"Tubthumping" | ||||
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Single by Chumbawamba | ||||
from the album Tubthumper | ||||
B-side |
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Released | 11 August 1997 | |||
Studio | Woodlands (Castleford) | |||
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Length |
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Songwriter(s) |
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Chumbawamba singles chronology | ||||
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Audio sample | ||||
Music video | ||||
"Tubthumping" on YouTube |
"Tubthumping" is a song by British rock band Chumbawamba,released in August 1997 by EMI,Universal and Republic Records as the first single from their eighth studio album, Tubthumper (1997). It is the band's most successful single,peaking at number two on the UK Singles Chart. It topped the charts in Australia,Canada,Ireland,Italy,New Zealand and reached number six on the US Billboard Hot 100. At the 1998 Brit Awards,"Tubthumping" was nominated for the Brit Award for Best British Single. It sold 880,000 copies in the UK. [1]
The song was the group's lead single from Tubthumper,their major-label debut. [2] It was released on 11 August 1997. [3] [4] Vocalist Dunstan Bruce retrospectively observed that,before the group wrote it,they "were in a mess:we had become directionless and disparate". He credited "Tubthumping" with changing that,telling The Guardian,"It's not our most political or best song,but it brought us back together. The song is about us –as a class and as a band. The beauty of it was we had no idea how big it would be." [5]
A Leeds pub named the Fforde Grene served as the group's inspiration for the song. Guitarist Boff Whalley told The Guardian that it was written about "the resilience of ordinary people"; [5] musically,"Tubthumping" is a dance-rock,alternative rock,and dance-punk song in D major. [6] [7] [8] [9] [10] The intro to the song includes an excerpt from the British film Brassed Off . [11]
In 2024,after the song was used by New Zealand politicians deemed to be anti-liberal,Whalley said,“Let me be clear:the song "Tubthumping" was written to celebrate the resilience and tenacity of working-class folk who keep fighting when the chips are down. It has nothing whatsoever in common with wealthy politicians with extremist anti-liberal agendas. ...The right doesn't have any good songs. That's why they keep trying to nick ours." [12]
Larry Flick from Billboard wrote,"Some records just demand attention:'Tubthumping' is one of the rare few. You can spend three times the track's running time plucking out the seemingly disparate sounds and assorted genre references—starting with the forceful alterna-rock guitar scratches,the hip-hop-derived beats,and the swing-style horns. Holding it all together are the kind of rousing,gang-like chants that you hear at football games. Sounds odd,eh? Well,you won't soon forget this jam after first listen. And you'll likely be hearing it on pop and modern rock stations for months to come. If this gem is indicative of the tone of the act's forthcoming album,it should be quite a head trip." [13] A reviewer from Daily Record described it as an "irritating catchy drinking anthem from the anarchist band". [14] It was also named a "raucous anthem". [15] Pan-European magazine Music &Media said,"After a decade and a half spent as indie heroes this collective is likely to break into the mainstream in a big way". [16] Music Week gave the song four out of five,noting that it "combines their unique sound with a very infectious chant that could have come from the terraces. Radio One's Simon Mayo has been heavily championing the song which should prove to be their biggest hit to date." [17] Ian Hyland of the Sunday Mirror rated it eight out of ten,writing,"Sing a terrace chant,mention lager and the rugby boys will be making boozed-up human pyramids on the dance floor in seconds. And you'll have a monster hit –good work,chum." [18] Troy J. Augusto from Variety named it a "drinking-and-dancing anthem" and "the quirk hit of the season". [19]
In The Village Voice 's Pazz &Jop poll for 1997,"Tubthumping" was voted the second-best single of the year. [20] Australian radio station Triple J ranked it No. 3 in its Triple J Hottest 100 for the same year. [21] Author Bruce Pollock included it in his 2005 book "The 7,500 Most Important Songs of 1944-2000". [22] "Tubthumping" also placed at No. 12 in Rolling Stone 's 2007 list of the "20 Most Annoying Songs" [23] and at No. 8 in the magazine's 2011 list of the "Top 10 One-Hit Wonders of All Time". [24] In 2017,Billboard ranked it No. 38 in their list of "The 100 Greatest Pop Songs of 1997". [25]
Upon its release,the song became an international hit. [26] On the UK Singles Chart,it debuted at number two on the chart dated 23 August 1997;it spent three consecutive weeks at number two,held off the top spot by Will Smith's "Men in Black." [27] [28] [29] The song spent 11 consecutive weeks in the top 10,and 20 consecutive weeks on the top 100. [30] On the chart dated 24 January 1998,three weeks after its last week on the chart,the song reentered the singles chart at number 88;the next week,it fell to number 96 before exiting the chart. [30]
In the US,the song debuted on the Billboard Hot 100 dated 13 September 1997,at number 79. [31] The next week,it rose to number 63,attaining the week's biggest gain in airplay. [32] Two weeks later,on the chart dated 4 October 1997,the song was again the biggest airplay gainer of the week,entering the top 40 in its rise from 47 to 35. [33] In its 12th week on the chart,29 November 1997,the song reached its peak of number six,where it spent two weeks. [34] In total,it spent 31 weeks on the Billboard Hot 100. [35]
