Ensemble intercontemporain | |
---|---|
Chamber orchestra | |
Official logo | |
Founded | 1976 |
Location | Paris, France |
Concert hall | Cité de la musique |
Principal conductor | Matthias Pintscher |
Website | www |
Ensemble intercontemporain is a Paris-based, world-renowned [1] ensemble of 31 full-time musicians dedicated to performing and promoting contemporary chamber music. It was founded by Pierre Boulez in 1972 for this purpose, the first permanent organization of its type in the world. Since then the Ensemble has toured extensively both in France and abroad, appearing especially at international festivals. Beyond performing they also have teaching and other outreach activities to support young musicians, composers and conductors.
The Ensemble consists of thirty one full-time soloists in various instruments, who are dedicated to the performance and promotion of contemporary chamber music written in the 20th and 21st centuries. [2] [3] They exist to fill a need for musicians who can work with new playing techniques and composition styles prevalent in this kind of music. [4] The Ensemble is resident at the Philharmonie de Paris, under artistic director Matthias Pintscher [2] and assistant director Julien Leroy, [5] with their activities financed by the French Ministry of Culture and the city of Paris. [6]
They perform about thirty times a year in their home city, [7] and tour extensively both in France and abroad, especially at international festivals. [6] These concerts regularly include the premieres of new compositions, often commissioned by the Ensemble itself, which gives preference to young composers who have not yet had their work performed by the organization. [3] [7] The Ensemble has over 2,000 contemporary works in their repertoire, much of which has been recorded and includes composers such as Elliott Carter, Luigi Dallapiccola, Luciano Berio, along with the complete works of Boulez, György Ligeti, György Kurtág, Alejandro Romero, George Benjamin, Roberto Carnevale and Ivan Fedele. [5] [6]
Their support for composers goes beyond playing their work in public and includes collaborating with composers both in the creation and interpretation processes. One reason for this is that the techniques and composition style of contemporary music is significantly different from classical music, and composer notation systems vary, especially with the indications of these new techniques. [3] [7]
The Ensemble also supports young musicians which includes workshops at schools, master classes and more for conservatory students, professional and amateur musicians and training for conductors and composers. Since 2004 individual members have been tutoring young instrumentalists, conductors and composers in contemporary music as part of the Lucerne Festival Academy (Lucerne Festival). In addition, they collaborate with other kinds of artists from the fields of dance, theater, video and visual arts. [3] The organization collaborates regularly with the Institut de Recherche et Coordination Acoustique/Musique (Institute of Acoustic Music Research and Coordination) which sponsors research and concerts to showcase technological innovations in composition. [3] [7]
The Ensemble intercontemporain was founded in 1976 by composer and conductor Pierre Boulez, with the support of French Minister of Cultura Michel Guy and the collaboration of Nicholas Snowman. [3] [8] It is the first permanent contemporary music ensemble, founded to provide performers for contemporary chamber music. [1] [4]
The idea for the Ensemble came from Boulez’s experiences as part of the historical avant garde of Darmstadt, Germany in the 1950s, contemporary of Stockhausen, Berio, Ligeti and Nono. He began his career as a composer in contemporary music, moving onto conducting orchestras such as New York Philharmonic (1971–1978) and the BBC Symphony Orchestra (1971–1975). He states that his first love is composition and noted the lack of venues to premiere and promote new music, so he created the Ensemble for playing and producing music, along with the Recherche et de Coordination Acoustique/Musique for academic work into the same field. [4] The Ensemble was based at the Cité de la Musique in Paris from 1995 until 2015, when it moved to the Philharmonie de Paris. [1] [3] Boulez held the position of president, [9] with Péter Eötvös becoming the first musical director, appointed by Boulez in 1979. [10] It has had several notable music directors including American David Robertson (1992–2000), Jonathan Nott (2000–2003), Finnish Susanna Mälkki (2006–2013) and the current director German Matthias Pintscher (September 2013– ). [1] [7] [11] [12] Their model of organization and musical development has been followed by many groups since then. [11]
The Ensemble has toured extensively to South America, Russia, Canada, the United States, Japan, New Zealand, Australia, and most major cities of Europe. [7] Recent performances include the National Autonomous University of Mexico and the Palacio de Bellas Artes (2007), [6] Buenos Aires in 2012, [13] the Festival Internacional Cervantino in 2014, [5] [14] and in honor of Pierre Boulez’s 90th birthday, a concert at the Barbican Center in London. [8] [15]
The EIC has recorded for a number of labels, including Deutsche Grammophon (music of Ligeti, Alban Berg, Arnold Schoenberg, Boulez [16] and Unsuk Chin [17] ), and KAIROS (music of Alberto Posadas and Matthias Pintscher [18] ), Luca Francesconi, Philippe Manoury and Michael Jarrell. Recordings by the EIC have received multiple awards, including the Gramophone Award and the Diapason d'Or
Pierre Louis Joseph Boulez CBE was a French composer, conductor, writer and founder of several musical institutions. He was one of the dominant figures of the post-war classical music world.
