Concerts Colonne

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"Colonne conducting." 1905. Lithograph by Hector Dumas. Edouard Colonne by Hector Dumas.jpg
"Colonne conducting." 1905. Lithograph by Hector Dumas.

The Colonne Orchestra is a French symphony orchestra, founded in 1873 by the violinist and conductor Édouard Colonne.

Édouard Colonne French conductor and violinist

Édouard Juda Colonne was a French conductor and violinist, who was a champion of the music of Berlioz and other eminent 19th-century composers.

Contents

History

While leader of the Opéra de Paris orchestra, Édouard Colonne was engaged by the publisher Georges Hartmann to lead a series of popular concerts which he founded under the title of ‘Concert National’ in March 1873. [1] While at first a great success, the financial burden forced Hartmann to withdraw from the enterprise.

Georges Hartmann was a French dramatist and opera librettist who wrote under the pen name Henri Grémont.

However, Colonne then decided to form his own orchestra, ‘l’Association artistique des Concerts Colonne’ based at the Théâtre du Châtelet in November 1873. The Concerts Colonne placed particular emphasis on contemporary music of the time (Saint-Saëns, Massenet, Charpentier, Fauré, d'Indy, Debussy, Ravel, Widor, Enescu, Dukas and Chabrier). Alongside these were programmed Wagner and Richard Strauss, and Colonne revived the music of Hector Berlioz such as La Damnation de Faust , which was performed 172 times up to the First World War.

Théâtre du Châtelet theater

The Théâtre du Châtelet is a theatre and opera house, located in the place du Châtelet in the 1st arrondissement of Paris, France.

Camille Saint-Saëns French composer, organist, conductor, and pianist of the Romantic era

Charles-Camille Saint-Saëns was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886).

Jules Massenet French composer

Jules Émile Frédéric Massenet was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

Gustav Mahler, Peter Tchaikovsky, Claude Debussy, Edvard Grieg, Richard Strauss, Maurice Ravel, Gabriel Pierne, and Prokofiev conducted their music with the orchestra over the years.

Gustav Mahler late-Romantic Austrian composer

Gustav Mahler was an Austro-Bohemian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. In 2016, a BBC Music Magazine survey of 151 conductors ranked three of his symphonies in the top ten symphonies of all time.

Claude Debussy 19th and 20th-century French classical composer

Achille-Claude Debussy was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.

Edvard Grieg Norwegian composer and pianist

Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively.

Even after the departure of its founder the orchestra championed new music, with 22 premieres in the 1923–24 season. [2]

A recent musical director, Laurent Petitgirard, had his contract renewed until 2014.[ needs update ]

Laurent Petitgirard is a French classical composer and conductor.

From 2016 the orchestra used the 1865 Salle Wagram, then equipped for 800 spectators, for its orchestral concerts. [3]

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References

  1. Cinquante Ans de Musique Française de 1874 à 1925. Les Éditions Musicales de la Librairie de France, Paris, 1925.
  2. Nichols R. The Harlequin Years; Music in Paris 1917–1929. Thames & Hudson, London, 2002.
  3. Fauchet, Benoît. Wagram – nouvelle bataille. (Report.) Diapason , September 2016, No649. p10.