| English Freakbeat, Volume 3 | ||||
|---|---|---|---|---|
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| Compilation album | ||||
| Released | 1989 (LP) 1997 (CD) | |||
| Recorded | Mid-1960s | |||
| Genre | Beat, freakbeat | |||
| Label | AIP | |||
| chronology | ||||
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English Freakbeat, Volume 3 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.
The album was released as an LP in 1989 by AIP Records (as #AIP-10048) and as a CD in 1997 (as #AIP-CD-1048).
The English Freakbeat LPs and CDs have most tracks in common, although not always in the same order, and some of the LP tracks were not included on the CDs. Also, the CD bonus tracks are not always at the end of the album. Thus, for clarity, we have shown tracks for both editions of the album, with vinyl-only tracks and CD bonus tracks indicated.
The following information is taken mostly from the CD liner notes. The In Crowd included some stellar players: Twink, previously of the Fairies who was also the drummer for the Pretty Things for a time and later a founding member of the Pink Fairies; Steve Howe, later of Yes and a bandmate of Twink in the Fairies; and vocalist Keith West. "Why Must They Criticize" is from their last single in late 1965; shortly thereafter, the band changed its name to Tomorrow and went on to release one of the classic psychedelic rock albums of the 1960s.
Dean Maverick real name "Pete Harper" was the singer in (beat band) The Attraction of ( Romford Harold Hill & Dagenham ). This song is from the flip side of their second single; the "A" side, a cover of the Kinks' "Party Line" was produced by Dave Davies (whose early band the Ravens is also featured on this disk).
The Thoughts started out as a back-up band for acts like Paul Dean, Tiffany and Johnny & John. While the classic "A" side of their single, "All Night Long" has been compiled several times, this is the first re-appearance of the flip.
"Take Away" by the Couriers is taken from their only single; the "B" side is on English Freakbeat, Volume 1 . Several more recordings by the Sons of Fred are included on English Freakbeat, Volume 4 . The Sons of Fred who recorded at E.M.I. Studios, later Abbey Road Studios included guitarist Mick Hutchinson, and Pete Sears on bass. Sears went on to record bass or piano with many artists including Long John Baldry, Stoneground, Silver Metre, Rod Stewart, John Cipollina, Jefferson Starship, Nick Gravenites, John Lee Hooker, Hot Tuna and Moonalice. Sons of Fred also performed on 1960 television shows like Thank Your Lucky Stars, and Ready Steady Goes Live.
The Mockingbirds are a predecessor band to 10cc and already included both Graham Gouldman and Kevin Godley. This cut is from their last of five singles.
The bandmembers of the Raving Savages – who backed Screaming Lord Sutch – included Deep Purple co-founder Ritchie Blackmore and sideman extraordinaire Nicky Hopkins. This cover of the Jan & Dean classic "Surf City" comes from a 1963 surf EP that the band released under their own name in the same time period.
The numerous rarities that populate the bonus tracks on the second half of the CD more than make up for the three LP cuts that are omitted. Although they would eventually evolve into the Kinks, the bandleader for the Ravens was Dave Davies before the even greater genius in younger brother Ray was evident. The second and third tracks sound like "the Kinks unplugged", while the first is an excellent cover of one of the coolest Leiber/Stoller songs, "I'm a Hog for You".
The Talismen released one 45 that includes "Casting My Spell", while "What Kind of Boy" comes from a very rare Italian album by the band; the producer is Shel Talmy.
"Keep Me Covered" is the flip side of the first single by the Frays; they followed that up with a cover of "My Girl Sloopy". Bandmember Mike Patto was later in Timebox, Patto and several other bands.
Dave Dee, Dozy, Beaky, Mick & Tich is a fairly well known bubblegum group; this track was evidently released only in Germany in connection with the band's appearance at the legendary Star Club in Hamburg (where the Beatles gained early prominence).
Side 1:
Side 2:
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979. It was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
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Pebbles, Volume 5 is a compilation album in the Pebbles series that has been issued in both LP and CD formats.
Pebbles, Volume 6 is a compilation album among the LPs in the Pebbles series. Subtitled The Roots of Mod, Volume 6 is the only album in the Pebbles series that features primarily British music. The Pebbles, Volume 6 CD is not at all related to this LP; instead, the CD featuring the songs on this LP was released as English Freakbeat, Volume 6.
Pebbles, Volume 11 is a compilation album among the LP's in the Pebbles series and has no relation to the Pebbles, Volume 11 CD that was released many years later. The cover was adapted and colorized for a later Pebbles double CD, Essential Pebbles, Volume 2.
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Pebbles, Volume 7 is a compilation album among the CDs in the Pebbles series; it is subtitled Chicago 2. The previous CD in the series, Pebbles, Volume 6 also features bands from Chicago, as does the LP Highs in the Mid-Sixties, Volume 4.
Pebbles, Volume 8 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 1. The next CD in the series, Pebbles, Volume 9 also feature bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
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Highs in the Mid-Sixties, Volume 20 is a compilation album in the Highs in the Mid-Sixties series; it is subtitled L.A., Part 4 and features recordings that were released in Los Angeles. Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
The English Freakbeat series is a group of five compilation albums, released in the late 1980s, that were issued by AIP Records. The LPs featured recordings that were released in the mid-1960s by English rock bands in the early punk, proto-punk, R&B, mod, and beat genres. The series served as a follow-up to the Pebbles, Volume 6 LP, itself subtitled The Roots of Mod, which was the only album in the Pebbles series that was devoted to English music. When the English Freakbeat series was reissued as CDs in the 1990s, the Pebbles, Volume 6 LP was adapted into the English Freakbeat, Volume 6 CD.
English Freakbeat, Volume 1 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.
English Freakbeat, Volume 2 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.
English Freakbeat, Volume 4 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.
English Freakbeat, Volume 5 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.