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Erica Scourti (born in Athens) is an artist based in the UK whose works (which combine performance, digital media, the web, and video [1] ) have been exhibited at the Brighton Photo Biennial, the Hayward Gallery Project Space, and the Photographers' Gallery in London [2] Her performance project, Life In Adwords (2012), involved her keeping a diary by email to her Google account and creating videos based on the advertising targeted to her as a result. [3]
Erica Scourti (born 1980) is a British-Greek artist, is a well-known modern artist whose work appears in performance, video, literature, and digital media. She frequently looks at issues of identity, technology, and the modern individual. In the context of internet culture, Scourti's work often blurs the lines between the public and private domains through elements of self-exposure and self-reflection. [4] Her critical engagement with digital platforms and the ways in which they influence our perspectives of others and ourselves characterizes her artistic production. Scourti's artwork has been shown in galleries, museums, and festivals around the world. [5]
In 2013, Scourti completed a Master of Research degree (with Distinction) in Moving Image Art at Central Saint Martin’s College of Art & Design. She is currently completing a PhD in art at Goldsmiths. [6]
Erica Scourti often creates interdisciplinary work combining digital media, literature, film, and performance. Erica Scourti's work explores topics of identity, technology, and the self in the digital era. She draws on her strong foundation in artistic practice and critical inquiry, which she acquired via her school. [7]
"Life in AdWords" is among Erica Scourti's most significant pieces. In this project, Scourti uses her personal information from Google's AdWords advertising platform to investigate topics of identity, privacy, and surveillance in the digital era. Scourti's study entails recording her impressions on AdWords, Google's advertising platform that shows customized ads according to users' online activity and interests. [8] Scourti gathers and examines the advertisements that show up when she performs different web searches for terms and phrases as part of her investigation into AdWords. By recording the advertisements that AdWords produced in response to her online behavior, Scourti draws attention to the gathering, handling, and application of personal data for the purpose of targeted advertising. She brings up concerns regarding digital privacy, the monetization of personal data, and the algorithms and systems that influence our online experiences. [9]
"Spill Sections" (2016)
"Spill Sections" is a 2016 multimedia installation designed by Erica Scourti. Scourti examines identity fluidity, the intricacies of internet communication, and self-representation in this body of work. In the course of the project, Scourti interacts with numerous online platforms, including social media, chat rooms, and live streaming, through a number of performances, installations, and digital works. She moves across these virtual environments, chatting with people and investigating various facets of her identity in real time. [10] "Spill Sections" explores how people create and display themselves in digital spaces as well as the fractured character of online communication. Scourti's examination of these subjects highlights issues with intimacy, authenticity, and identity performance in the era of social media and digital technology. [11]
"Empathy Deck" (2016)
In 2016, the "empathizing deck" was created. It consists of a deck of cards meant to encourage introspection and dialogue around feelings and mental health. Every card in the "Empathy Deck" has an emoji that symbolizes a certain feeling and a mental health-related sentence or prompt that goes along with it. People can use the deck as a tool to talk about empathy and emotional support, as well as to explore and express their feelings. [12] The "Empathy Deck" by Scourti welcomes users to interact in a positive and approachable manner with both their own and other people's emotions. In order to promote empathy, understanding, and a sense of community among participants, the initiative offers a written and visual framework for talking about feelings. Scourti's interest in the nexus of communication, emotion, and technology is evident in the project. Emotions are a common form of digital communication. Scourti examines how technology affects our perceptions of emotion and interpersonal connection by combining emoticons with mental health-related questions. [13]
Solo Exhibitions
Profiles of You, EMST National Museum of Contemporary Art, Athens, 2023 [solo] [14]
Chief Complaint, Almanac Projects, 2018 [solo]
Spill Sections, Studio RCA Riverlight 22, 2018 [solo] [15]
Group Exhibitions
Survival Kit 13, Latvian Centre for Contemporary Art, 2022, curated by Iliana Fokianaki
Athens Biennale 7: ECLIPSE Athens, Sept 24- Nov 28th 2021
24/ 7: A wake-up call for our non-stop world, Somerset House, 2020
Machines of Loving Grace, High Line, New York, 2019
We Were Having a Little Flirt, Pump House Gallery, group show, 2018
Gjon Mili 2017: Award Exhibition, The National Gallery of Kosovo, 2017
Group Therapy, UNSW Galleries, Sydney, 2017
More Than Just Words [On the Poetic], Kunsthalle Wien, Vienna, 2017
Feral Kin, Autoitalia, 2017
Bedlam: The Asylum and Beyond, Wellcome Collection, Sept 2016—Jan 2017
Third Party, CTRL+SHIFT Collective, Oakland, USA 2016
Fireflies, Niarchos Centre, Athens; 2016 [16]
National Museum of Contemporary Art (EMST) [17]
Altered States, Ignota Press, 2021
Exit Script, text for Athens Biennale 7 Catalogue, 2021
Mine Searching Yours, collaboration with Caspar Heinemann for Forma Arts, 2021
On Care, MA Biblioteque ed. Sharon Kivland and Rebecca Jagoe, 2020
The Happy Hypocrite [guest editor], Book Works, October 2019
Spells: 21st Century Occult Poetry Ignota Press, October 2018
Across and Beyond: A Transmediale reader, Sternberg Press, 2017
Profiles of You, essay chapter in Fiction as Method, Sternberg Press, 2018
Documents of Contemporary Art: Information, MIT Press and Whitechapel, 2016 [18]
Software art is a work of art where the creation of software, or concepts from software, play an important role; for example software applications which were created by artists and which were intended as artworks. As an artistic discipline software art has attained growing attention since the late 1990s. It is closely related to Internet art since it often relies on the Internet, most notably the World Wide Web, for dissemination and critical discussion of the works. Art festivals such as FILE Electronic Language International Festival, Transmediale (Berlin), Prix Ars Electronica (Linz) and readme have devoted considerable attention to the medium and through this have helped to bring software art to a wider audience of theorists and academics.
