Eskrimadors is a 2010 Philippine documentary film about the Filipino martial arts eskrima, written and directed by Kerwin Go, [1] [2] [3] [4] a Los Angeles trained cinematographer. [5] [6]
According to the Kerwin Go, the film's writer and director, the idea of the film came about when the production staff thought of making a film that was uniquely Cebuano in scope and identity, but had the capability to reach out to a worldwide audience. The film was shot in several locations in Cebu including: downtown Cebu, Pasil district and Bogo in the northern part of Cebu. [5]
The film documents the development of the martial arts of eskrima, tracing its origins from the tribal warfares of the Philippines to its practice among international martial artists. It include interviews with grandmasters Ciriaco “Cacoy” Canete, Dionisio Canete, and Undo Caburnay, and participation of groups such as Doce Pares, Lapunti Arnis de Abanico, Teovel’s Balintawak, Nickelstick Balintawak, and Liborio Heyrosa Decuerdas, in reenactments. [5] [7]
Eskrimadors had a sneak preview at the University of San Carlos on January 6, 2010 [3] and then had its official premier on January 30, 2010 in Cebu, Philippines at the Metro Manila Film Festival, [2] [7] followed by the Cinemalaya Philippine Independent Film Festival on June 16, 2010 and Cinemanila International Film Festival on December 2, 2010. The film was already in post-production by late 2009 and set for release for by the end of the year, but the premiere was moved to January 2010 to meet the schedule of the Metro Manila Film Festival. The film was released just in time the bill proposing Eskrima as a national martial arts of the Philippines passed.
During the première, live demonstrations from different Eskrima groups including Cacoy Cañete, now in his 90s, opened the night. After the movie was screened, the Grandmasters were awarded their certificates of appreciation for their continued practice and promotion of the art of Eskrima. It was a historical moment as 12 Grandmasters were on the same stage at the same time. [7]
Twitch Film began their review by noting that action films were once "synonymous with the Philippines", and that even as much action as it has, Eskrimadors "is not an action film per se. It is a documentary, and a very good one at that." The reviewer notes that writer Kerwin Go concentrated on eskrima in the film, a form of martial arts using rattan sticks that originated in island of Cebu... a form known in other parts of the Philippines as arnis. The reviewer wrote that to martial arts enthusiasts, the "documentary is something of a well-packaged tribute" and an homage to a sport "that has been sadly relegated locally as mere curiosity when it has actually turned into a world-wide phenomenon". It is also shared that the film has "a distinctly solid narrative flow, and a visual flair that outwits the budgetary constraints of a local independent production. It's simply fantastic filmmaking." [1]
Cebu Daily News made note that fight scenes in film are often the most difficult to shoot, as a miss-step in the choreography could make what was intended to be serious into something comic. They then praised the scenes in the film writing that the sequence "mimics the rhythmic choreography of combat, a strange dance macabre." They also noted that the artistic techniques used in re-enactments were subtle. They wrote that in its depiction of the form of martial arts indigenous to the Philippines which saw its development in the Cebu region, the film proves to be "a definitive account of the story of Eskrima". [2]
On January 12, 2010, Karlon N. Rama of Sun Star Cebu wrote "Kerwin’s Eskrimadors offers a great visual experience. After the screening last week, I found myself wanting to rush back home and do amara." He added, "to fully appreciate the film, it is not enough to just undergo the visual experience and leave it at that. One must also look at Kerwin’s other intent—to document eskrima as it has been practiced in Cebu." [3]
In his own review two weeks later, Bob Lim of Sun Star Cebu noted that martial artist Bruce Lee incorporated eskrima into his combat repertoire. In describing the film, he reported that "the narrations are adroitly interspersed with well-choreographed actions scenes. One of the best parts of the film is the last portion where it shows the significant inroads of foreign eskrimadors to the sport," and "the viewer is treated to the incredible but lethal beauty of eskrima, its speed and energy presented in fast-paced editing, top caliber cinematography and a musical score that captures the up-tempo action." [5]
In an interview by Philippine Daily Inquirer , wherein he spoke about FMA, filmmaker Jay Ignacio stated that when he saw the preview of Eskrimadors he was "moved to tears", saying "It made me extremely proud to be a Filipino." [8]
Filipino martial arts (FMA) refer to ancient and newer modified fighting methods devised in the Philippines. It incorporates elements from both Western and Eastern Martial Arts, the most popular forms of which are known as Arnis, Eskrima, and Kali. The intrinsic need for self-preservation was the genesis of these systems. Throughout the ages, invaders and evolving local conflict imposed new dynamics for combat in the islands now making up the Philippines. The Filipino people developed battle skills as a direct result of an appreciation of their ever-changing circumstances. They learned often out of necessity how to prioritize, allocate and use common resources in combative situations. Filipinos have been heavily influenced by a phenomenon of cultural and linguistic mixture. Some of the specific mechanisms responsible for cultural and martial change extended from phenomena such as war, political and social systems, technology, trade and practicality.
Arnis, also known as Kali or Eskrima/Escrima, is the national martial art of the Philippines. The three are roughly interchangeable umbrella terms for the traditional martial arts of the Philippines, which emphasize weapon-based fighting with sticks, knives, bladed weapons, and various improvised weapons, as well as "open hand" techniques without weapons.
