"Enough Is Enough" | ||||
---|---|---|---|---|
Single by Chumbawamba & Credit to the Nation | ||||
from the album Anarchy | ||||
Released | 1993 | |||
Recorded | June 1993 | |||
Genre | ||||
Label | One Little Indian (UK, 1993) | |||
Chumbawamba & Credit to the Nation singles chronology | ||||
|
Enough Is Enough is an anti-fascist single from Chumbawamba & Credit to the Nation, on Chumbawamba's album Anarchy . It reached #56 on UK charts in 1993 [1] and was supported by a music video, which can be seen here.
The b-side, "Hear No Bullshit (On Fire Mix)", is a remix of the Credit to the Nation single "Hear No Bullshit See No Bullshit Say No Bullshit" released the same year, and samples Chumbawamba's Song "Mouthful of Shit" from their album Anarchy.
In July 2000, the band gave away a one-track CD of a remix of the song featuring new topical lyrics, called "Enough Is Enough (Kick It Over)", at their shows in Austria. This was following the formation of a coalition government including the FPÖ, a party led by (now-deceased) Austrian politician and Nazi apologist Jörg Haider, who later that year stepped down from direct control of the party due to international pressure. The mp3 of the song is available for free from Chumbawamba's website here.
The song gave Chumbawamba their first entry on the UK Singles Chart. It debuted on the chart dated 18 September 1993, at number 56; the following week, it fell to number 64. The song remained their highest-charting in the UK until "Tubthumping" peaked at number 2 on the chart four years later. [2]
Chumbawamba were an English rock band formed in 1982 and disbanded in 2012. They are best known for their 1997 single "Tubthumping", which was nominated for Best British Single at the 1998 Brit Awards. Other singles include "Amnesia", "Enough Is Enough", "Timebomb", "Top of the World ", and "Add Me". The band drew on genres such as punk rock, pop, and folk. Their anarcho-communist political leanings led them to have an irreverent attitude toward authority, and to espouse a variety of political and social causes including animal rights and pacifism and later regarding class struggle, Marxism, feminism, gay liberation, pop culture, and anti-fascism.
"No Limit" is a song recorded by Belgian/Dutch Eurodance group 2 Unlimited, released in January 1993 by Byte, ZYX and PWL. It was their fifth single in total and the first to be released from their second album, No Limits! (1993). Co-written by the group's Ray Slijngaard and Anita Dels, the song became one of their most commercially successful singles, especially in Europe, reaching the number-one spot in 35 countries and the top 10 in several others. Like previous releases, the UK version of the single removed all of the raps from Slijngaard, leaving just Dels' vocals. One word from the rap was kept, the word 'Techno' which was looped and repeated during the middle of the song, turning the line into "Techno! Techno! Techno! Techno!" and giving the song an extra vocal hook. Its accompanying music video received heavy rotation on MTV Europe.
"Stripped" is a song by British electronic music band Depeche Mode. It was released as the lead single from their fifth studio album Black Celebration (1986) on 10 February 1986, through Mute Records. Written by the band's lead songwriter Martin Gore, "Stripped" introduces the more dark and sample oriented composition that featured on the Black Celebration album. It incorporates various samples into its instrumental; most notably, the sound of an idling motorcycle engine was recorded, altered slightly, and inserted as a percussive element.
"Atomic" is a song by American rock band Blondie from their fourth studio album, Eat to the Beat (1979). Written by Debbie Harry and Jimmy Destri and produced by Mike Chapman, the song was released in February 1980 as the album's third single.
"Get the Party Started" is a song by American singer Pink, released on October 16, 2001, as the lead single from her second album, Missundaztood (2001). It received positive reviews and became an international success and reached the top ten in many countries, peaking at number one in Australia, Ireland, New Zealand, Romania, Spain, and the Walloon region of Belgium. The song was Pink's biggest-selling song at that time.
"Tubthumping" is a song released by British rock band Chumbawamba from their eighth studio album, Tubthumper (1997). It is the band's most successful single, peaking at number two on the UK Singles Chart. It topped the charts in Australia, Canada, Ireland, Italy, New Zealand and hit number six on the US Billboard Hot 100. At the 1998 Brit Awards, "Tubthumping" was nominated for the Brit Award for Best British Single. It sold 880,000 copies in the UK.
Credit to the Nation are a British hip hop group, who had chart success in the 1990s and are best known for their Nirvana-sampling single "Call It What You Want". The band is fronted by Matty Hanson and was initially noted for fusing a conscious hip hop style with political elements taken from the British left-wing and anarchist movements. Following their initial split in 1998, the band reformed in 2011.
"The Sun Ain't Gonna Shine (Anymore)" is a song written by Bob Crewe and Bob Gaudio.
