Ernest Normand

Last updated

Ernest Normand
Ernest Normand White Slave.jpg
The White Slave, an Orientalist nude by Ernest Normand
Born30 December 1857
London, England
Died23 March 1923 (aged 65)
London, England
NationalityEnglish
Education Académie Julian, Paris
Known forPainter
Movement Orientalist; Victorian painting
Spouse(s) Henrietta Rae painter and writer (1859–1928)

Ernest Normand (1857-1923) was an English painter noted for his historical and Biblical scenes as well as Orientalist works.

Contents

Life and career

Ernest Normand was born in London on 30 December 1857. He painted history and orientalist paintings, [1] and also undertook portraits.

In 1884 he married the painter and writer, Henrietta Rae (1859-1928). They both painted nude figures in lush settings, and were criticized for an apparent tendency toward an excess of sensuality in some of their paintings.[ citation needed ]

The Normands were based in London from 1885, where Ernest had his studio and received support from the circle around Lord Leighton. They lived in Holland Park, an area known as the residence of many other artists of the day. [2] Frequent visitors to their home included Leighton, Millais, Prinsep, and Watts. [3] These more senior artists adopted the Normands, but their criticism was not always welcome. In her memoirs, Henrietta described the overbearing attitudes and conduct of some of the more senior artists. [4]

In 1890, the Normands travelled to Paris to study at the Académie Julian with Jules Joseph Lefebvre and Jean-Joseph Benjamin-Constant. In 1893, the Normands moved to Upper Norwood, into a studio that was custom-built for them by Normand's father. The couple had two children, a son (born in 1886) and a daughter (born in 1893).

Work

He painted history and orientalist paintings, [5] and also undertook portraits. His work was influenced by the Pre-Raphaelites. Normand painted the "King John Granting the Magna Carta" fresco at the Royal Exchange in London (painted 1900, restored 2001).

Select list of paintings and illustrations

See also

Related Research Articles

<span class="mw-page-title-main">Victorian Artists Society</span> Artists collective in Melbourne, Victoria, Australia

The Victorian Artists Society, which can trace its establishment to 1856 in Melbourne, promotes artistic education, art classes and gallery hire exhibition in Australia. It was formed in March 1888 when the Victorian Academy of Arts and the Australian Artists' Association amalgamated.

<span class="mw-page-title-main">John William Waterhouse</span> English painter (1849–1917)

John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His paintings are known for their depictions of women from both ancient Greek mythology and Arthurian legend. A high proportion depict a single young and beautiful woman in a historical costume and setting, though there are some ventures into Orientalist painting and genre painting, still mostly featuring women.

<span class="mw-page-title-main">Frederic Leighton</span> English painter and sculptor (1830–1896)

Frederic Leighton, 1st Baron Leighton,, known as Sir Frederic Leighton between 1878 and 1896, was a British Victorian painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style. His paintings were enormously popular and expensive, during his lifetime, but fell out of critical favour for many decades in the early 20th century.

<span class="mw-page-title-main">Jean-Léon Gérôme</span> French painter and sculptor (1824–1904)

Jean-Léon Gérôme was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students.

<span class="mw-page-title-main">Pygmalion (mythology)</span> King and sculptor in Greek mythology

In Greek mythology, Pygmalion was a legendary figure of Cyprus. He is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a statue he had carved.

<span class="mw-page-title-main">Stanhope Forbes</span> British painter

Stanhope Alexander Forbes was a British artist and a founding member of the influential Newlyn school of painters. He was often called 'the father of the Newlyn School'.

<span class="mw-page-title-main">William Hunter Kendal</span> English actor and theatre manager (1843–1917)

William Hunter Kendal was an English actor and theatre manager. He and his wife Madge starred at the Haymarket in Shakespearian revivals and the old English comedies beginning in the 1860s. In the 1870s, they starred in a series of "fairy comedies" by W. S. Gilbert and in many plays on the West End with the Bancrofts and others. In the 1880s, they starred at and jointly managed the St. James's Theatre. They then enjoyed a long touring career.

<span class="mw-page-title-main">Edwin Long</span> British painter (1829–1891)

Edwin Longsden Long was a British genre, history, biblical and portrait painter.

