Evelyn Roth

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Evelyn Roth
Born
Evelyn Margaret Yakubow

(1936-12-27) December 27, 1936 (age 87)
Mundare, Alberta, Canada
Educationself-taught
Known fortextile artist
sculptor,
performance artist,
dancer
interactive fabric artist
Movementinterdisciplinary art
AwardsArtist of the Year, awarded by the Vancouver Sun (1973); World of Wearable Art International Design Competition (1999)

Evelyn Roth (born December 27, 1936) is a Canadian born interdisciplinary artist who has worked across the arts in textiles, sculpture, performance, dance and interactive fabric arts. [1] Specialising in environmentally sensitive events, festivals, school programs and art gallery exhibits. Roth is based in the town of Maslin Beach, on South Australia's Fleurieu Peninsula.

Contents

Early life

Born Evelyn Margaret Yakubow, in 1936 in Mundare, Alberta Canada. [2] She moved to Edmonton, Alberta in the 1950s where she took classes in art, crafts, modern, eastern and classical dance. She also took yoga and fencing classes while working in the local children's library. In 1961, she and her first husband Klaus Roth moved to Vancouver where she worked in the university library. [3] They later separated in the 1960s. [2]

Career

When she moved to Vancouver in 1961, Evelyn Roth joined Intermedia and became a key practitioner in the international art scene at the time, focusing on art and technology, wearable art and video art. [1] [2] During the 1970s Roth focused her practice on knitting and crocheting with recycled materials including television video tape and natural fibres. [4] [5] She created wearable art, textile installations and furnishings. In 1974, her book about her work, The Evelyn Roth Recycling Book, was published by Talonbooks. [6] That same year, she joined the British Columbia pavilion at Expo '74, presenting under a sunsail made of woven computer tapes and videotape. [7] She often adapted the motif of wearables, fabricating work from found materials and ingeniously using them in various festivals, events or exhibitions. [1]

From 1973 through the 1980s Roth explored the intersections of sculpture, dance and the environment and formed the Evelyn Roth Moving Sculpture Company. Where the award winning film Woven in Time was created in 1974, featuring Roth's textile work and the company in various outdoor settings. [8] It won an ETROG award (Canadian Film Awards)in 1976. [9] Her work became a catalyst for many creators with a wide variety of interests in different countries. [1]

Her first trip to Australia was in 1979. [10] In 1981, she was invited to install an interactive display at the Adelaide Festival Centre Foyer which she created out of discarded TV programs (titled Under the Billabong There Lives A Salmon), then returned to South Australia to work with Pitjitjanjara communities and held workshops in rabbit knit and painted leather garments, as well as crocheting a shade canopy from discarded video tape and play web from nylon. [11] [12] The first showing of Nylon Zoo in Australia was in 1982 at the 1982 Commonwealth Games in Brisbane. [10] In 1990, she set up the Evelyn Roth Celebration Centre – Point Roberts, USA (artist' studios, art gallery and performance space) This large studio allowed her to expand inflatable structures into mazes, set up a FestivalArts website and to promote her work worldwide. [11] In 2003, Evelyn Roth's Wearable Art, 1971 to 2003, was held at the Australian National University, Canberra, Australia. [11] Her work is in the collections of the Vancouver Art Gallery and Surrey Art Gallery, British Columbia. [11]

Roth has lived and worked in Australia since 1996. [13] She has an annual residency with the Storybook Theatre Company in Hawaii. [12]

Exhibitions/festivals/workshops

Roth has been featured in many solo exhibitions over the years and participated in various festivals and group exhibitions. [11] In 2022, Roth did a workshop at the Vancouver Art Gallery titled "The Big Recycle with Evelyn Roth". [14]

Solo exhibitions

Group exhibitions

Awards

In 1973, she was awarded Artist of the Year by the Vancouver Sun. [2] [19] In 1999 and 2006, Roth won the World of Wearable Art international design competition in New Zealand. [11] [20]

Personal life

She is married to Australian artist John F. Davis. [11]

Related Research Articles

<span class="mw-page-title-main">Wearable art</span> Designed pieces of clothing or jewelry created as fine or expressive art

Wearable art, also known as Artwear or "art to wear", refers to art pieces in the shape of clothing or jewellery pieces. These pieces are usually handmade, and are produced only once or as a very limited series. Pieces of clothing are often made with fibrous materials and traditional techniques such as crochet, knitting, quilting, but may also include plastic sheeting, metals, paper, and more. While the making of any article of clothing or other wearable object typically involves aesthetic considerations, the term wearable art implies that the work is intended to be accepted as an artistic creation or statement. Wearable art is meant to draw attention while it is being displayed, modeled or used in performances. Pieces may be sold and exhibited.