Anarchy is the sixth studio album by anarcho-punk band Chumbawamba. Many of the tracks address specific social issues, such as homophobia, strikes or fascism.
"Forever Young" is a song by German synth-pop band Alphaville from their 1984 debut studio album of the same name. The single was successful in Scandinavia and in the European German-speaking countries in the same year.
"Relight My Fire" is a popular disco song written and released by American musician, singer, songwriter, and record producer Dan Hartman as the title track from his 1979 album of the same name. It was also performed by Costa Anadiotis' band Café Society in 1984 and British boy band Take That in 1993, five months before Hartman died.
"Insomnia" is a song by British musical group Faithless. Released as the band's second single, it became one of their most successful. It was originally released in 1995 and reached number 27 on the UK Singles Chart, topping the UK Dance Chart in the process. When re-released in October 1996, the song achieved a new peak of number three in the United Kingdom and topped the charts of Finland, Norway, and Switzerland, as well as the American and Canadian dance charts. It also featured on Faithless's 1996 debut album, Reverence.
"Banquet" is a song from British band Bloc Party's debut album Silent Alarm. Originally released on a double A-side single along with "Staying Fat" in May 2004 by Moshi Moshi Records, it was re-released as a regular single in the United Kingdom by Wichita Recordings on 25 April 2005. It was their first single to chart on the Billboard Modern Rock Tracks where it came in at number 34, and is often credited as their breakthrough single in North America. It was also featured in the song "Bloc Party" on the Fort Minor Mixtape: We Major. It was ranked No. 31 in NME's top 100 tracks of the decade, and was number 54 in Triple J's Hottest 100 of all time. It peaked at No. 13 on the UK Singles Chart. In 2011, NME placed it at number 20 on its list "150 Best Tracks of the Past 15 Years". The song was featured in the 2018/19 video game Life Is Strange 2.
Gold – 20 Super Hits is a 1992 greatest hits album by group Boney M. Shortly after record label PolyGram had acquired the rights to the ABBA back catalogue and had issued the multimillion-selling hits package Gold: Greatest Hits, BMG and producer Frank Farian followed suit with Boney M.'s Gold - 20 Super Hits which resulted in their best chart entry in the UK and most other European countries since 1980's The Magic of Boney M. - 20 Golden Hits.
"Until You Suffer Some (Fire and Ice)" is a song by American hard rock band Poison. It was released as the second single from their 1993 album, Native Tongue. The song peaked at number 32 on the UK Singles Chart.
"Anything" is a song recorded by German Eurodance group Culture Beat, released in December 1993 as the third single from their second album, Serenity (1993). Written by Nosie Katzmann with Jay Supreme, Torsten Fenslau and Peter Zweie, the song was very successful on the charts in Europe. It reached the top 5 in at least nine countries, including Belgium, France, Germany, Spain and the United Kingdom. A music video was produced to promote the song, directed by Matt Broadley and filmed in London.
"Can You Hear Me" is the official song of UEFA Euro 2008 held in Austria and Switzerland. It is performed by Enrique Iglesias, who wrote the song with Steve Morales and Frankie Storm. The song was produced by Big Ben Diehl and Carlos Paucar, and recorded at Circle House Studios in Miami, Florida. The song received generally negative reviews, but achieved success in many European countries where it was a top ten hit.
"Homophobia" is a song by English rock band Chumbawamba from their sixth studio album Anarchy (1994). A remixed version of the song featuring the Sisters of Perpetual Indulgence, titled the "Sisters Mix" was released as the third single from the album in 1994. Concerning the topic of modern homophobia, the song remained a regular part of Chumbawamba's live set from its initial release in 1994 up to the band's retirement in 2012. Live recordings of the song are featured on Chumbawamba's two live albums Showbusiness! and Get On with It.
"Timebomb" is a single from Chumbawamba's album Anarchy. It reached #59 on UK Charts in 1993. The album version of "Timebomb" combined elements of both the main single version and the "Techno Timebomb" remix, which was included as a B-side on this single.
"How We Do (Party)" is a song by English singer Rita Ora from her debut studio album, Ora (2012). The song was written by Andrew Harr, Bonnie McKee, Christopher Wallace, Hal Davis, Jermaine Jackson, Willie Hutch and seven others, and produced by Kelly Sheehan, Kuk Harrell, the Monarch and the Runners. It was released as the lead single from the album for digital download and streaming by Columbia and Roc Nation in various countries on 20 March 2012. Sampling the refrain from the Notorious B.I.G.'s "Party and Bullshit" (1993), it is a dance and pop song, exploring the story of Ora warding off her hangover by falling in love with her love interest. The song received moderate responses from music critics, who mostly applauded the music and sound, while others compared it to the works of Jessie J, Katy Perry and Lady Gaga.