Eric Cutler is an American tenor notable for his performances of bel canto repertoire and Mozart operas in particular. He is a native of Adel, Iowa, and a graduate of Luther College. Cutler is an alumnus of the Metropolitan Opera Lindemann Young Artist Development Program and was a winner of the Metropolitan Opera National Council Auditions in 1998. [1] He won the Richard Tucker Award in 2005. [2]
Cutler made his role debut as Gounod's Roméo at Opera Australia and has since performed Nadir in Bizet's Les pêcheurs de perles there. In 2008 he returned to Opera Australia for another role debut, Edgardo in Donizetti's Lucia di Lammermoor , conducted by Richard Bonynge.
Cutler made his Metropolitan Opera debut as the First Prisoner in Beethoven's Fidelio in a Jürgen Flimm production conducted by James Levine. He has since performed there many times in such roles as Tamino in Mozart's The Magic Flute and Andres in Wozzeck (both under Levine). Cutler sang the role of Arturo opposite Anna Netrebko in the Met's revival of Bellini's I puritani conducted by Patrick Summers.
He sang the role of the Shepherd in a controversial production of Szymanowski's King Roger at the Opéra National de Paris in June 2009. He performed the Duke of Mantua in Verdi's Rigoletto , in a Fenice production, for a tour in Italy which involved Reggio Emilia and Venice.
Cutler's most critically acclaimed performances have all been in Mozart operas.[ citation needed ] These include Tamino (Metropolitan Opera, Opera Theatre of St. Louis, Glyndebourne and Edinburgh Festivals), Belmonte in The Abduction from the Seraglio (Boston Lyric Opera, Houston Grand Opera and Teatro Real Madrid) and Don Ottavio in Don Giovanni (Wolf Trap Opera Company and Santa Fe Opera).
EMI issued Eric Cutler's first solo recording featuring songs of Barber, Schumann, Hahn and Liszt, called "Lieder Recital" with pianist Bradley Moore. [3] Opera News included it as an "Editor's Choice" in 2004. [4] In 2014 Naïve released a notable recording of the original version of Wagner's Der fliegende Holländer (with Cutler singing Georg) and the first recording of Le Vaisseau fantôme by Dietsch (Cutler singing Erik), conducted by Marc Minkowski. [5]
Ileana Cotrubaș is a Romanian operatic soprano whose career spanned from the 1960s to the 1980s. She was much admired for her acting skills and facility for singing opera in many different languages.
Harry Gustaf Nikolai Gädda, known professionally as Nicolai Gedda, was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech and Swedish, as well as one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera Vanessa at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception.
Peter Schreier was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century.
Thomas Walter Hampson is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings.
Luis Ernesto Alva y Talledo, better known as Luigi Alva is a Peruvian operatic tenor. A Mozart and Rossini specialist, Alva achieved fame with roles such as Don Ottavio, Count Almaviva and Fenton. He retired from the stage in 1989.
Friedrich "Fritz" Karl Otto Wunderlich was a German lyric tenor, famed for his singing of the Mozart repertory and various lieder. He died in an accident aged 35.
Hermann Prey was a German lyric baritone, who was equally at home in the Lied, operatic and concert repertoires. His American debut was in November 1952, with the Philadelphia Orchestra and Eugene Ormandy, and his American recital debut took place in 1956, at New York's Carnegie Hall. As a Lieder singer, he was a gifted interpreter of Schubert, including his song-cycles Die schöne Müllerin and Die Winterreise and the collection of songs Schwanengesang, as well as of Robert Schumann, Richard Strauss and Gustav Mahler. He also appeared frequently as a soloist in Bach's Passions and Brahms' A German Requiem.
Nils Olov Håkan Hagegård is a Swedish operatic baritone. He also performs lieder and has held academic positions in the United States, Norway, and Sweden.
Cheryl Studer is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner.
Jerry Hadley was an American operatic tenor. He received three Grammy awards for his vocal performances in the recordings of Jenůfa, Susannah, and Candide. Hadley was a leading American tenor for nearly two decades. He was mentored by soprano Joan Sutherland and her husband, conductor Richard Bonynge. Leonard Bernstein chose Hadley for his 1989 recording of Candide on Deutsche Grammophon. Aside from singing opera and operetta, Hadley also sang on Broadway.
Edith Mathis is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's Der junge Lord.
Kammersänger Anton Dermota was a Slovene tenor.
Peter Anders was a German operatic tenor who sang a wide range of parts in the German, Italian, and French repertories. He began by singing lyric roles and later took dramatic roles with equal success. He was also a prominent lieder singer.
José Francisco Araiza Andrade, is a Mexican operatic tenor and lied singer who has sung as soloist in leading concert halls and in leading tenor operatic roles in the major opera houses of Europe and North America during the course of a lengthy career. Born in Mexico City, he studied singing at the Conservatorio Nacional de Música de México and later in Germany, with Mozartian tenor Richard Holm, and lieder interpretation with Erik Werba. He made his operatic debut in 1970 in Mexico City as First Prisoner in Beethoven's Fidelio. Araiza initially came to international prominence singing in Mozart and Rossini operas, but in the 1980s broadened his repertoire to include Italian and French lyric tenor roles and Wagnerian roles such as Lohengrin and Walther von Stolzing. He was made a Kammersänger of the Vienna State Opera in 1988. Now retired from the opera stage, he teaches singing and serves on the juries of several international singing competitions.
Gustav Walter was a German operatic tenor who sang leading roles for more than 30 years at the Vienna Staatsoper in Austria. He was a highly regarded interpreter of the vocal music of Wolfgang Amadeus Mozart and the lighter tenor roles composed by Richard Wagner. Walther also created the role of Assad in the world premiere of Karl Goldmark's Die Königin von Saba and performed in some Italian and French operas.
Barry Banks is an English lyric tenor who, after a long association with The Metropolitan Opera and English National Opera, has achieved acclaim as one of finest interpreters of the Italian bel canto repertoire.
Sally Helanna Matthews is a British operatic soprano.
Paul Appleby is an American operatic tenor. In 2009 he won the Metropolitan Opera National Council Auditions. In November 2015 he made his debut at the San Francisco Opera as Tamino in Mozart's The Magic Flute. In December 2015 he was the tenor soloist in Mozart's Coronation Mass with the Pittsburgh Symphony Orchestra, and in January 2016 he performed Belmonte in Mozart's Die Entführung aus dem Serail with the Ann Arbor Symphony Orchestra. He sang Belmonte again at the Metropolitan Opera in May 2016.
Daniel Behle is a German classical composer and operatic tenor. He has performed at international opera houses and festivals, and has recorded both operas and Lieder recitals.
Horst Laubenthal, real name Horst Neumaier, is a German operatic tenor and academic voice teacher. He is known internationally, both as an opera singer especially in Mozart roles such as Belmonte, Don Ottavio and Tamino, and as a concert and recital singer, with a focus on works by Johann Sebastian Bach. He has appeared at major opera houses and festivals, including the Glyndebourne Festival and the Salzburg Festival, and made many recordings, including rarely performed works such as Korngold's Violanta.
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