IRCAM is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings.
Sir George William John Benjamin, CBE is an English composer of classical music. He is also a conductor, pianist and teacher.
Pierre-Laurent Aimard is a French pianist.
Unsuk Chin is a South Korean composer of classical music, who is based in Berlin, Germany. Chin began her journey with music at a fairly young age, as she taught herself how to play the piano and music theory. She was awarded the Grawemeyer Award in 2004, the Arnold Schönberg Prize in 2005, the Music Composition Prize of the Prince Pierre Foundation in 2010, the Ho-Am Prize in the Arts in 2012, the Wihuri Sibelius Prize in 2017, the Marie-Josée Kravis Prize for New Music of the New York Philharmonic in 2018, the Bach Prize in 2019, as well as the Léonie Sonning Music Prize in 2021.
Michael Kevin Daugherty is an American composer, pianist, and teacher. He is influenced by popular culture, Romanticism, and Postmodernism. Daugherty's notable works include his Superman comic book-inspired Metropolis Symphony for Orchestra (1988–93), Dead Elvis for Solo Bassoon and Chamber Ensemble (1993), Jackie O (1997), Niagara Falls for Symphonic Band (1997), UFO for Solo Percussion and Orchestra (1999) and for Symphonic Band (2000), Bells for Stokowski from Philadelphia Stories for Orchestra (2001) and for Symphonic Band (2002), Fire and Blood for Solo Violin and Orchestra (2003) inspired by Diego Rivera and Frida Kahlo, Time Machine for Three Conductors and Orchestra (2003), Ghost Ranch for Orchestra (2005), Deus ex Machina for Piano and Orchestra (2007), Labyrinth of Love for Soprano and Chamber Winds (2012), American Gothic for Orchestra (2013), and Tales of Hemingway for Cello and Orchestra (2015). Daugherty has been described by The Times (London) as "a master icon maker" with a "maverick imagination, fearless structural sense and meticulous ear."
Matthias Pintscher is a German composer and conductor. As a youth, he studied the violin and conducting.
Péter Eötvös is a Hungarian composer, conductor and teacher.
The Orchestre Philharmonique de Radio France is a French radio orchestra, affiliated with Radio France. The orchestra performs principally at the auditorium of the Maison de la Radio in Paris, along with several concerts at the Philharmonie de Paris.
Susanna Ulla Marjukka Mälkki is a Finnish conductor and cellist. She is the daughter of Pirkko Liisa Vainio and the marine scientist Pentti Mälkki.
Claude Ledoux is a Belgian composer, born in 1960.
Christophe Bertrand was a French composer of contemporary classical music.
KAIROS is an Austrian record label, which specializes in contemporary music. Its recordings have received multiple awards including the Diapason d'Or. It was founded by Barbara Fränzen and Peter Oswald in 1999 and, in 2015, became part of paladino media, a company owned by the Austrian cellist Martin Rummel. The main cover artists are Jakob Gasteiger, Erwin Bohatsch and Enrique Fuentes.
Márta Fábián is an award-winning Hungarian cimbalom player and soloist.
Jaehyuck Choi is a South Korean composer and conductor of classical music, based in New York and Seoul.
The Lucerne Festival Academy is an orchestra-sized educational institution devoted exclusively to the interpretation and performance of contemporary classical music. It has taken place each summer since 2003 in the Swiss city of Lucerne as part of the Lucerne Festival in Summer. Founded by the French composer Pierre Boulez and festival director Michael Haefliger, over 1100 young musicians from over 60 countries have taken part in the Academy, described by The Guardian as "the annual laboratory in which brilliant young musicians are immersed in the performance practice of 20th- and 21st-century music".
Pierre Thibaud was a French classical trumpeter.
Clément Saunier is a French classical trumpeter.
Pascal Gallois is a French bassoonist, conductor and music teacher, specialising in contemporary classical music.
Amir Shpilman is an Israeli composer.