| Everywhere | ||||
|---|---|---|---|---|
| | ||||
| Greatest hits album by | ||||
| Released | March 31, 2010 | |||
| Recorded | 1996–2010 | |||
| Genre | ||||
| Label | FlyingDog | |||
| Producer |
| |||
| Maaya Sakamoto chronology | ||||
| ||||
Everywhere is the first best-of album by Japanese voice actress and singer-songwriter Maaya Sakamoto, released on March 31, 2010, through FlyingDog. [1] The double-disc compilation coincided with Sakamoto's thirtieth birthday and her live performance at the Nippon Budokan held on the same day, marking her fifteenth anniversary since her 1996 debut. [2]
Having sung various television commercial songs as a child actress, Sakamoto debuted as a singer at age sixteen—while still in high school—with the single "Yakusoku wa Iranai" (1996). [3] Collaborating closely with producer Yoko Kanno, she began writing her own lyrics as early as her debut album Grapefruit (1997), driven by a desire to meet the expectations of the adults around her and the thrill of discovering new facets of herself with each song. [3] Entering university, she embraced a freer, more feminine expressiveness, which infused her third album Lucy (March 2001); the subsequent mini-album Easy Listening (August 2001) boldly incorporated electronic beats, marking vivid evolution with each release. [3] Yet while cultivating a distinct artistic identity, she continued singing anime and drama theme songs. [3] Her fourth album Shōnen Alice (2003) channeled the frustration and pain she felt for the first time by challenging herself by debuting on the musical Les Misérables , while also marking her departure from Kanno’s production. Sakamoto called her subsequent single in this new era, “Loop,” her “second debut.” [3]
Everywhere compiles songs that were pivotal for Sakamoto at key moments over fifteen years. [3] The album arrived at a point Sakamoto identified as a natural milestone, as her fifteenth anniversary carried deeper resonance than the tenth. [2] For nine years, Sakamoto worked exclusively under producer Yoko Kanno. But a creative shift in her ninth year opened doors to collaborations with multiple songwriters, rendering a decade-mark reflection premature. She commented: “At the ten-year mark, I could not bring myself to look back [...] I felt like I had to look only forward.” That turning point aligned with her 2005 album Yūnagi Loop. Only after completing her 2009 album Kazeyomi did she feel the eras coalesce: “The things that had been separated in my mind—‘the Kanno era’ and ‘everything after’—finally came together as one.” [2]
She personally selected all thirty tracks from her catalog spanning 1996 to 2009. The track order follows the sequence in which she wished to hear the songs. [2] She selected "I.D." to be opening track of the album, as it expressed the internal conflict she had during the first years of her career, "being an ordinary high school girl on one hand, yet unable to fully share that with others", [3] as her popularity as both a voice actress and singer soared. [3] Five years after her “second debut,” she also decided to re-recorded "Loop," wanting to sing it again while deeply savoring its lyrics, while also being re-arranged. [3] The closing track on the album is “Everywhere,” which marks Sakamoto's first time not only writing lyrics but also composing one of her songs. [3] Sakamoto commented that the song was written during a five-week solo trip abroad in 2009. At a guesthouse piano, melody and lyrics arrived simultaneously. The track reflects a hard-won perspective: “The place to return to was right there all along.” Long focused on distant goals and self-criticism, Sakamoto arrived at gratitude for what was already near, influenced by the fulfillment of her artistic journey. [2]
The album was released on SHM-CD format, as a standard and limited edition. [4] The limited edition included a DVD featuring the music videos for "Magic Number" and "Everywhere". [4]
CD Journal praised "[Sakamoto's] crystal-clear vocals, lyrics drawn with fresh sensibility, and beautiful melodies" on the album, which showcased her fifteen-year career spanning the "golden duo era" with Yoko Kanno, to her collaborations with Shōko Suzuki and others musicians. [5]
Everywhere debuted at number 3 on the Oricon Weekly Albums chart, [1] selling 47,381 copies on its first week. [6] The album charted for eleven weeks, with reported sales totaling 67,108 copies.