The single was also present on many year-end singles charts for 1997. In the UK,it ranked as the year's seventh most-popular single, [36] while it placed at number three on Australia's top 100 songs of the year. [37] The single also placed in the top 20 of the year-end chart in Sweden [38] and in the top 100 of 1997 in Belgium,Canada,Germany,the Netherlands,New Zealand,and the United States. [39] [40] [41] [42] [43] [44] In the US,it placed at number 35 on the Billboard Hot 100's year-end ranking for 1998. [45]
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Weekly charts
| The single entered the US Top 40 and the US Billboard Chart. "Tubthumping" Year-end charts
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Region | Certification | Certified units/sales |
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Australia (ARIA) [99] | 2× Platinum | 140,000^ |
New Zealand (RMNZ) [100] | Platinum | 10,000* |
Norway (IFPI Norway) [101] | Platinum | |
Sweden (GLF) [102] | Gold | 15,000^ |
United Kingdom (BPI) [103] | 2× Platinum | 1,200,000‡ |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref(s). |
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United Kingdom | 11 August 1997 |
| EMI | [3] [4] |
United States | 7 October 1997 | Contemporary hit radio | [104] |
"Tubthumping (remix)" | ||||
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Single by Chumbawamba | ||||
from the album Readymades and Then Some (Bonus DVD) | ||||
B-side |
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Released | 2003 | |||
Label | Koch | |||
Chumbawamba singles chronology | ||||
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"Tubthumping (remix)" was released in 2003 as a promotional CD by Chumbawamba on Koch Records. The remixed version of the song was done by The Flaming Lips and Dave Fridmann. [105]
The single was released promotionally by Mutt Records, with their previous single, "Jacob's Ladder (Not in My Name)", as a B-side. [106] It was also included on the bonus DVD accompanying Readymades and Then Some, the rerelease of their 2002 album Readymades . [107] Stereogum also made the song available as a free MP3 download in June 2004. [108]
A neon sculpture on the Leeds Playhouse features the lyric "I get knocked down but I get up again". [110] During the COVID-19 pandemic in Leeds, the song was given a remix by local young musicians and sportspeople. [111]
Alternative rock band They Might Be Giants covered "Tubthumping" for The A.V. Club's A.V. Undercover series, and included on the compilation album Album Raises New and Troubling Questions . [112]
In 2024, New Zealand deputy prime minister Winston Peters used the song at a political rally. Chumbawamba accused Peters of hijacking the song and asked their record label to issue a cease and desist letter. Peters responded on X, "there's nothing to 'cease or desist'. [...] The song worked like a charm for our first public meeting after the election. The over 700 people in the crowd thought so too." [113]
The song was also used briefly in the 1998 comedy film Dirty Work starring Norm Macdonald and directed by Bob Saget.
"MMMBop" is a song written and performed by American pop rock band Hanson. It was released on April 15, 1997, as the lead single from their first full-length studio album, Middle of Nowhere (1997). The song is band's most successful single to date. The song was nominated for Record of the Year and Best Pop Performance by a Duo or Group with Vocals at the 40th Annual Grammy Awards. "MMMBop" was a major success worldwide, reaching number one in at least 12 countries, including Australia, Canada, Germany, New Zealand, the United Kingdom and the United States.
"Bitch", also known by its censored title "B***h ", is a song by American singer-songwriter Meredith Brooks and co-written with Shelly Peiken. It was released in March 1997 by Capitol Records as the lead single from Brooks' second album, Blurring the Edges (1997). The song was produced by punk notable Geza X.
"Sweetest Thing" is a song by Irish rock band U2. It was originally released as a B-side on the "Where the Streets Have No Name" single in 1987. The song was later re-recorded and re-released as a single in October 1998 for the band's compilation album The Best of 1980–1990.
"The Way" is a song by American alternative rock band Fastball. It was released on January 7, 1998, as the lead single from their second studio album, All the Pain Money Can Buy (1998). The song was written by the band's lead vocalist, Tony Scalzo, and was produced by the band and Julian Raymond. Scalzo was inspired to write the song after reading about the disappearance of an elderly couple who were found dead in their car many miles away from their intended destination.
"Alone" is a song by musical group the Bee Gees. The ballad, written by Barry, Robin, and Maurice Gibb, is the opening track on their 21st studio album, Still Waters (1997), and was the first single released from the album on 17 February 1997. In the United Kingdom, the song was backed with two B-sides: "Closer Than Close" and "Rings Around the Moon", while in the United States, a live version of "Stayin' Alive" was included on the single releases.
"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan, and produced by T Bone Burnett. It was released in January 1997 as the second single from the band's second studio album, Bringing Down the Horse (1996).
"4 Seasons of Loneliness" is a song by Philadelphia-based vocal quartet Boyz II Men. Written and produced by Jimmy Jam and Terry Lewis, the song was issued as the first single from their fourth studio album, Evolution (1997), on September 8, 1997.
