| Enthroned Madonna Adoring the Sleeping Christ Child | |
|---|---|
 | |
| Artist | Giovanni Bellini |
| Year | 1475 |
| Medium | tempera on panel |
| Dimensions | 120 cm× 65 cm(47 in× 26 in) |
| Location | Gallerie dell'Accademia, Venice |
Enthroned Madonna Adoring the Sleeping Christ Child (Italian : Madonna in trono che adora il Bambino dormiente) is a 1475 tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the Gallerie dell'Accademia in Venice, which acquired it in 1812. [1]
Jacopo Bellini was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
Federico Bencovich, also known as Federighetto or Ferighetto Dalmatino among others, was a Croatian-Italian late Baroque painter from Venetian Dalmatia. Although was among prominent painters of his era in North Italy, Germany and Austria, being a link between Venetian and Austrian Baroque, Bencovich's art was mostly rediscovered and valued only since the early 20th century.
Francesco Beccaruzzi was an Italian painter of the Renaissance era, active near his hometown of Conegliano and in the neighborhood of Treviso. He was influenced by both Il Pordenone and later Titian. He painted Saint Francis receiving stigmata (1545) from Conegliano, but now in the Gallerie dell'Accademia in Venice.
Giovanni d'Alemagna was a Venetian renaissance painter of German ancestry, active in Italy, with his brother-in-law Antonio Vivarini on religious paintings in Venice and Padua, that are preserved in the named cities together with those of Vivarini.
Antonio del Massaro da Viterbo, or Antonio da Viterbo, nicknamed il Pastura was an Italian painter.
The Contarini Madonna is an oil painting by the Italian Renaissance master Giovanni Bellini, dating from c. 1475–1480 now in the Gallerie dell'Accademia in Venice.
The Madonna of the Small Trees is an oil-on-panel painting by Italian Renaissance artist Giovanni Bellini, executed in 1487. It is housed in the Gallerie dell'Accademia in Venice.
Madonna and Child is a 1621–1627 painting by Anthony van Dyck, now in the Galleria nazionale di Parma.
The church of San Giorgio alla Costa, called in earlier times also dei Santi Giorgio e Massimiliano dello Spirito Santo is a small historical church in the Oltrarno district of the centre of Florence, situated on the steep slope of via Costa San Giorgio which runs uphill from Ponte Vecchio to Forte di Belvedere.
The Madonna and Child with St. John the Baptist and a Female Saint or the Giovanelli Sacred Conversation is an oil painting on panel by the Italian Renaissance master Giovanni Bellini, dated to before 1504. It is kept in the Gallerie dell'Accademia of Venice.
The San Sebastiano Triptych is a 1464–1470 tempera-on-panel altarpiece by the Italian Renaissance artist Giovanni Bellini and others. Its central panel of saint Sebastian measures 127 by 48 cm, its lunette of God the Father and the Annunciation 59 by 170 cm and its side panels of John the Baptist and Antony the Great 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.
The San Lorenzo Triptych is a tempera-on-panel altarpiece by the Italian Renaissance artist Giovanni Bellini and others. Its central panel of Saint Lawrence measures 127 by 48 cm, its lunette of the Madonna and Child 59 by 170 cm and its side panels of John the Baptist and Antony of Padua 103 by 45 cm each. It is now in the Gallerie dell'Accademia in Venice.
The Triptych of the Madonna is a 1464–1470 tempera-on-panel altarpiece by the Italian Renaissance artist Giovanni Bellini and others. Its central panel of a standing Madonna and Child measures 127 by 48 cm, its lunette of the Man of Sorrows flanked by angels 59 by 170 cm and its side panels of Jerome and Louis of Toulouse 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.
Our Lady of Mount Carmel is a painting in oils on canvas by Moretto da Brescia, executed c. 1522 and now in the Gallerie dell'Accademia in Venice. It arrived in the Accademia's collection in exchange for two paintings sent to the Tempio Canoviano in Possagno. The painting is one of the most notable works of the artist's youth. Its original location is unknown as the first confirmed written record of the work dates to the 19th century. It was probably in the Confraternity of Our Lady of Mount Carmel's altar in Santa Maria del Carmine church in Brescia; a reference to a "large canvas ... something of a large study in the hand of Moretto" in Bernardino Faino's 1630 guide to Brescian art may be to this work.
Madonna and Child with Saint Sebastian and Saint Vincent Ferrer or Madonna and Child with Saint Sebastian and Saint Thomas Aquinas is an oil on panel painting by Andrea Previtali. It was produced in 1506 in Venice while he was still in the studio of Giovanni Bellini and is contemporary with the same artist's Madonna and Child. It is now in the Accademia Carrara in Bergamo, to which it passed from Guglielmo Lochis's collection in 1866.
Madonna of the Orange Tree is a 1496–1498 oil painting on panel by Cima da Conegliano. It was originally produced for the church of Santa Chiara in Murano, from which it was confiscated for the Gallerie dell'Accademia in Venice, where it now hangs.
Storm at Sea or Saints Mark, George and Nicholas Freeing Venice from Demons is a c. 1528 oil on canvas painting by Palma Vecchio, now in the Gallerie dell'Accademia in Venice. It was partly completed in 1535 by Paris Bordon after Palma's death.
Holy Family with Saint John the Baptist and Saint Catherine is a c. 1520-1528 oil on canvas painting by Palma Vecchio, now in the Gallerie dell'Accademia in Venice. It was completed by Titian after Palma's death.
 | This article about a fifteenth-century painting is a stub. You can help Wikipedia by expanding it. |