San Girolamo Contini Bonacossi | |
---|---|
Artist | Giovanni Bellini |
Year | 1480 |
Medium | oil on panel |
Dimensions | 145 cm× 114 cm(57 in× 45 in) |
Location | Uffizi Gallery, Florence |
St. Jerome in the Desert or St. Jerome Reading in the Desert is a 1480 oil-on-panel painting by the Italian Renaissance master Giovanni Bellini, now in the Uffizi Gallery in Florence as part of the Contini Bonacossi collection, giving it its alternative title of The Contini Bonacossi St. Jerome. [1]
Its original location is unknown, though Gamba's theory is that it was an altarpiece for Santa Maria dei Miracoli, Venice, where Jacopo Sansovino mentioned seeing a St. Jerome by Bellini completed in 1489. It uses the same composition as another St. Jerome in the Desert , controversially dated to around 1505. In both works saint Jerome is shown reading in the desert, referring to both his life as a hermit and his production of the Vulgate Bible.[ citation needed ]
The Florence work shows a crucifix on a tall stick, which he used as a prayer aid. His usual lion is shown, as are some birds, a lizard, a squirrel on a branch and one deer chasing another, all of which probably had symbolic meanings. At the top is a rural background with a fortress and a walled city full of guard towers and bell towers, along with other buildings based on famous buildings in Romagna and Venetia which Bellini had seen on his journey to Romagna and the Marche.[ citation needed ] The central building resembles the Basilica of San Vitale in Ravenna, while others are based on the Ponte di Tiberio in Rimini, the bell-tower of Sant'Anastasia in Verona, and the Mausoleum of Theoderic in Ravenna. [2] The marked the start of a new conception of landscape painting, connected to the predella of the Pesaro Altarpiece or the New York St. Francis in Ecstasy , whose figures and background are lighter and whose atmosphere is freer than previous works.[ citation needed ]
Rimini is a city in the Emilia-Romagna region of Northern Italy.
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Romagna is an Italian historical region that approximately corresponds to the south-eastern portion of present-day Emilia-Romagna in northern Italy.
Vittore Carpaccio (UK: /kɑːrˈpætʃ oʊ/, US: /-ˈpɑːtʃ-/, Italian: [vitˈtoːre karˈpattʃo]; was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina, as well as Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of St. Augustine in His Study from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures.
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Giovanni Girolamo Savoldo, also called Girolamo da Brescia, was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy. He is noted for his subtle use of color and chiaroscuro, and for the sober realism of his works, which are mostly religious subjects, with a few portraits. His portraits are given interest by their accessories or settings; "some even look like extracts from larger narratives".
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The Continence of Scipio or An Episode from the Life of Publius Cornelius Scipio is a painting in oils on canvas by the Italian Renaissance artist Giovanni Bellini, dating to 1507–08 and now in the National Gallery of Art in Washington, D.C.
St. Jerome in the Desert is a 1505 oil-on-canvas painting by the Italian Renaissance master Giovanni Bellini, now in the National Gallery of Art in Washington. Little remains of the signature on the first rock in the left foreground, but it has been confirmed as genuine during restoration and can be reconstructed as "[Johannes Bellinu]s. 1505". This is problematic, since the work's general style is linked to fashions no later than 1490, whereas Bellini's style of figures and landscapes had already begun to be influenced by Giorgione by 1500, with the backgrounds more fused and unified in terms of atmosphere. The composition makes it more analogous to his earlier works, such as the c. 1480 St. Jerome in the Desert. The Washington work may have been a collaboration, a work completed by a pupil in Bellini's studio or left incomplete and only finished by Bellini himself much later.
The Pesaro Altarpiece is an oil-on-panel painting by the Italian artist Giovanni Bellini, dated to some time between 1471 and 1483. It is considered one of Bellini's first mature works, though there are doubts on its dating and on who commissioned it. The work's technique is not only an early use of oils but also of blue smalt, a by-product of the glass industry. It had already been used in the Low Countries in Bouts' 1455 The Entombment, but this marked smalt's first use in Italian art, twenty years before Leonardo da Vinci used it in Ludovico il Moro's apartments in Milan in 1492. Bellini also uses the more traditional lapis lazuli and azurite for other blues in the work.
The Martinengo Pietà is an oil painting on panel of c. 1505 by the Italian Renaissance master Giovanni Bellini, signed on the rock to the left of the Virgin. It was previously in the collections of the Martinengo family and of Donà delle Rose and is now in the Gallerie dell'Accademia in Venice.
The Portrait of Georg Fugger is a 1474 oil-on-panel portrait painting by the Italian Renaissance artist Giovanni Bellini, now in the Norton Simon Museum in Pasadena, United States. It is his earliest surviving portrait and one of the first works in oil by an Italian artist.
The Casa Pazzi Madonna is a fresco fragment by Andrea del Castagno, created in 1443, originally the altarpiece of the chapel of Santa Brigida at the castello del Trebbio in the Pontassieve district, then owned by Andrea de' Pazzi, hence the painting's name. Removed from the wall in the 19th century it is now in the Contini Bonacossi collection within the Uffizi in Florence.