Anne Boleyn was Queen of England from 1533 to 1536 as the second wife of King Henry VIII. Their marriage, and her execution by beheading, made her a key figure in the political and religious upheaval that was the start of the English Reformation. Anne was the daughter of Thomas Boleyn, 1st Earl of Wiltshire, and his wife, Lady Elizabeth Howard, and was educated in the Netherlands and France, largely as a maid of honour to Queen Claude of France. Anne returned to England in early 1522, to marry her Irish cousin James Butler, 9th Earl of Ormond; the marriage plans were broken off, and instead she secured a post at court as maid of honour to Henry VIII's wife, Catherine of Aragon.
The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia was first used in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain. The historian John Guy (1988) argues that "England was economically healthier, more expansive, and more optimistic under the Tudors" than at any time in a thousand years.
The Jacobethan or Jacobean Revival architectural style is the mixed national Renaissance revival style that was made popular in England from the late 1820s, which derived most of its inspiration and its repertory from the English Renaissance (1550–1625), with elements of Elizabethan and Jacobean.
Mentmore Towers, historically known simply as "Mentmore", is a 19th-century English country house built between 1852 and 1854 for the Rothschild family in the village of Mentmore in Buckinghamshire. Sir Joseph Paxton and his son-in-law, George Henry Stokes, designed the building in the 19th-century revival of late 16th and early 17th-century Elizabethan and Jacobean styles called Jacobethan. The house was designed for the banker and collector of fine art Baron Mayer de Rothschild as a country home, and as a display case for his collection of fine art. The mansion has been described as one of the greatest houses of the Victorian era. Mentmore was inherited by Hannah Primrose, Countess of Rosebery, née Rothschild, and owned by her descendants, the Earls of Rosebery.
Victorian architecture is a series of architectural revival styles in the mid-to-late 19th century. Victorian refers to the reign of Queen Victoria (1837–1901), called the Victorian era, during which period the styles known as Victorian were used in construction. However, many elements of what is typically termed "Victorian" architecture did not become popular until later in Victoria's reign. The styles often included interpretations and eclectic revivals of historic styles. The name represents the British and French custom of naming architectural styles for a reigning monarch. Within this naming and classification scheme, it followed Georgian architecture and later Regency architecture, and was succeeded by Edwardian architecture.
The Queen Anne style in British architecture refers to either the English Baroque architectural style approximately of the reign of Queen Anne, or a revived form that was popular in the last quarter of the 19th century and the early decades of the 20th century. In other English-speaking parts of the world, Queen Anne style refers to entirely different styles.
Nicholas Hilliard was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years. His paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays."
The Italianate style of architecture was a distinct 19th-century phase in the history of Classical architecture.
The Stick style was a late-19th-century American architectural style, transitional between the Carpenter Gothic style of the mid-19th century, and the Queen Anne style that it had evolved into by the 1890s. It is named after its use of linear "stickwork" on the outside walls to mimic an exposed half-timbered frame.
Roger Manners, 5th Earl of Rutland was the eldest surviving son of John Manners, 4th Earl of Rutland and his wife, Elizabeth nee Charleton. He travelled across Europe, took part in military campaigns led by the Earl of Essex, and was a participant of Essex's rebellion against Queen Elizabeth I. He was favoured by James I, and honoured by his contemporaries as a man of great intelligence and talent. He enjoyed the friendship of some of the most prominent writers and artists of the Elizabethan age and Jacobean age. In 1603 he led an Embassy to Denmark, homeland of James' Queen Anne of Denmark.
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature.
Tudor Revival architecture first manifested itself in domestic architecture in the United Kingdom in the latter half of the 19th century. Based on revival of aspects that were perceived as Tudor architecture, in reality it usually took the style of English vernacular architecture of the Middle Ages that had survived into the Tudor period. The style later became an influence elsewhere, especially the British colonies. For example, in New Zealand, the architect Francis Petre adapted the style for the local climate. In Singapore, then a British colony, architects such as R. A. J. Bidwell pioneered what became known as the Black and White House. The earliest examples of the style originate with the works of such eminent architects as Norman Shaw and George Devey, in what at the time was thought Neo-Tudor design.
Marcus Gheeraerts was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and Van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s.
The Golden Age Restored was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones; it was performed on 1 January and 6 January 1616, almost certainly at Whitehall Palace.
The Queen Anne style of furniture design developed before, during, and after the reign of Anne, Queen of Great Britain (1702–1714).
Robert Peake the Elder was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz. Peake is often called "the elder", to distinguish him from his son, the painter and print seller William Peake and from his grandson, Sir Robert Peake, who followed his father into the family print-selling business.
Steven van der Meulen was a Flemish artist active c. 1543-1564. He gained prominence in England in the first decade of the reign of Elizabeth I as one of many Flemish artists active at the Tudor court. He is best known for the "Barrington Park" portrait type of Elizabeth I and for three-quarter length portraits of members of the English court in the first half of the 1560s. A recently discovered will indicates that he died in London between October 1563 and January 1564.
The portraiture of Elizabeth I of England illustrates the evolution of English royal portraits in the Early Modern period from the representations of simple likenesses to the later complex imagery used to convey the power and aspirations of the state, as well as of the monarch at its head.
The Rotherwas Room is an English Jacobean-style room currently in the Mead Art Museum, in Amherst College.
