The dates of early commercial recordings, and the modern reissue albums on which they can be heard
Sabine Baring-Gould of Lew Trenchard in Devon, England, was an Anglican priest, hagiographer, antiquarian, novelist, folk song collector and eclectic scholar. His bibliography consists of more than 1,240 publications, though this list continues to grow.
The folk music of England is a tradition-based music which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music traditionally was preserved and passed on orally within communities, but print and subsequently audio recordings have since become the primary means of transmission. The term is used to refer both to English traditional music and music composed or delivered in a traditional style.
Cecil James Sharp was an English collector of folk songs, folk dances and instrumental music, as well as a lecturer, teacher, composer and musician. He was a key figure in the folk-song revival in England during the Edwardian period. According to Roud's Folk Song in England, Sharp was the country's "single most important figure in the study of folk song and music."
"Lily of the West" is a traditional British and Irish folk song, best known today as an American folk song, listed as number 957 in the Roud Folk Song Index. The American version is about a man who travels to Louisville and falls in love with a woman named Mary, Flora or Molly, the eponymous Lily of the West. He catches Mary being unfaithful to him, and, in a fit of rage, stabs the man she is with, and is subsequently imprisoned. In spite of this, he finds himself still in love with her. In the original version, the Lily testifies in his defense and he is freed, though they do not resume their relationship.
"This Old Man" is an English language children's song, counting exercise, folk song, and nursery rhyme with a Roud Folk Song Index number of 3550.
English Folk Song Suite is one of English composer Ralph Vaughan Williams' most famous works. It was first published for the military band as Folk Song Suite and its premiere was given at Kneller Hall on 4 July 1923, conducted by Lt Hector Adkins. The piece was then arranged for full orchestra in 1924 by Vaughan Williams' student Gordon Jacob and published as English Folk Song Suite. The piece was later arranged for British-style brass band in 1956 by Frank Wright and published as English Folk Songs Suite. All three versions were published by Boosey & Hawkes; note the use of three different titles for the three different versions. The suite uses the melodies of nine English folk songs, six of which were drawn from the collection made by Vaughan Williams' friend and colleague Cecil Sharp.
Sovay is a traditional English folk song about a young woman who dresses and arms herself as a highwayman in order to test her suitor. In disguise she robs her suitor of nearly all his possessions, but even under threat of death he refuses to give up the gold ring given by Sovay, thus proving his devotion. Sovay subsequently confesses the ruse to her lover and returns his various possessions, admonishing him only that had he indeed given up the ring, she would have killed him. The name 'Sovay' is probably a corruption of 'Sophie' or 'Sylvie' – both of which appear instead in some versions of the song.
Lucy Etheldred Broadwood was an English folksong collector and researcher, and great-granddaughter of John Broadwood, founder of the piano manufacturers Broadwood and Sons. As one of the founder members of the Folk-Song Society and Editor of the Folk-Song Journal, she was one of the main influences of the British folk revival of that period. She was an accomplished singer, composer, piano accompanist, and amateur poet. She was much sought after as a song and choral singing adjudicator at music festivals throughout England, and was also one of the four main organisers of the Leith Hill Music Festival in Surrey from its commencement in 1904 until her death in 1929.
The Vaughan Williams Memorial Library (VWML) is the library and archive of the English Folk Dance and Song Society (EFDSS), located in the society's London headquarters, Cecil Sharp House. It is a multi-media library comprising books, periodicals, audio-visual materials, photographic images and sound recordings, as well as manuscripts, field notes, transcriptions etc. of a number of collectors of folk music and dance traditions in the British Isles. According to A Dictionary of English Folklore, "... by a gradual process of professionalization the VWML has become the most important concentration of material on traditional song, dance, and music in the country."
The English Folk Dance and Song Society is an organisation that promotes English folk music and folk dance. EFDSS was formed in 1932 when two organisations merged: the Folk-Song Society and the English Folk Dance Society. The EFDSS, a member-based organisation, was incorporated in 1935 and became a registered charity in 1963.
"Bonnie Annie" is a folk ballad recorded from the Scottish and English traditions. Scottish texts are often called Bonnie Annie or The Green Banks of Yarrow, English texts are most often called The Banks of Green Willow. Other titles include The Undutiful Daughter, The High Banks O Yarrow, The Watery Grave, Green Willow, There Was a Rich Merchant that Lived in Strathdinah and The Merchant's Daughter.
Dives and Lazarus is traditional English folk song listed as Child ballad 56 and number 477 in the Roud Folk Song Index. It is considered a Christmas carol and based on the parable of the rich man and Lazarus. The song traditionally used a variety of tunes, but one particular tune, published by Lucy Broadwood in 1893 and used in other traditional songs, inspired many notable works and appeared in several pieces composed by Ralph Vaughan Williams.
James Campbell McInnes was a well-known English baritone singer and teacher at the turn of the 20th century, ex-husband of author Angela Thirkell and father of writer Colin MacInnes.
Anne Geddes Gilchrist OBE FSA was a British folk song collector. Although less well-known than her London-based counterparts, her expertise was acknowledged by Cecil Sharp, Lucy Broadwood, and John Masefield.
Maud Karpeles OBE, was a British collector of folksongs and dance teacher.
The Jolly Waggoner is an English folk-song.
The British folk revival incorporates a number of movements for the collection, preservation and performance of folk music in the United Kingdom and related territories and countries, which had origins as early as the 18th century. It is particularly associated with two movements, usually referred to as the first and second revivals, respectively in the late 19th to early 20th centuries and the mid-20th century. The first included increased interest in and study of traditional folk music, the second was a part of the birth of contemporary folk music. These had a profound impact on the development of British classical music and in the creation of a "national" or "pastoral" school and led to the creation of a sub-culture of folk clubs and folk festivals as well as influential subgenres including progressive folk music and British folk rock.
James Frederick Keel was an English composer of art songs, baritone singer and academic. Keel was a successful recitalist and a professor of singing at the Royal Academy of Music. He combined scholarly and artistic interest in English songs and their history. His free settings of Elizabethan and Jacobean lyrics helped pioneer the revival of interest in the genre. He was also an active member of the English folksong movement. During World War I, Keel was held in the civilian internment camp at Ruhleben in Germany, where he played an active role in the camp's musical life, giving many recitals to help boost the morale of his fellow detainees. Keel was one of the few singer-songwriters of English art songs of his day. Among his better-known compositions are settings of Salt-Water Ballads by the poet John Masefield, including "Trade Winds", the popularity of which has given Keel a reputation for being a "one-song composer".
Charles Latimer Marson was an influential figure in the second wave of Christian socialism in England in the 1880s. Later between 1903 and 1906 he collaborated with his good friend Cecil Sharp in the collection and publication of Folk Songs from Somerset vols. 1-3, which contributed greatly to the first British folk revival.
The Full English launched in 2013 and is an ongoing English Folk Dance and Song Society (EFDSS) project to create a searchable digital archive of English folk song collections from the early 20th century, thereby preserving and improving the accessibility of these resources. The project is supported by the Heritage Lottery Fund, The Folklore Society, the National Folk Music Fund and the English Miscellany Folk Dance Group. An offshoot of the archive, also in 2013, was an album and concert tour under The Full English name by a collective of UK folk singers.