<span class="mw-page-title-main">Emily Kame Kngwarreye</span> Aboriginal Australian artist (1910–1996)

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Wire sculpture is the creation of sculpture out of wire. The use of metal wire in jewelry dates back to the 2nd Dynasty in Egypt and to the Bronze and Iron Ages in Europe. In the 20th century, the works of Alexander Calder, Ruth Asawa, and other modern practitioners developed the medium of wire sculpture as an art form.

Arline Fisch is an American artist and educator. She is known for her work as a metalsmith and jeweler, pioneering the use of textile processes from crochet, knitting, plaiting, and weaving in her work in metal. She developed groundbreaking techniques for incorporating metal wire and other materials into her jewelry.

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References

  1. 1 2 3 4 Murray 1999, p. 175.
  2. 1 2 3 4 MacDonald 1990, p. 2313.
  3. ↑ Johnson, Eve (January 4, 1986). "Leisure – Color Her Colorful". Vancouver Sun, p. 29. Retrieved December 25, 2020.
  4. ↑ Knopp, Jericho (June 27, 2014). "Eco-artist Evelyn Roth shares secrets with Kits House". Georgia Straight. Retrieved March 8, 2019.
  5. ↑ "Evelyn Roth crochets video tape into art". Canadian Broadcasting Corporation. Retrieved December 26, 2020.
  6. ↑ "Throwback Thursday! The Evelyn Roth Recycling Book". Talonbooks. Retrieved March 8, 2019.
  7. ↑ "Evenlyn Roth". Creative Computing. November–December 1974. p. 11.
  8. ↑ "Woven in Time". youtube.ca. Retrieved April 28, 2021– via YouTube.
  9. ↑ "Evelyn Roth". Evelyn Roth. Retrieved August 12, 2023.
  10. 1 2 Cardozo, Geraldine. "Nylon Zoo artist Evelyn Roth: 'I've never stopped recycling'". thesenior.com.au. The Senior, April 24, 2019. Retrieved December 26, 2020.
  11. 1 2 3 4 5 6 7 "Evelyn Roth" (PDF). ccca.concordia.ca. Concordia. Retrieved December 27, 2020.
  12. 1 2 "Evelyn Roth – a life in colour". achgroup.org.au. Ach Group. Retrieved December 26, 2020.
  13. ↑ "People: Evelyn Roth". vancouverartinthesixties.com. Vancouver Art in the Sixties. Retrieved December 26, 2020.
  14. ↑ "Event". www.vanartgallery.bc.ca. VAG. Retrieved November 6, 2024.
  15. ↑ Goodden, Sky (December 17, 2015). "VANCOUVER: Vancouver Art Gallery: Between Object and Action: Transforming Media in the 1960s and 70s". Momus. Retrieved March 8, 2019.
  16. ↑ "Hippie Modernism: The Struggle for Utopia". Walker Art Center. 2015. Retrieved May 10, 2022.
  17. ↑ Wei, Lilly (2016). "Hippie Modernism: The Struggle for Utopia". Art in America. 104 (1): 95–96 – via EBSCOhost.
  18. ↑ Griffin, Kevin (January 13, 2018). "How writing and reading by women influenced art in the '70s". The Vancouver Sun. Retrieved March 8, 2019.
  19. ↑ "Leisure picks these people as our best of the year". Vancouver Sun, December 21, 1973. Retrieved December 27, 2020– via newspapers.com.
  20. ↑ Spain, Katie (December 8, 2016). "Fritz – Cheeky Artist, Evelyn Roth Talks Inflatables And Getting Nude At Maslin Beach". Fritz. Retrieved March 8, 2019.

Bibliography

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