Santa Maria dei Miracoli | |
---|---|
Religion | |
Affiliation | Roman Catholic |
Province | Venice |
Location | |
Location | Venice, Italy |
Geographic coordinates | 45°26′22″N12°20′21″E / 45.43944°N 12.33917°E |
Architecture | |
Groundbreaking | 1481 |
Completed | 1489 |
Santa Maria dei Miracoli is a church in the sestiere of Cannaregio, in Venice, Italy.
Also known as the "marble church", it is one of the best examples of the early Venetian Renaissance including colored marble, a false colonnade on the exterior walls (pilasters), and a semicircular pediment. The organisation Save Venice Inc. restored the church over a period of seven years, from 1990 to 1997 (after several years of preliminary research). [1] The treatments focussed on the marble sheeting and sculptural decoration of both the exterior and interior of the church. The marble cladding contained 14% salt, and was on the point of bursting, when restorers began the desalination and cleaning process. All marble cladding was removed, and cleaned in stainless steel tanks, in a solution of distilled water. Additionally, the campaign worked in the coffered ceiling, which was made up of fifty-two wooden panels depicting saints and prophets. The cleaning led to the rediscovery of frescoes of sibyls on the spandrels of the ceiling. Nearly every part of the church was examined and treated, including the intarsia doors in the presbytery, the bronze statues and candelabra of the high altar, and the wooden panel of the Madonna from which the church got its name. The restoration was calculated to cost 1 million dollars, the final cost was 4 million dollars. The main altar is reached by a series of steps. The circular facade windows recall Donato Bramante's churches in Milan.
Built between 1481 and 1489 by Pietro Lombardo to house a miraculous icon of the Virgin Mary. The plans for the church were expanded in 1484 to include the construction of a new convent for nuns of St. Clare to the east. The convent was connected to the gallery of the church by an enclosed walkway that was later destroyed.
The interior is enclosed by a wide barrel vault, with a single nave. The nave is dominated by an ornamental marble stair rising between two pulpits, with statues by Tullio Lombardo, Alessandro Vittoria and Niccolò di Pietro. The vaulted ceiling is divided into fifty coffers decorated with paintings of prophets, a work by Girolamo Pennacchi's contemporaries, Vincenzo dalle Destre and Lattanzio da Rimini.
The Piazza dei Miracoli, formally known as Piazza del Duomo, is a walled 8.87-hectare (21.9-acre) compound in central Pisa, Tuscany, Italy, recognized as an important center of European medieval art and one of the finest architectural complexes in the world. It was all owned by the Catholic Church and is dominated by four great religious edifices: Pisa Cathedral, the Pisa Baptistery, the Leaning Tower of Pisa, and the Camposanto Monumentale. Partly paved and partly grassed, the Piazza dei Miracoli is also the site of the Ospedale Nuovo di Santo Spirito, which now houses the Sinopias Museum and the Cathedral Museum.
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Tullio Lombardo, also known as Tullio Solari, was an Italian Renaissance sculptor. He was the brother of Antonio Lombardo and son of Pietro Lombardo. The Lombardo family worked together to sculpt famous Catholic churches and tombs. The church of Santi Giovanni e Paolo contains the Monument to Doge Pietro Mocenigo, executed with his father and brother, and the Monument to Doge Andrea Vendramin, an evocation of a Roman triumphal arch encrusted with decorative figures. Tullio also likely completed the funereal monument to Marco Cornaro in the Church of Santi Apostoli in Venice and the frieze in the Cornaro Chapel of the Santa Maria Gloriosa dei Frari. He also participated in the work to decorate Santa Maria dei Miracoli, Venice.
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