| Madonna with Child | |
|---|---|
 | |
| Artist | Giovanni Bellini |
| Year | c. 1485 |
| Medium | Oil on panel |
| Dimensions | 83 cm× 66 cm(33 in× 26 in) |
| Location | Accademia Carrara, Bergamo |
The Madonna with Child, or Alzano Madonna, is an oil-on-panel painting by Italian Renaissance artist Giovanni Bellini, executed around 1485.
The work has been in Bergamo since as early as the 16th century, where it likely arrived as part of the dowry of Lucrezia Agliardi, who had been abbess in the monastery of Alzano Lombardo, whence the name.
After several passages of ownership, in 1891 it was donated to the current museum.
In this picture, Bellini represented the traditional theme of Mary and Child Jesus. Behind them is a hanging tapestry resembling the thrones with baldachin that were common in the contemporary sacred conversations. [1] At the sides are a landscape with towers, castles and small figures, as typical in the artist's production.
In the foreground is a red marble parapet where is the usual cartouche with Bellini's signature. There is also a fruit, perhaps a reference to the original sin, or an emblem of the Virgin derived from holy books or hymns.
This Madonna is generally considered a model of later works, such as the Madonna of the Red Cherubims or the Madonna of the Small Trees , both in the Galeria dell'Academia, Venice.
Tiziano Vecellio, Latinized as Titianus, hence known in English as Titian, was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned. An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna.
Jacopo Bellini was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters.
BartolomeoMontagna was an Italian Renaissance painter who mainly worked in Vicenza. He also produced works in Venice, Verona, and Padua. He is most famous for his many Madonnas and his works are known for their soft figures and depiction of eccentric marble architecture. He is considered to be heavily influenced by Giovanni Bellini, in whose workshop he might have worked around 1470. Benedetto Montagna, a productive engraver, was his son and pupil and active until about 1540. He was mentioned in Vasari's Lives as a student of Andrea Mantegna but this is widely contested by art historians.
Marco Basaiti was a Venetian painter of the Renaissance who worked mainly in Venice and was a contemporary of Giovanni Bellini and Cima da Conegliano. He has been referred to by several names including Marco Baxaiti, Marcus Basitus, and Marcus Baxiti. There is little documentation on Marco Basaiti besides his painting signatures and a guild's ledger of 1530 that records him as a painter of figures.
Vincenzo Foppa was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential painter during his time and is considered the preeminent leader of the Early Lombard School. He spent his career working for the Sforza family, Dukes of Milan, in Pavia, as well as various other patrons throughout Lombardy and Liguria. He lived and worked in his native Brescia during his later years.
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas.
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo's Last Judgement of the 1530s.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.
The San Zaccaria Altarpiece is a painting by the Italian Renaissance painter Giovanni Bellini, executed in 1505 and located in the church of San Zaccaria, Venice.
The San Giobbe Altarpiece is a c. 1487 altarpiece in oils on panel by the Venetian Renaissance painter Giovanni Bellini. Inspired by a plague outbreak in 1485, this sacra conversazione painting is unique in that it was designed in situ with the surrounding architecture of the church, and was one of the largest sacra conversazione paintings at the time. Although it was originally located in the Church of San Giobbe, Venice, it is now in the Gallerie dell'Accademia in Venice after having been stolen by Napoleon Bonaparte.
The Gypsy Madonna is a panel painting of the Madonna and Child in oils of about 1510–11, by Titian, now in the Kunsthistorisches Museum in Vienna. It is a painting made for display in a home rather than a church.
The Madonna of the Red Cherubim is an oil-on-panel painting by Italian Renaissance artist Giovanni Bellini, completed around 1485.
The Madonna of the Small Trees is an oil-on-panel painting by Italian Renaissance artist Giovanni Bellini, executed in 1487. It is housed in the Gallerie dell'Accademia in Venice.
The Madonna and Child is a tempera-on-panel painting usually attributed to the Italian Renaissance artist Giovanni Bellini, dated to 1450–1460 or to 1450–1455 by Pignatti, though Olivari and others consider this to be too early. In the 1450s the painter was still heavily influenced by his father Jacopo and by Bartolomeo Vivarini. The strong line used for the Christ Child also shows the influence of Francesco Squarcione and his studio on the young Bellini. The general composition is based on a widely copied Byzantine icon in Venice, whilst the Christ Child holds a Flemish-style scroll bearing the artist's signature. The painting is closely linked to a similar work now in Philadelphia. It is now in the Pinacoteca Malaspina in Pavia.
Madonna and Child with Saint Mary Magdalene and Saint Ursula or Virgin and Child with Saints Magdalene and Ursula is an oil on panel painting by Giovanni Bellini that belongs to the sacra conversazione genre and dates to 1490. The painting is also referred to as Sacred Conversation. It was previously in the collection of the painter Carlo Maratta, and is now in the Prado Museum in Madrid.
The San Lorenzo Triptych is a tempera-on-panel altarpiece by the Italian Renaissance artist Giovanni Bellini and others. Its central panel of Saint Lawrence measures 127 by 48 cm, its lunette of the Madonna and Child 59 by 170 cm and its side panels of John the Baptist and Antony of Padua 103 by 45 cm each. It is now in the Gallerie dell'Accademia in Venice.
The Musei Civici di Padova or degli Eremitani is a complex of museums and historic sites, centered on the former convent of the Eremitani, and its famous Cappella degli Scrovegni with its Giotto fresco masterpieces. The complex is located on Piazza Eremitani, at the edge of the historic center of Padua, region of Veneto, Italy. The complex includes halls of archaeological objects and – in the nearby Palazzo Zuckermann – a museum of modern and medieval applied art.