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The Miracles were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in pop, rock and roll, soul and R&B music history.
Claudette Annette Rogers Robinson is an American singer, best known as a member of the vocal group The Miracles from 1957 to 1972. Her brother Emerson "Sonny" Rogers was a founding member of the group, which before 1957 was named "The Matadors". Claudette replaced her brother in the group after he was drafted into the U.S. Army.
I'll Try Something New is the third album by The Miracles. It was released on the Tamla label, a subsidiary of Motown. The title track was an important early single for the group, featuring Smokey Robinson's lead voice, a chorus led by his wife Claudette and an orchestra of strings. Other hits like "What's So Good About Goodbye" and "I've Been Good To You" are included, plus three covers of easy listening standards: "I've Got You Under My Skin" written by Cole Porter, "On the Street Where You Live" from the Broadway musical My Fair Lady, and "Speak Low" by Ogden Nash and Kurt Weill, on which both Smokey and Claudette Robinson sing lead. I'll Try Something New also features a rare lead by Miracles baritone Ronnie White on "A Love That Can Never Be", and a lead by Claudette Robinson on "He Don't Care About Me".
Cookin' with the Miracles is the second Tamla album by American soul vocal group The Miracles, and their second of 1961. Berry Gordy and Smokey Robinson co-wrote most of the songs, including the two charting singles "Ain't It Baby" and "Everybody's Gotta Pay Some Dues". Another single, "Mighty Good Lovin’" b/w "Broken Hearted", was issued in between those two. However, only "Broken Hearted" appears on the album, featuring a different vocal take to the single version. The album is composed mostly of upbeat R&B tunes with steady string riffs, like "Determination" and "Broken Hearted". A cover of the jazz standard "Embraceable You" by George & Ira Gershwin is also included. "That's The Way I Feel", also from this album, was chosen for the soundtrack of the award-winning 1964 Ivan Dixon film Nothing But a Man.
Greatest Hits from the Beginning is a compilation double LP by The Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
"(Come 'Round Here) I'm the One You Need" is a 1966 hit single by Motown group The Miracles, released on Motown Records' Tamla label.
"My Girl Has Gone" is a 1965 R&B single recorded by The Miracles for Motown's Tamla label. Included on their 1965 album Going to a Go-Go, "My Girl Has Gone" was the follow-up to the group's number 16 Billboard Hot 100 million-selling hit "The Tracks Of My Tears".
"I've Been Good to You" is a 1961 R&B song by The Miracles on Motown Records' Tamla label. It was released as the B-side of their Billboard Top 40 hit, "What's So Good About Goodbye", and was included on their album I'll Try Something New the following year. This sad, melancholy ballad charted #103 on the Billboard Pop chart. Despite its relatively modest chart placing, this song has been hugely influential, and is noted as Beatle John Lennon's favorite Miracles tune, and was the inspiration for The Beatles' songs "This Boy" and "Sexy Sadie". Written by Miracles lead singer Smokey Robinson, the song begins with the lyric, "Look what you've done...You've made a fool out of someone..." which Lennon later paraphrased in Sexy Sadie song as, "What have you done...You've made a fool of everyone."
"Way Over There" is a 1960 Motown soul song and single, written by William "Smokey" Robinson, produced by Berry Gordy, and first performed by The Miracles for the Tamla (Motown) label. It was one of The Miracles' earliest charting singles, reaching #94 on the Billboard Pop chart. Motown president Berry Gordy, Jr. had The Miracles record the song several times during its chart run. The first version had minimal orchestration. The second version added strings, and this is the version played by most oldies stations today. Claudette Robinson had several lead parts on this song, answering Smokey's leads with chants of "Come to me, Baby". The song's B-side, "(You Can) Depend on Me", while not charting nationally, did become a popular regional hit in many areas of the country, and Smokey still sings it in his live shows today. "Way Over There" has inspired cover versions by Edwin Starr, The Temptations, The Marvelettes, The Royal Counts, The Spitballs, and Eddie Adams Jr, while "(You Can) Depend on Me" has inspired cover versions by The Temptations, The Supremes, Mary Wells, and Brenda Holloway. The song was also used for the title of Hip-O Select's 2009 compilation: The Miracles – Depend on Me: The Early Albums, which collects the first five LP releases by the group.
