Blood on the Fields is a two-and-a-half-hour jazz oratorio by Wynton Marsalis. It was commissioned by Lincoln Center and treats the history of slavery and its aftermath in the United States of America. The oratorio tells the story of two slaves, Jesse and Leona, as they traverse the difficult journey to freedom. The narrative suggests that the individual freedom and agency of its protagonists is necessarily and inextricably intertwined with the empowerment of the community and nation as a whole. The work received the 1997 Pulitzer Prize for Music, being the first time the prize was ever given for a jazz music composition, an honor that had previously been reserved for classical composers.
The Majesty of the Blues is an album by jazz trumpeter Wynton Marsalis that was released in 1989.
Deep in the Shed is the second studio album by jazz pianist Marcus Roberts, a protégé of trumpet player Wynton Marsalis. The album features Roberts playing chords on his left hand and "somewhat dark improvisations that burst into fireworks less often than you'd expect" with his right hand. Roberts is backed by a seven-piece band on most of this album, a lineup which included Marsalis performing under the alias E. Dankworth.
It's Got to Be Funky is an album by jazz pianist Horace Silver, his first release on the Columbia label since Silver's Blue (1956), featuring performances by Silver with Oscar Brashear, Ron Stout, Bob Summers, Bob McChesney, Maurice Spears, Suzette Moriarty, Eddie Harris, Branford Marsalis, Red Holloway, Bob Maize, and Carl Burnett, with vocals by Andy Bey. The Allmusic review by Scott Yanow awarded the album 4 stars and states: "After a 13-year period in which he mostly recorded for his private Silveto label, pianist/composer Horace Silver was rediscovered by Columbia for this session... All of the music was new and served as proof that the master of jazz-funk had not lost his stuff".
Goin' Out of My Head is an album by American jazz guitarist Wes Montgomery that was released in 1966. It reached No. 7 on the Billboard magazine R&B chart. At the 9th Grammy Awards Goin' Out of My Head won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
Crescent City Christmas Card is an album by jazz trumpeter Wynton Marsalis that was released in 1989. The album reached a peak position of number fourteen on Billboard's Top Jazz Albums chart.
Joe Cool's Blues is an album by jazz trumpeter Wynton Marsalis and his father Ellis Marsalis that was released in 1995. The album reached a peak position of No. 3 on Billboard's Top Jazz Albums chart.
Uptown Ruler: Soul Gestures in Southern Blue, Vol. 2 is an album by Wynton Marsalis that was released in 1991. It is part two of the three-part blues cycle recorded by Marsalis and his quintet.
Standard Time, Vol. 6: Mr. Jelly Lord is an album by jazz trumpeter Wynton Marsalis that was released in 1999. The album peaked at number 7 on the Billboard Top Jazz Albums chart.
Standard Time, Vol. 4: Marsalis Plays Monk is an album by the jazz trumpeter Wynton Marsalis that was released in 1999.
Closer to the Source is an album by trumpeter Dizzy Gillespie recorded in 1984, featuring an all star cast of guest musicians and released on the Atlantic label.
MJQ & Friends: A 40th Anniversary Celebration is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in New York City, Los Angeles and at the Montreux Jazz Festival with guest artists including Bobby McFerrin, Take 6, Phil Woods, Wynton Marsalis, Illinois Jacquet, Harry "Sweets" Edison, Branford Marsalis, Jimmy Heath, Freddie Hubbard and Nino Tempo and released on the Atlantic label.
Keystone 3 is a live album by drummer Art Blakey and The Jazz Messengers recorded at the Keystone Korner in San Francisco in 1982 and released on the Concord Jazz label.
Live at Montreux and Northsea is an album by drummer Art Blakey and The Jazz Messengers Big Band recorded in 1980 at the Montreux Jazz Festival in Switzerland and released on the Dutch Timeless label.
The Gil Evans Orchestra Plays the Music of Jimi Hendrix is an album of Jimi Hendrix's compositions by jazz composer, conductor and pianist Gil Evans. The music was arranged by Evans and members of his orchestra. The album was recorded in 1974 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper, and John Abercrombie. The album was re-released with additional tracks on CD in 1988.
The Beautyful Ones Are Not Yet Born is a jazz album by Branford Marsalis, leading a trio with Jeff "Tain" Watts and Robert Hurst and with guest appearances from Wynton Marsalis and Courtney Pine. It was recorded May 16–18, 1991, at CTS Studio A, Wembley, England, and June 24, 1991, at RCA Studio B in New York, New York. It peaked at number 3 on the Top Jazz Albums chart.
Karma is the third album by trombonist Robin Eubanks. It was recorded in 1991 and released on the JMT label.
Romare Bearden Revealed is a jazz album by the Branford Marsalis Quartet, featuring Branford Marsalis, Eric Revis, Jeff "Tain" Watts, and Joey Calderazzo, with guest appearances by Harry Connick Jr., Wynton Marsalis, Doug Wamble, Reginald Veal, and other members of the Marsalis family. The album, which was recorded June 23–25, 2003 at Clinton Studios in New York, New York, was recorded in celebration of a retrospective exhibit of the art of Romare Bearden which opened at the National Gallery of Art in Washington DC and subsequently traveled to San Francisco, Dallas, New York and Atlanta in 2004 and 2005. The album recorded jazz tunes whose names Bearden had used for paintings as well as original compositions.
Fi-Fi Goes to Heaven is an album by American pianist Joanne Brackeen recorded in 1986 and released on the Concord Jazz label.
Amarcord Nino Rota is an album by various artists, recorded as a tribute to composer Nino Rota.
