Ronald Allan Kelley Poe, known professionally as Fernando Poe Jr., and often referred to by his initials FPJ, was a Filipino actor, film director, producer, screenwriter, and politician. His long and successful career as an action star earned him the nickname "Da King". He also wrote, directed, and produced several of the films he starred in—under the pseudonyms Ronwaldo Reyes and D'Lanor.
Lavrente Indico Diaz is a Filipino independent filmmaker and former film critic. He is frequently known as one of the key members of the slow cinema movement, and has made several of the longest narrative films on record. Diaz is one of the most critically acclaimed contemporary Filipino filmmakers.
The Gawad Urian Awards are annual film awards in the Philippines presented since 1977 by the Manunuri ng Pelikulang Pilipino, a film critic organization composed of critics, writers, and scholars. It is the regarded as the highest award for a film given by critics in the Philippines and is seen as the counterpart of the United States' New York Film Critics Circle.
Christopher Strauss de León, also known as Boyet, is a Filipino actor, filmmaker and politician. Often referred to as the "King of Philippine Drama", he gained stardom for his leading man roles in numerous film and television productions including period, romantic drama and thriller. His work has received various accolades throughout his career spanning five decades, including eight FAMAS Awards, two Gawad Urian Awards, four Luna Awards, nine Star Awards, and eight Metro Manila Film Festival Awards.
Ronnie Zabala Lazaro is a Filipino film and television actor, producer, casting director, and art director. He won the Gawad Urian for Best Actor for Yanggaw.
Norte, the End of History is a 2013 Philippine psychological drama film co-written, edited, and directed by Lav Diaz. Lasting for more than four hours, the film explores themes of crime, class, and family.
Philippine New Wave is a filmmaking term that has been popularly associated with the resurgence of independent, digital and experimental films in the Philippines began in the 21st century, and merged into a recent filmmaking period known as the Third Golden Age of Philippine cinema.
One Day, Isang Araw is a 1988 Filipino action comedy film directed by Pablo Santiago and starring Fernando Poe Jr. and child actress Matet de Leon. Produced by Regal Films, the film was released on August 18, 1988, and was a box-office success. It was also given a positive review by film critic Lav Diaz, who praised its honest depiction of street children in the Philippines.
Season of the Devil is a 2018 Filipino musical film directed by Lav Diaz. It was selected to compete for the Golden Bear in the main competition section at the 68th Berlin International Film Festival. It won the Grand Jury Prize for Film in the 2019 Filipino Academy of Movie Arts and Sciences (FAMAS) Awards. The film has a running time of 234 minutes. It won Best Picture at the 58th International Film Festival of Cartagena de Indias, Gems Section.
Tiyanak is a 1988 Filipino horror film directed by Peque Gallaga and Lorenzo A. Reyes and co-written by Gallaga, Reyes, and Don Escudero, based on the mythical creature of the same name. It stars Janice de Belen, Lotlot de Leon, Ramon Christopher, Mary Walter, Chuckie Dreyfus, Carmina Villarroel, Rudolph Yaptinchay, and Smokey Manaloto.
Magiting at Pusakal is a 1972 Filipino action film starring Fernando Poe Jr. and Joseph Estrada. Directed by Augusto Buenaventura and co-written by Buenaventura and Ruben Rustia, the film is about Leon and Joe, two fugitives of contrasting personalities who try to avoid capture during the Japanese occupation of the Philippines. Produced by Joseph Estrada Productions, the film was released in the Philippines on April 15, 1972, and was later given a re-release in 1988.
Kumander Bawang: Kalaban ng Mga Aswang, or simply Kumander Bawang, is a 1988 Filipino fantasy comedy film directed by Ramje and starring Herbert Bautista as the titular character, alongside Mat Ranillo III, Matet, Mia Prats, Timmy Cruz, Jigo Garcia, Jay Jay Salvador, Vina Morales, Joko Diaz, and Ronald Jayme. Produced by Viva Films, the film was released in theaters on September 29, 1988. Critic Lav Diaz gave Kumander Bawang a negative review, criticizing the film's stale and cliché comedy.
Magkano ang Iyong Dangal? is a 1988 Filipino romantic drama film directed by Laurice Guillen and starring Christopher de Leon, Zsa Zsa Padilla, Joel Torre, Jestoni Alarcon, Princess Punzalan, and Michael Locsin. Adapted from the "komik" of the same name by Gilda Olvidado, the film is about the adulteries committed by married couple Paolo and Era, played by de Leon and Padilla respectively. It was released on December 25, 1988, as part of the 14th Metro Manila Film Festival (MMFF).
Patrolman is a 1988 Filipino action film directed by Cesar SB. Abella and starring stuntman Baldo Marro as the titular patrolman. It also stars Melissa Mendez, Sunshine, Raoul Aragonn, Dick Israel, Zandro Zamora, Arwin Rogelio, and Odette Khan. Based on a true story, the film is about a dedicated and honest policeman who becomes a target of the New People's Army's Sparrow Unit. The film was produced by El Niño Films and released on December 25, 1988, as part of the 14th Metro Manila Film Festival (MMFF).
Sa Dulo ng Baril is a 1988 Filipino historical action drama film written and directed by Jerry O. Tirazona and starring Jess Lapid Jr., Lito Lazaro, Eric Borbon, Marithez Samson, Nick Romano, Danny Riel, and Ronald Nepomuceno. Produced by Super Nine Films International, the film was released on August 5, 1988. Critic Lav Diaz gave the film a negative review, criticizing its pretentious editing and questionable depiction of communist rebels in the early 1970s.
Batang West Side is a 2001 Philippine crime film. The film written and directed by Lav Diaz. Its cast includes Gloria Diaz, Raul Arellano, Joel Torre and Angel Aquino. The film gives an inside look at the life of Filipinos in America. With this murder mystery set against the idea of the American Dream, Filipino director Lav Diaz broke into the worldwide arthouse film market.