"To the Moon and Back" is a song by Australian pop duo Savage Garden, released in Australia on 4 November 1996 as the second single from their self-titled 1997 album. It was the follow-up to their first hit "I Want You", and won the 1997 ARIA Music Award for Song of the Year. The song became the band's first number-one single in their native country, reached number three on the UK Singles Chart, and peaked at number 24 on the US Billboard Hot 100.
"Walkin' on the Sun" is a song by American rock band Smash Mouth from their first album, Fush Yu Mang (1997). Smash Mouth released it as their debut single in June 1997, the song was Smash Mouth's first major single, reaching No. 1 on the US Billboard Modern Rock Tracks chart and No. 2 on the Billboard Hot 100 Airplay chart. It was also a success abroad, peaking at No. 3 in Canada and Iceland, No. 5 in Italy and Spain, and No. 7 in Australia, where it is certified platinum for shipments exceeding 70,000 units.
"Sunny Came Home" is a folk-rock song by American musician Shawn Colvin. It is the opening track on her 1996 concept album, A Few Small Repairs, and was released as a CD and cassette single on June 24, 1997. In the United Kingdom, the song was released in July 1997 but did not chart until a re-release in May 1998.
"3AM" is the third single and the third track from American rock band Matchbox 20's debut album, Yourself or Someone Like You (1996). Written by Rob Thomas, Jay Stanley, John Leslie Goff, and Brian Yale, the song was inspired by Thomas dealing with his mother's cancer as a teenager. The song was officially serviced to US modern rock radio in October 1997 and was given a commercial release outside North America the following month.
"This Kiss" is a song by American country music singer Faith Hill from her third studio album Faith. It was written by Beth Nielsen Chapman, Robin Lerner and Annie Roboff, and produced by Hill and Byron Gallimore. It was released on February 23, 1998, as the album's first single.
"Wishing I Was There" is a song by Australian singer-songwriter Natalie Imbruglia, released on 25 May 1998 as the third single from her debut album, Left of the Middle (1997). The track was produced by Phil Thornalley and was co-written by Imbruglia, Thornalley and Colin Campsie. The single reached number five in Canada, Hungary, and Iceland, became a top-20 hit in the United Kingdom, and entered the top 30 in Imbruglia's native Australia.
"The Impression That I Get" is a song by American ska punk band the Mighty Mighty Bosstones, released as the lead single from their fifth studio album, Let's Face It (1997), in February 1997. The track reached number one on the US Billboard Modern Rock Tracks chart and number 23 on the Billboard Hot 100 Airplay chart while also charting highly in Australia, Canada, and the United Kingdom. The song was certified gold in the United States and Australia. Chris Applebaum directed the song's music video while Adam Stern produced it.
"Gone till November" a song by Haitian rapper Wyclef Jean, released as the third single from his debut solo album The Carnival (1997). The song was released on 25 November 1997 by Columbia and Ruffhouse, and peaked at number three on the UK Singles Chart, becoming Jean's highest-charting solo hit in the UK alongside 2000's "It Doesn't Matter". In the United States, the song peaked at number seven on the Billboard Hot 100 chart. It reached number four in both Canada and New Zealand.
"You Were Meant for Me" is a song by the American singer-songwriter Jewel, released on her first album, Pieces of You (1995). It was written by Jewel and Steve Poltz. It describes a failed relationship and the narrator's inadequate attempts at moving on with her life.
"All for You" is the debut single of American alternative rock band Sister Hazel, originally appearing on their eponymous debut album. In 1997, the song was re-recorded for their second album, ...Somewhere More Familiar. It peaked at number 11 on the US Billboard Hot 100, number two on Canada's RPM 100 Hit Tracks chart, and number 10 in Iceland. It also charted in Australia, where it spent two non-consecutive weeks at number 50.
"Give Me One Reason" is a song written and performed by American singer-songwriter Tracy Chapman. It was included on her fourth studio album, New Beginning (1995), and was released as a single in various territories between November 1995 and March 1997, her first since 1992's "Dreaming on a World". The song is Chapman's biggest US hit, reaching number three on the Billboard Hot 100. It is also her biggest hit in Australia, where it reached number three as well, and it topped the charts of Canada and Iceland. Elsewhere, the song reached number 16 in New Zealand, but it underperformed in the United Kingdom, peaking at number 95 in March 1997.
"Are You Jimmy Ray?" is a song by English singer Jimmy Ray. It was released in October 1997 as the first single from his self-titled debut album (1997). The song peaked at number 13 on both the US Billboard Hot 100 and the UK Singles Chart. It was most successful in Canada, reaching number two on the RPM 100 Hit Tracks chart. It has been Jimmy Ray's most popular single to date. Ray later re-recorded this song as "Who Wants to Know" on his second album, Live to Fight Another Day, in 2017.
"Amnesia" is the second single from English rock band Chumbawamba's eighth studio album, Tubthumper (1997). The song's lyrics address the sense of betrayal that English leftists felt during the rise of New Labour. Released on 19 January 1998 by EMI, the song was met with favorable reception from critics, who regarded the song as a highlight from Tubthumper.
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