Eric Revis | |
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| Background information | |
| Born | May 31, 1967 Los Angeles, California, U.S. |
| Genres | Jazz |
| Occupation(s) | Musician, composer |
| Instrument | Double bass |
| Years active | 1990s–present |
| Labels | Clean Feed, Not Two, Pyroclastic |
| Website | www |
Eric Revis (born May 31, 1967) is a jazz bassist and composer. Revis came to prominence as a bassist with singer Betty Carter in the mid-1990s. [1] Since 1997 he has been a member of Branford Marsalis's ensemble. [2]
Source [3]
With Tarbaby
With J. D. Allen
With Orrin Evans
With Avram Fefer
With Russell Gunn
With Branford Marsalis
With Armen Nalbandian
With Ralph Peterson Jr.
With others
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Music Evolution is the second album of Branford Marsalis's jazz/hip-hop/rock group Buckshot LeFonque. Featuring guest appearances from David Sanborn, Guru and Laurence Fishburne, the album peaked at number 8 on the Billboard Top Contemporary Jazz Albums chart. The album is notable in Branford's discography for marking his first collaboration with pianist Joey Calderazzo and bassist Eric Revis, both of whom would go on to record in his quartet in the 2000s and 2010s.
Requiem is a jazz album by the Branford Marsalis Quartet, featuring Branford Marsalis, Eric Revis, Jeff "Tain" Watts, and Kenny Kirkland. The recording, Kirkland's last before his death in November 1998, was dedicated to his memory. Recorded August 17–20 and December 9–10, 1998 in the Tarrytown Music Hall in Tarrytown, New York, the album reached Number 8 on the Billboard Top Jazz Albums chart.
Romare Bearden Revealed is a jazz album by the Branford Marsalis Quartet, featuring Branford Marsalis, Eric Revis, Jeff "Tain" Watts, and Joey Calderazzo, with guest appearances by Harry Connick Jr., Wynton Marsalis, Doug Wamble, Reginald Veal, and other members of the Marsalis family. The album, which was recorded June 23–25, 2003 at Clinton Studios in New York, New York, was recorded in celebration of a retrospective exhibit of the art of Romare Bearden which opened at the National Gallery of Art in Washington DC and subsequently traveled to San Francisco, Dallas, New York and Atlanta in 2004 and 2005. The album recorded jazz tunes whose names Bearden had used for paintings as well as original compositions.
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