"I Like It Like That" was a 1964 hit song by Motown group The Miracles on its Tamla label subsidiary. This is not the Chris Kenner hit song of the same name but a Miracles original, written by Miracles members Smokey Robinson and Marv Tarplin, and is included on the group's first greatest hits album, Greatest Hits from the Beginning. It was also the title song from their deleted 1964 album of the same name.
I Like It Like That is an album by Motown group the Miracles, compiled for the UK market and released on the UK Tamla-Motown label as one of its initial group of six albums in March 1965. There was no equivalent album to this in the USA. It is known as the Miracles' "forgotten album".
"Come On Do the Jerk" was a 1964 song recorded by R&B group the Miracles on Motown Records' Tamla label subsidiary. The song was co-written by Miracles members Pete Moore, Bobby Rogers, Smokey Robinson, and Ronnie White. A single-only release, it did not appear on any original Miracles studio album, and was the group's last single release of 1964. Robinson and fellow Miracle Bobby Rogers were the song's producers. The song's flip side, "Baby Don't You Go", was also a popular regional hit but was not released on CD until The 35th Anniversary Collection in 1994. Both sides of this single received new stereo mixes for the 2002 compilation Ooo Baby Baby: The Anthology.
"Yester Love" was a 1968 song by Motown Records R&B group The Miracles on its Tamla subsidiary label. It was recorded on December 18, 1967, and was included on the group's album, Special Occasion.
The Miracles – Depend On Me: The Early Albums is a 2009 double-CD limited release by Motown Records' original vocal group The Miracles, released through Universal's Hip-O Select imprint to coincide with the legendary Motown label's 50th anniversary. In addition, this collection's release also coincided with The Miracles' being honored with a star on the Hollywood Walk of Fame on March 20 of that year.
"Point It Out" is a 1969 recording by Motown Records R&B group The Miracles on that label's Tamla subsidiary. This mid-tempo song was a national Billboard Top 40 Pop hit, reaching #37 on the Hot 100, and was a Top 10 R&B hit was well, reaching #4. It was taken from their album "A Pocket Full Of Miracles", and was written by Miracles members William "Smokey" Robinson and Marv Tarplin, along with Motown staff songwriter Al Cleveland.
A Pocket Full of Miracles (TS306) is a 1970 album by Motown Records R&B group The Miracles, issued on its Tamla subsidiary label, one of three albums the group released that year. This album charted at #56 on the Billboard pop albums chart, and reached the top ten of the magazine's R&B albums chart, peaking at #10. It was released on September 30 of that year. Hit singles on the album included "Point It Out" and the topical Ashford & Simpson written-and-produced song "Who's Gonna Take the Blame", a sad, dark song about a girl that is turned out as a prostitute. Also included is the charting flip side "Darling Dear", B-side of "Point It Out", which reached #100 on the Billboard pop chart, and spawned a cover version by The Jackson Five.
"(You Can't Let the Boy Overpower) The Man in You" is a 1964 R&B song by the Miracles on Motown Records' Tamla subsidiary label. It was written by Miracles lead singer Bill "Smokey" Robinson, and was produced by Robinson and Motown president/founder Berry Gordy Jr. One of several gospel-styled call and response tunes the group issued in 1964, this song reached number 59 on the Billboard Pop chart, and the top 20 of the Cash Box R&B chart, peaking at number 12. The song was recorded on August 17, 1963, and was the group's first single release of 1964.
We've Come Too Far to End It Now was a 1972 single by Motown Records R&B group The Miracles on its Tamla Label subsidiary (T54220F) and taken from their 1972 album, Flying High Together, the group's final studio album with original lead singer Smokey Robinson. This song charted at #46 on the Billboard Pop Chart, and reached the Top 10 of its R&B chart, peaking at #9.
"A Love She Can Count On" is a 1963 hit single by Motown Records R&B group the Miracles, issued on that label's Tamla subsidiary label. It was taken from their album The Fabulous Miracles, and was the follow-up to the group's million-selling Grammy Hall of Fame inducted tune, "You've Really Got A Hold On Me". The first of three singles released by The Miracles that year, this song was a Billboard Top 40 Pop Hit, peaking at number 31, and missed the Top 20 of its R&B chart by only one position, peaking at number 21.
The Miracles Sing Modern was an unreleased 1963 album by Motown Records R&B group The Miracles. It was given the official catalog number of Tamla T234 and was due for release after The Miracles' 3rd album I'll Try Something New, having been mentioned on the sleeve notes of that album. It was intended for release in March 1963. However it was never given an official release date and Motown later decided to shelve the project.