Google Ads formerly known as Google Adwords is an online advertising platform developed by Google, where advertisers bid to display brief advertisements, service offerings, product listings, and videos to web users. It can place ads in the results of search engines like Google Search, mobile apps, videos, and on non-search websites. Services are offered under a pay-per-click (PPC) pricing model, and a cost-per-view (CPV) pricing model.
The Athens Conservatoire is the oldest educational institution for the performing arts in modern Greece. It was founded in 1871 by the non-profit organization Music and Drama Association.
Christophe Bruno is a French visual artist who works particularly in the medium of internet art, and has been described as the world's first "Human Browser".
Mez Breeze is an Australian-based artist and practitioner of net.art, working primarily with code poetry, electronic literature, mezangelle, and digital games. Born Mary-Anne Breeze, she uses a number of avatar nicknames, including Mez and Netwurker. She received degrees in both Applied Social Science [Psychology] at Charles Sturt University in Bathurst, Australia in 1991 and Creative Arts at the University of Wollongong in Australia in 2001. In 1994, Breeze received a diploma in Fine Arts at the Illawarra Institute of Technology, Arts and Media Campus in Australia. As of May 2014, Mez is the only Interactive Writer and Artist who is a non-USA citizen to have her comprehensive career archive housed at Duke University, through their David M. Rubenstein Rare Book & Manuscript Library.
The National Museum of Contemporary Art, is a national museum focused on exhibiting contemporary Greek and international art in Athens. It was established in October 2000. Its founding director, Anna Kafetsi, previously served as curator for the 20th century collection at the National Gallery of Athens.
Venia Bechrakis is a visual artist who lives and works in Athens and New York City.
Ursula Endlicher is a New York City based Austrian multi-media artist who creates works in the fields of internet art, performance art and installation art.
Annie Abrahams is a Dutch performance artist specialising in video installations and internet based performances, often deriving from collective writings and collective interaction. Born and raised in Hilvarenbeek in the Netherlands, she migrated to and settled in France in 1987. Her performance work challenges and questions the limitations and possibilities of online communication and collaboration. Abrahams describes her body of work as "an aesthetics of trust and attention." Studying biology became an inspiration for her future line of work. "When studying biology I had to observe a colony of monkeys in a zoo. I found this very interesting because I learned something about human communities by watching the apes. In a certain way I watch the internet with the same appetite and interest. I consider it to be a universe where I can observe some aspects of human attitudes and behaviour without interfering."
Maria Chatzichristodoulou, also known as Maria X, is a Greek cultural practitioner who has served as a curator, producer, painter, performer, writer, and community organizer.
Rosa Menkman is a Dutch art theorist, curator, and visual artist specialising in glitch art and resolution theory. She investigates video compression, feedback, and glitches, using her exploration to generate art works.
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Jennifer Chan is a Canadian media artist, curator, and programmer based in Toronto, Ontario. She is known for work that addresses how gender and race manifest in the fields of digital and online art, using amateur aesthetics inspired by pop culture, YouTube mashups, and millennial experience.
Gretta Louw is a multi-disciplinary artist who has worked with artforms as varied as digital media and networked performance, installation and video art, and fibre art. She lives and works in Germany and Australia. Her artistic practice explores the potential of art as a means of investigating psychological phenomena, particularly in relation to new technologies and the internet. Her focus is on how new digital technologies are shaping contemporary experience.
Nora Nahid Khan is a Warwick, Rhode Island-born American art critic, curator, and writer of fiction, non-fiction, and literary criticism. Khan has served on the Faculty of the University of California, Riverside, and at the Rhode Island School of Design. She was the Executive Director of the Project X Foundation for Art & Criticism from 2022 to 2023. In 2022 Nora Khan was appointed the first Editor-in-Residence of Topical Cream.
Ruth Catlow is an English artist-theorist and curator whose practice focuses on critical investigations of digital and networked technologies and their emancipatory potential. She is also the Director, with Marc Garrett, of the Furtherfield gallery, commons space, and online arts-writing platform based out of London, which the duo founded in 1997.
Pinar Yoldas is a Turkish-American architect, artist and professor at University of California San Diego. She is known for art and architecture that focus on the anthropocene, futurism, and feminist technoscience.
Mit Borrás is a Spanish visual artist based in Madrid and Berlin.
Helen Cammock is a British artist. She was shortlisted for the 2019 Turner Prize and was awarded the prize along with the other three nominees. For the first time ever, they asked the jury to award the prize to all four artists and their request was granted. She works in a variety of media including moving image, photography, poetry, spoken word, song, printmaking and installation.
Alexandra "Alex" Chen is a character from the Life Is Strange video game series published by Square Enix. Created by American developer Deck Nine, she first appears in the 2021 video game Life Is Strange: True Colors as its main protagonist. Alex has the supernatural power to see, experience, and manipulate the emotions of people around her. At the outset of the game, she moves from Portland, Oregon to the fictional Colorado town of Haven Springs to live with her brother Gabe Chen, who dies in an accident soon after her arrival. She is forced to utilize her power of empathy, the volatility of which has made her life difficult up to this point, in order to discover the truth behind her brother's tragic death and find closure for herself.