in New York is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Cannonball in Europe! is a live album by jazz saxophonist Cannonball Adderley recorded at the Comblain-la-Tour in Belgium and released on the Capitol label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Nippon Soul is a live album by jazz saxophonist Cannonball Adderley recorded at the Sankei Hall in Tokyo during his 1963 Japanese tour and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The CD release added a bonus track recorded the previous week and originally released on The Japanese Concerts (1975).
Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
Talkin' About You is an album by Nat Adderley's Quintet recorded in 1990 and originally released on the Landmark label.
The Old Country is an album by Nat Adderley's Quintet recorded in 1990 and originally released on the Japanese Alfa label before being re-released on Enja Records.
Simple Pleasure is an album by saxophonist Vincent Herring which was recorded in 2001 and released on the Highnote label.
All Too Real is an album by saxophonist Vincent Herring which was recorded in 2002 and released on the Highnote label the following year.
Mr. Wizard is an album by saxophonist Vincent Herring which was recorded in 2003 and released on the Highnote label the following year.
Back Door Blues is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet recorded in Chicago in late 1961 and New York in early 1962 and released by the Riverside label. The album was partially rereleased with additional recordings and alternate takes as Cleanhead & Cannonball on CD by Landmark Records in 1988 and the complete recordings issued on Fresh Sound in 2013.
Preaching to the Choir is an album by saxophonist Vincent Herring, which was recorded in 2020 and released the following year on the Smoke Sessions label.