Madonna and Child with Saint John the Baptist and a Female Saint

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Madonna and Child with Saint John the Baptist and a Female Saint
Madonna and Child between Saint John the Baptist and Saint by Giovanni Bellini - Accademia - Venice 2016 - crop.jpg
Artist Giovanni Bellini
YearBefore 1504
MediumOil on panel
Dimensions54 cm× 76 cm(21 in× 30 in)
Location Gallerie dell'Accademia, Venice

The Madonna and Child with Saint John the Baptist and a Female Saint or the Giovanelli Sacred Conversation is an oil painting on panel by the Italian Renaissance master Giovanni Bellini, dated to before 1504. It is in the Gallerie dell'Accademia, Venice.

Contents

History

The painting is signed by Bellini on the balustrade in the foreground. The painting is dated to before 1504, because its figure of John the Baptist was copied by Andrea Previtali in one of his own paintings. [1]

Its last private owner was Prince Giovanelli, prior to its entering the collection of the Gallerie dell'Accademia.

Description and style

Detail of the female saint at right and the landscape behind her Giovanni bellini, madonna col bambino tra s. giovanni battista e una santa (sacra conversazione giovannelli), 1504, 03.JPG
Detail of the female saint at right and the landscape behind her

The Virgin Mary sits with the Christ Child in her lap, flanked by Saint John the Baptist on her left and another saint at right, possibly Mary Magdalene or Catherine of Alexandria. Saint John is identifiable by his beard and the cross-bearing staff. The background displays castles, a gated city (possibly Ancona), [2] and a countryside punctuated by houses and a shepherd with his flock. The distant mountains are painted with blue to capture a misty quality, after the Venetian rules of aerial perspective.

This panel painting is often associated with the sacra conversazione genre. [3] The people in the foreground are separated from the background in a typical 15th-century manner (as used by Bellini in his Madonna del Prato ), but given atmospheric qualities thanks to the use of warm lighting. The landscape and the figures are unified through their shared use of delicate, clear tones of color.

References

  1. Fossi, G.; Bussagli, M. (2004). "L'" arte italiana: pittura, scultura, architettura dalle origini a oggi. Atlanti compatti (in Italian). Giunti. p. 166. ISBN   978-88-09-03725-0 . Retrieved 14 April 2019.
  2. Pietro Zampetti "Marche" ed. L'Espresso 1980

Bibliography