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The RGB color model is an additive color model in which the red, green, and blue primary colors of light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors, red, green, and blue.
The CMYK color model is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. CMYK refers to the four ink plates used in some color printing: cyan, magenta, yellow, and key (black).
The JPEG File Interchange Format (JFIF) is an image file format standard published as ITU-T Recommendation T.871 and ISO/IEC 10918-5. It defines supplementary specifications for the container format that contains the image data encoded with the JPEG algorithm. The base specifications for a JPEG container format are defined in Annex B of the JPEG standard, known as JPEG Interchange Format (JIF). JFIF builds over JIF to solve some of JIF's limitations, including unnecessary complexity, component sample registration, resolution, aspect ratio, and color space. Because JFIF is not the original JPG standard, one may expect another mime-type, but somehow it's still registered as "image/jpeg".
Tag Image File Format, abbreviated TIFF or TIF, is an image file format for storing raster graphics images, popular among graphic artists, the publishing industry, and photographers. TIFF is widely supported by scanning, faxing, word processing, optical character recognition, image manipulation, desktop publishing, and page-layout applications. The format was created by the Aldus Corporation for use in desktop publishing. It published the latest version 6.0 in 1992, subsequently updated with an Adobe Systems copyright after the latter acquired Aldus in 1994. Several Aldus or Adobe technical notes have been published with minor extensions to the format, and several specifications have been based on TIFF 6.0, including TIFF/EP, TIFF/IT, TIFF-F and TIFF-FX.
In digital imaging systems, color management is the controlled conversion between the color representations of various devices, such as image scanners, digital cameras, monitors, TV screens, film printers, computer printers, offset presses, and corresponding media.
sRGB is a standard RGB color space that HP and Microsoft created cooperatively in 1996 to use on monitors, printers, and the World Wide Web. It was subsequently standardized by the International Electrotechnical Commission (IEC) as IEC 61966-2-1:1999. sRGB is the current defined standard colorspace for the web, and it is usually the assumed colorspace for images that are neither tagged for a colorspace nor have an embedded color profile.
The Adobe RGB (1998) color space or opRGB is a color space developed by Adobe Systems, Inc. in 1998. It was designed to encompass most of the colors achievable on CMYK color printers, but by using RGB primary colors on a device such as a computer display. The Adobe RGB (1998) color space encompasses roughly 50% of the visible colors specified by the CIELAB color space – improving upon the gamut of the sRGB color space, primarily in cyan-green hues. It was subsequently standardized by the IEC as IEC 61966-2-5:1999 with a name opRGB and is used in HDMI.
The ProPhoto RGB color space, also known as ROMM RGB, is an output referred RGB color space developed by Kodak. It offers an especially large gamut designed for use with photographic output in mind. The ProPhoto RGB color space encompasses over 90% of possible surface colors in the CIE L*a*b* color space, and 100% of likely occurring real-world surface colors documented by Michael Pointer in 1980, making ProPhoto even larger than the Wide-gamut RGB color space. The ProPhoto RGB primaries were also chosen in order to minimize hue rotations associated with non-linear tone scale operations. One of the downsides to this color space is that approximately 13% of the representable colors are imaginary colors that do not exist and are not visible colors.
The aim of color calibration is to measure and/or adjust the color response of a device to a known state. In International Color Consortium (ICC) terms, this is the basis for an additional color characterization of the device and later profiling. In non-ICC workflows, calibration refers sometimes to establishing a known relationship to a standard color space in one go. The device that is to be calibrated is sometimes known as a calibration source; the color space that serves as a standard is sometimes known as a calibration target. Color calibration is a requirement for all devices taking an active part of a color-managed workflow, and is used by many industries, such as television production, gaming, photography, engineering, chemistry, medicine and more.
Barco Creator was an image manipulation program targeted at the repro and print shop markets. It was developed by Barco Creative Systems a division of the Barco Group and first shown as a prototype at Parigraph in April 1988, then later at Ipex 88). Barco Creative Systems together with D.I.S.C. and Aesthedes merged into Barco Graphics. It ran on several generations of Silicon Graphics computers till the late 1990s. Barco Graphics ColorTone for Windows NT is considered its successor.
The HKS is a colour system which contains 120 spot colours and 3520 tones for coated and uncoated paper. HKS is an abbreviation of three German colour manufacturers: Hostmann-Steinberg Druckfarben, Kast + Ehinger Druckfarben, and H. Schmincke & Co. The association of those three companies have defined the colours of the HKS system since 1968.
In color management, an ICC profile is a set of data that characterizes a color input or output device, or a color space, according to standards promulgated by the International Color Consortium (ICC). Profiles describe the color attributes of a particular device or viewing requirement by defining a mapping between the device source or target color space and a profile connection space (PCS). This PCS is either CIELAB (L*a*b*) or CIEXYZ. Mappings may be specified using tables, to which interpolation is applied, or through a series of parameters for transformations.
PDF/X is a subset of the PDF ISO standard. The purpose of PDF/X is to facilitate graphics exchange, and it therefore has a series of printing-related requirements which do not apply to standard PDF files. For example, in PDF/X-1a all fonts need to be embedded and all images need to be CMYK or spot colors. PDF/X-3 accepts calibrated RGB and CIELAB colors, while retaining most of the other restrictions of PDF/X-1a.
Specifications for Web Offset Publications, invariably abbreviated to SWOP, is an organization and the name of a set of specifications that it produces, with the aim of improving the consistency and quality of professionally printed material in the United States, and of certain other products, programs and endorsements related to their work. Among other things, the organization specifies SWOP inks used in CMYK printing, colors of SWOP proofs, other physical qualities pertaining to printing. The organization publishes its own specification and ICC profile and runs a certification program.
A color space is a specific organization of colors. In combination with color profiling supported by various physical devices, it supports reproducible representations of color -- whether such representation entails an analog or a digital representation. A color space may be arbitrary, i.e. with physically realized colors assigned to a set of physical color swatches with corresponding assigned color names, or structured with mathematical rigor. A "color space" is a useful conceptual tool for understanding the color capabilities of a particular device or digital file. When trying to reproduce color on another device, color spaces can show whether shadow/highlight detail and color saturation can be retained, and by how much either will be compromised.
A contract proof usually serves as an agreement between customer and printer and as a color reference guide for adjusting the press before the final press run. Most contract proofs are a prepress proof.
Monitor proofing or soft-proofing is a step in the prepress printing process. It uses specialized computer software and hardware to check the accuracy of text and images used for printed products. Monitor proofing differs from conventional forms of “hard-copy” or ink-on-paper color proofing in its use of a calibrated display(s) as the output device.
The Academy Color Encoding System (ACES) is a color image encoding system created under the auspices of the Academy of Motion Picture Arts and Sciences. ACES allows for a fully encompassing color accurate workflow, with "seamless interchange of high quality motion picture images regardless of source".
Media Standard Print is a publication of the Bundesverband Druck und Medien, available on its website. The publication contains instructions on how to produce data and proofs that are to be sent to a printer. It is based on ProcessStandard Offset and therefore on the ISO Standards ISO 12647 and ISO 15930. As such, it serves as the foundation for smooth cooperation between customer, prepress service provider and printer during media production, covering data formats, colour formats, printing conditions, workflows, means of proofing, standards, black composition and much more.
References
- ↑ ISO 22028 Extended colour encodings for digital image storage, manipulation and interchange (2012) [2008]. "Part 4: European Colour Initiative RGB colour image encoding [eciRGB (2008)]". Photography and graphic technology. International Standard (Technical report). ICS 37.040.99. ISO. ISO/TS 22028-4:2012.