"Enough Is Enough" | ||||
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Single by Chumbawamba and Credit to the Nation | ||||
from the album Anarchy | ||||
Released | 1993 | |||
Recorded | June 1993 | |||
Genre | ||||
Label | One Little Indian (UK, 1993) | |||
Chumbawamba and Credit to the Nation singles chronology | ||||
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Enough Is Enough is an anti-fascist protest single from Chumbawamba and Credit to the Nation, on Chumbawamba's album Anarchy . It reached #56 on UK charts in 1993 [1] and was supported by a music video.
The b-side, "Hear No Bullshit (On Fire Mix)", is a remix of the Credit to the Nation single "Hear No Bullshit See No Bullshit Say No Bullshit" released the same year, and samples Chumbawamba's Song "Mouthful of Shit" from their album Anarchy.
The song gave Chumbawamba their first entry on the UK Singles Chart. It debuted on the chart dated 18 September 1993, at number 56; the following week, it fell to number 64. The song remained their highest-charting in the UK until "Tubthumping" peaked at number 2 on the chart four years later. [2]
In July 2000, the band recorded a version of the song featuring new topical lyrics, called 'Enough Is Enough (Kick It Over)', and gave away a one-track CD of it at their shows in Austria. This followed the formation of a coalition government including the FPÖ, a party led by Austrian politician and Nazi apologist Jörg Haider, who later that year stepped down from direct control of the party due to international pressure. This version of the song was also performed at the band's final gig and appears on the live DVD Going, Going – Live at Leeds City Varieties .
"Relax" is the debut single by English new wave band Frankie Goes to Hollywood, released in the United Kingdom by ZTT Records in 1983.
Chumbawamba were an English anarcho-punk band who formed in 1982 and disbanded in 2012. They are best known for their 1997 single "Tubthumping", which was nominated for Best British Single at the Brit Awards 1998. Other singles include "Amnesia", "Enough Is Enough", "Timebomb", "Top of the World ", and "Add Me". Their anarcho-communist political leanings led them to have an irreverent attitude toward authority, and to espouse a variety of political and social causes including animal rights and pacifism and later regarding class struggle, Marxism, feminism, and anti-fascism.
"Anarchy in the U.K." is a song by English punk rock band the Sex Pistols. It was released as the band's debut single on 26 November 1976 and was later featured on their album Never Mind the Bollocks, Here's the Sex Pistols. "Anarchy in the U.K." was number 56 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time and is included in the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll.
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Credit to the Nation are a British hip hop group, who had chart success in the 1990s and are best known for their Nirvana-sampling single "Call It What You Want". The band is fronted by Matty Hanson and was initially noted for fusing a conscious hip hop style with political elements taken from the British left-wing and anarchist movements. Following their initial split in 1998, the band reformed in 2011.
"The Sun Ain't Gonna Shine (Anymore)" is a song written by Bob Crewe and Bob Gaudio.
Anarchy is the sixth studio album by anarcho-punk band Chumbawamba. Many of the tracks address specific social issues, such as homophobia, strikes or fascism.
"Relight My Fire" is a disco song written and released by American musician, singer, songwriter, and record producer Dan Hartman as the title track from his 1979 album of the same name. It was also performed by Costa Anadiotis' band Café Society in 1984 and British boy band Take That in 1993, five months before Hartman died.
Shhh is the fifth studio album by British band Chumbawamba. It was originally written and recorded as Jesus H. Christ, an album that relied heavily on samples. The band was unable to procure rights to a number of the songs they sampled, however, and the album was largely re-worked to defend artistic intent and criticize censorship. The album sleeve artwork itself incorporated various rejection letters received by the band denying the rights to the Christ samples. Shhh is considered by many to be a "genre landmark."
Swingin' with Raymond is the seventh studio album by anarchist punk band Chumbawamba. The album cover features a photograph of Raymond Mills.
"All Cried Out" is a song by English singer-songwriter Alison Moyet, which was released in 1984 as the second single from her debut studio album Alf. It was written by Moyet and producers Jolley & Swain. The song peaked within the top ten on both the Irish and the UK Singles Chart, and also reached the top twenty in Switzerland.
"Ghosts" is a song by English band Japan. It was released in edited form in March 1982 as the third single from their 1981 album Tin Drum.
"Until You Suffer Some (Fire and Ice)" is a song by American hard rock band Poison. It was released as the second single from their 1993 album, Native Tongue. The song peaked at number 32 on the UK Singles Chart.
"Homophobia" is a song by English rock band Chumbawamba from their sixth studio album Anarchy (1994). A remixed version of the song featuring the Sisters of Perpetual Indulgence, titled the "Sisters Mix" was released as the third single from the album in 1994. Concerning the topic of modern homophobia, the song remained a regular part of Chumbawamba's live set from its initial release in 1994 up to the band's retirement in 2012. Live recordings of the song are featured on Chumbawamba's two live albums Showbusiness! and Get On with It.
"Timebomb" is a single from Chumbawamba's album Anarchy. It reached #59 on UK Charts in 1993. The album version of "Timebomb" combined elements of both the main single version and the "Techno Timebomb" remix, which was included as a B-side on this single.
"Amnesia" is the second single from English rock band Chumbawamba's eighth studio album, Tubthumper (1997). The song's lyrics address the sense of betrayal that English leftists felt during the rise of New Labour. Released on 19 January 1998 by EMI, the song was met with favorable reception from critics, who regarded the song as a highlight from Tubthumper.