Modern Arnis is the system of Filipino fighting arts founded by Remy Presas as a self-defense system. His goal was to create an injury-free training method as well as an effective self-defense system in order to preserve the older Arnis systems. The term Modern Arnis was used by Remy Presas' younger brother Ernesto Presas to describe his style of Filipino martial arts; since 1999 Ernesto Presas has called his system Kombatan. It is derived principally from the traditional Presas family style of the Bolo (machete) and the stick-dueling art of Balintawak Eskrima, with influences from other Filipino and Japanese martial arts.
Doce Pares is a Filipino martial art and a form of Arnis, Kali and Eskrima, that focuses primarily on stick fighting, knife fighting and hand-to-hand combat but also covers grappling and other weapons as well. In reality, the stick is merely considered an extension of the hand, and is meant to represent almost any weapon, from sticks to swords to knives to anything else you can place in your hand and use as a weapon in the modern context. Doce Pares was founded in 1932.
San Miguel Eskrima is one of the major systems of eskrima, a martial arts from the Philippines. Founded by Filemon "Momoy" Cañete of the Doce Pares Club, SME served as vehicle for his own personal expression of the art and methodology of the club of which he was a co-founder and instructor. The name San Miguel is taken from Michael (archangel), the slayer of Satan, and is one of the major strikes used in Eskrima.
Kombatan is a Filipino martial arts system. The founder of the system was GGM Ernesto Amador Presas. The current head of the system is Ernesto Presas Jr. The style is known for its double stick techniques, but it features other stick and blade techniques, as well as empty-hand methods.
Balintawak Eskrima or Balintawak Arnis is a Filipino martial art created by Grandmaster Venancio "Anciong" Bacon in the 1950s to enhance and preserve the combative nature of arnis which he felt was being watered down by other styles of Philippine martial arts. It is named after a small street in Cebu where it was founded.
Rolando Pintoy Dantes was an actor, champion bodybuilder and Filipino martial artist who trained with Remy Presas for over 30 years.
Eskrido, a version of Doce Pares, is a Filipino martial art that is a combination of Doce Pares, Aikido, Ju-Jitsu and Judo, with lesser influences from other Japanese systems. It features standard eskrima stick techniques mixed with Jujutsu-style locks and throws that utilize the stick. The stickwork shows a strong sword influence, and indeed the sword, knife, and other Filipino weapons are also taught. It was founded by Ciriaco "Cacoy" Cañete, who taught it in the Philippines and in seminars across the world. The martial art was established in 1951. Cañete was the highest ranking practitioner in both Doce Pares Eskrima and Eskrido.
Grandmaster Vicente "Vic" R. Sanchez was a Filipino martial artist and the founder of Kali Arnis International.
Lameco Eskrima is the system of Filipino martial arts founded by Edgar Sulite based on his training and experience with various Philippine Martial Arts masters, with heavy influence from Jose Caballero and Antonio Ilustrisimo.
Antonio "Tatang" Ilustrisimo was the Grandmaster of Kalis Ilustrisimo (KI), a Filipino martial art bearing his family name.
Sibat is the Filipino word for spear, used as a weapon or tool by natives of the Philippines. The term is used in Tagalog and Kinaray-a. It also called bangkaw, sumbling or palupad in the islands of Visayas and Mindanao; and budjak among Muslim Filipinos in western Mindanao and the Sulu Archipelago.
Jose D. Caballero was the founder of a Filipino martial art called De Campo Uno-Dos-Tres Orihinal, also commonly known as De Campo 1-2-3, and is considered the Juego Todo champion of his era.
Ciriaco "Cacoy" Cañete was a Filipino martial artist of the Doce Pares Eskrima Club. He was the last surviving member of the club, which was founded in January 1932. He was also a 12th degree black belt. His version of the Doce Pares Eskrima system is known as Cacoy Doce Pares. In 1951 he developed a personal system of his named Eskrido.
Richard Bustillo was an American martial arts instructor from Hawaii who was a student of the late Bruce Lee and an authority on Jeet Kune Do Concepts and Filipino Martial Arts.
Arnis in popular culture reflects the impact that the Filipino martial arts of Arnis/Eskrima/Kali have made outside of the martial arts community. The three terms are roughly interchangeable and for the purpose of convenience, the term Arnis will be used throughout the article. These arts emphasize weapon-based fighting with sticks, blades, improvised weapons and hand-to-hand fighting which is formally known as Mano Mano or Pangamut. Because of this training with live weapons, elements of Arnis have made an impact in film, video games, television, and comic books. Arnis is often used to train actors and stuntmen how to handle similar weapons for use in movies.
Suntukan is the fist-related striking component of Filipino martial arts. In the central Philippine island region of Visayas, it is known as Pangamot or Pakamot and Sumbagay. It is also known as Mano-mano and often referred to in Western martial arts circles of Inosanto lineage as Panantukan. Although it is also called Filipino Boxing, this article pertains to the Filipino martial art and should not be confused with the Western sport of boxing as practiced in the Philippines. In recent times, suntukan has become a generalized term for any brawls in the Philippines, with the term panantukan becoming more frequently used to denote the actual martial art.
Daniel "Danny" Guba is a Filipino martial artist and a leading practitioner of Eskrima-Kali-Arnis. Guba is a 5 time World Eskrima Kali Arnis Federation (WEKAF) World Champion and the founder of his own style of Doce Pares Eskrima, namely Guba Doce Pares.