Evelyn Vanderhoop | |
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Born | 1953 |
Nationality | Haida Nation, Canadian |
Alma mater | Western Washington University (BFA) |
Known for | Textile arts, painting |
Style | Chilkat weaving, Raven's Tail weaving [1] |
Parent |
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Relatives | Selina Peratrovich, grandmother [1] |
Website | evelynvanderhoopart |
Evelyn Vanderhoop (born in 1953) is a Haida Nation artist from Masset, British Columbia, Canada. [1] She paints and is a textile artist, specializing in Chilkat weaving and Raven's Tail weaving. [2]
Her work is in the collections of the Burke Museum of Natural History and Culture, the Museum of Fine Arts, Boston, and the Canadian Museum of History.
Vanderhoop was born in Masset, British Columbia, in 1953. [3] Her mother, Delores Churchill (Haida), was a prominent weaver, as was her grandmother Selina Peratrovich. [1] [4]
Vanderhoop earned her a Bachelor of Fine Arts degree from Western Washington University in Bellingham, Washington. [5]
In her early career, she worked primarily as a painter, transitioning later into working as a textile artist. [6] Her art practice includes researching and sharing cultural knowledge of Haida history. [7] Vanderhoop specializes in Northern Northwest Coast art weaving. [8]
In 2011, the Canadian Museum of History commissioned her to weave Sqalra Qwii Ghaalgyaat (English: Ripples in the Sky Robe) Raven's Tail Robe. [9] [10] She collaborated with her mother (Delores Churchill) and her two daughters. [10]
In 2017, the Museum of Fine Arts, Boston commissioned a Raven's Tail dance robe from the artist. [11] [12] [13]
Her work can be found in the collections of Burke Museum of Natural History and Culture [14] and the Haida Gwaii Museum, Skidegate, British Columbia.
Vanderhoop has two daughters, Carrie-Anne Vanderhoop Bellis and Tiffany Amber Vanderhoop Haida. [10]
The Haida are an Indigenous group who have traditionally occupied Haida Gwaii, an archipelago just off the coast of British Columbia, Canada, for at least 12,500 years.
The Museum of Anthropology at the University of British Columbia (UBC) campus in Vancouver, British Columbia, Canada displays world arts and cultures, in particular works by First Nations of the Pacific Northwest. As well as being a major tourist destination, MOA is a research and teaching museum, where UBC courses in art, anthropology, archaeology, conservation, and museum studies are given. MOA houses close to 50,000 ethnographic objects, as well as 535,000 archaeological objects in its building alone.
Haida Gwaii, also known as the Queen Charlotte Islands, is an archipelago located between 55–125 km (34–78 mi) off the northern Pacific coast of Canada. The islands are separated from the mainland to the east by the shallow Hecate Strait. Queen Charlotte Sound lies to the south, with Vancouver Island beyond. To the north, the disputed Dixon Entrance separates Haida Gwaii from the Alexander Archipelago in the U.S. state of Alaska.
Robert Charles Davidson LL. D. D.F.A., is a Canadian artist of Haida heritage. Davidson's Haida name is G̲uud San Glans, which means "Eagle of the Dawn". He is a leading figure in the renaissance of Haida art and culture. He lives in White Rock, British Columbia.
Florence Edenshaw Davidson (1896–1993) was a Canadian First Nations artist from Haida Gwaii. She created basketry and button-blankets and was a respected elder in her village of Masset, Haida Gwaii, British Columbia.
Charles Edenshaw was a Haida artist from Haida Gwaii, British Columbia. He is known for his woodcarving, argillite carving, jewellery, and painting. His style was known for its originality and innovative narrative forms, created while adhering to the principles of formline art characteristic of Haida art. In 1902, the ethnographer and collector Charles F. Newcombe called Edenshaw “the best carver in wood and stone now living.”
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Michael Nicoll Yahgulanaas is a visual artist, author, and public speaker. His work has been seen in public spaces, museums, galleries and private collections across globe. Institutional collections include the British Museum, Metropolitan Museum of Art, Seattle Art Museum, Vancouver Art Gallery, and the Humboldt Forum.
Coast Salish art is an art unique to the Pacific Northwest Coast among the Coast Salish peoples. Coast Salish are peoples from the Pacific Northwest Coast made up of many different languages and cultural characteristics. Coast Salish territory covers the coast of British Columbia and Washington state. Within traditional Coast Salish art there are two major forms; the flat design and carving, and basketry and weaving. In historical times these were delineated among male and female roles in the community with men made "figurative pieces, such as sculptures and paintings that depicts crest, shamanic beings, and spirits, whereas women produced baskets and textiles, most often decorated with abstract designs."
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Formline art is a feature in the indigenous art of the Northwest Coast of North America, distinguished by the use of characteristic shapes referred to as ovoids, U forms and S forms. Coined by Bill Holm in his 1965 book Northwest Coast Indian Art: An Analysis of Form, the "formline is the primary design element on which Northwest Coast art depends, and by the turn of the 20th century, its use spread to the southern regions as well. It is the positive delineating force of the painting, relief and engraving. Formlines are continuous, flowing, curvilinear lines that turn, swell and diminish in a prescribed manner. They are used for figure outlines, internal design elements and in abstract compositions."
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Lisa Hageman Yahgulanaas is a Haida weaver. She is from Haida Gwaii and is based in Masset. She has won multiple awards in British Columbia.
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