| No. | Title | Lyrics | Music | Arrangement | Length |
|---|---|---|---|---|---|
| 1. | "I.D." | Maaya Sakamoto | Yoko Kanno | Kanno | 4:39 |
| 2. | "Mameshiba" (マメシバ) | Sakamoto | Kanno | Kanno | 6:07 |
| 3. | "Birds" | Sakamoto | Kanno | Hog | 5:30 |
| 4. | "Uchū Hikōshi no Uta" (うちゅうひこうしのうた, lit. 'The Astronaut's Song') | Hiroshi Ichikura | Kanno | Kanno | 3:45 |
| 5. | "Yubiwa (23 Carat)" (指輪 -23カラット-, lit. 'Ring (23 Carat') | Yuho Iwasato | Kanno | Kanno | 3:41 |
| 6. | "Kiseki no Umi" (奇跡の海, lit. 'Sea of Miracles') | Iwasato | Kanno | Kanno | 4:18 |
| 7. | "Hemisphere" (ヘミソフィア) | Iwasato | Kanno | Kanno | 4:07 |
| 8. | "Kōcha" (紅茶, lit. 'Black Tea') | Sakamoto | Kanno | Kanno | 5:31 |
| 9. | "Kaze ga Fuku Hi" (風が吹く日, lit. 'The Day When the Wind Blows') | Iwasato | Kanno | Kanno | 5:53 |
| 10. | "Gift" | Iwasato | Kanno | Kanno | 5:47 |
| 11. | "Pilot" (パイロット) | Sakamoto | Kanno | Kanno | 3:55 |
| 12. | "Tune the Rainbow" | Iwasato | Kanno | Kanno | 5:30 |
| 13. | "Kazamidori" (カザミドリ, lit. 'Weather Vane') | Sakamoto | Haruna Yokota | Zentaro Watanabe | 4:50 |
| 14. | "Yakusoku wa Iranai" (約束はいらない, lit. 'Promises Not Needed') | Iwasato | Kanno | Kanno | 3:32 |
| 15. | "Loop (Sunset Side)" (ループ~sunset side) | H's | H-Wonder | Toshiyuki Mori | 4:49 |
| Total length: | 71:54 | ||||
| No. | Title | Lyrics | Music | Arrangement | Length |
|---|---|---|---|---|---|
| 1. | "Magic Number (123! Mix)" (マジックナンバー <123!mix>) | Sakamoto | Katsutoshi Kitagawa |
| 4:58 |
| 2. | "Remedy" | Sakamoto | Solaya | Solaya | 4:31 |
| 3. | "Hikari Are" (光あれ, lit. 'Let There Be Light') | Sakamoto | Kanno | Kanno | 4:23 |
| 4. | "Boku-tachi ga Koi o Suru Riyū" (僕たちが恋をする理由, lit. 'The Reason Why We Fell in Love') | Sakamoto | Michiko Takada | Mori | 5:31 |
| 5. | "Daniel" (ダニエル) | Troy | Kanno | Kanno | 3:46 |
| 6. | "Yucca" (ユッカ) | Iwasato | Kanno | Kanno | 4:54 |
| 7. | "Blind Summer Fish" | Sakamoto | Kanno | Hog | 3:54 |
| 8. | "Gravity" | Troy | Kanno | Kanno | 3:16 |
| 9. | "No Fear/Aisuru Koto" (NO FEAR/あいすること, lit. 'Things I Love') | Shōko Suzuki | Suzuki | Suzuki | 4:10 |
| 10. | "30 Minutes Night Flight" | Sakamoto | Toshiaki Yamada | Mori | 5:58 |
| 11. | "Platinum" (プラチナ) | Iwasato | Kanno | Kanno | 4:09 |
| 12. | "Feel Myself" |
| Kanno | Kanno | 6:54 |
| 13. | "Universe" (ユニバース) | Sakamoto | Suzuki | Mori | 4:28 |
| 14. | "Pocket o Kara ni Shite" (ポケットを空にして, lit. 'Empty Your Pockets') | Iwasato | Kanno | Kanno | 4:01 |
| 15. | "Everywhere" | Sakamoto | Sakamoto | Kono | 5:36 |
| Total length: | 70:29 | ||||
Credits adapted from the liner notes of Everywhere. [7]
| Chart (2010) | Peak position |
|---|---|
| Japanese Albums ( Oricon ) [1] | 3 |
| Japanese Top Album Sales ( Billboard Japan ) [8] | 4 |