<span class="mw-page-title-main">Pont-Aven School</span> Art movement

Pont-Aven School encompasses works of art influenced by the Breton town of Pont-Aven and its surroundings. Originally the term applied to works created in the artists' colony at Pont-Aven, which started to emerge in the 1850s and lasted until the beginning of the 20th century. Many of the artists were inspired by the works of Paul Gauguin, who spent extended periods in the area in the late 1880s and early 1890s. Their work is frequently characterised by the bold use of pure colour and their Symbolist choice of subject matter.

<span class="mw-page-title-main">Edward Armitage</span> English painter (1817–1896)

Edward Armitage was an English Victorian-era painter whose work focused on historical, classical and biblical subjects.

<i>Galatea, or Pygmalion Reversed</i>

Galatea, or Pygmalion Re-Versed is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play Pygmalion and Galatea. The libretto was written by Henry Pottinger Stephens and W. Webster. The score was composed by Wilhelm Meyer Lutz.

<span class="mw-page-title-main">Henrietta Rae</span> English painter (1856–1928)

Henrietta Emma Ratcliffe Rae was a British painter of the late Victorian era, who specialised in classical, allegorical and literary subjects. Her best-known painting is The Lady with the Lamp (1891); depicting Florence Nightingale at Scutari.

<span class="mw-page-title-main">William Edward Frank Britten</span>

William Edward Frank Britten was a British painter and illustrator. It is known that he worked in London, England starting in 1873 and that he stayed in the city until at least 1890. Britten's work ranged in style from to traditional Victorian to Pre-Raphaelite, and his artistic medium ranged from paintings to book illustrations. His paintings have mostly been praised by critics with his illustrations having been treated as either neutral or favourable by reviewers.

<i>Pygmalion and the Image</i> series Painting series by Edward Burne-Jones

Pygmalion and the Image is the second series of four oil paintings in the Pygmalion and Galatea series by the Pre-Raphaelite artist Edward Burne-Jones which was completed between 1875 and 1878. The two collections may be seen below, in the Gallery, the first being now owned by Lord Lloyd Webber, and the second housed at the Birmingham Museum & Art Gallery. This article deals with an appraisal of the second series.

<span class="mw-page-title-main">Joseph Austin Benwell</span> English artist, engraver and illustrator (1816–1886)

Joseph Austin Benwell (1816–1886) was an English artist, engraver and illustrator. He was primarily an artist in the 'orientalist' style. Many of his paintings and engravings were based on his travels in the Near and Middle East, China and India, often featuring camel caravans, Arab scenes and depictions of Indian life.

<span class="mw-page-title-main">Félix-Joseph Barrias</span> French painter (1822–1907)

Félix-Joseph Barrias was a French painter. He was well known in his day for his paintings of religious, historical or mythical subjects, but has now been largely forgotten. Artists who trained in his studio and went on to achieve fame include Edgar Degas, Gustave Achille Guillaumet and Henri Pille.

<i>Pygmalion and Galatea</i> (Gérôme painting) 1890 painting by Jean-Léon Gérôme

Pygmalion and Galatea is an 1890 painting by the French artist Jean-Léon Gérôme. The motif is taken from Ovid's Metamorphoses and depicts the sculptor Pygmalion kissing his statue Galatea at the moment the goddess Aphrodite brings her to life.

<i>Tanagra</i> (Gérôme sculpture) Polychromic marble sculpture created by French artist Jean-Léon Gérôme

Tanagra is a polychromic marble sculpture created by French artist Jean-Léon Gérôme (1824–1904) as a personification of the "spirit of Tanagra," his own mythic invention tied to the Tanagra figurines from the village of that name in ancient Greece. The sculpture was first shown at the Paris Salon of 1890. Gérôme subsequently created smaller, gilded bronze versions of Tanagra; several versions of the "Hoop Dancer" figurine held by Tanagra; two paintings of an imaginary ancient Tanagra workshop; and two self-portraits of himself sculpting Tanagra from a living model in his Paris atelier. These sculptures and paintings comprise a complex, self-referential artistic program in which one of the most celebrated artists of his generation explored reception of Classical antiquity, creative inspiration, doppelgängers, and female beauty.

The Bath of Psyche is an oil painting by Frederic Leighton, first exhibited in 1890. It is in the collection of Tate Britain.

References

  1. (fr)Orientalistes
  2. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society, New Haven, Yale University Press, 1999.
  3. Fish, p. 47.
  4. Debra Mancoff and D. J. Trela, eds., Victorian Urban Settings: Essays on the Nineteenth-Century City and Its Contexts, London, Taylor & Francis, 1996, pp 70-71
  5. (fr)Orientalistes