The Faber Book of Modern American Verse was a poetry anthology edited by W. H. Auden, and published in London in 1956 by Faber and Faber. Auden had moved from the UK to the United States in 1939, and had been directly involved in the American poetry scene, particularly through his time spent on the Yale Younger Poets. [1] [2] [3]
Wystan Hugh Auden was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes, such as "For the Time Being" and "Horae Canonicae".
Philip Arthur Larkin was an English poet, novelist, and librarian. His first book of poetry, The North Ship, was published in 1945, followed by two novels, Jill (1946) and A Girl in Winter (1947). He came to prominence in 1955 with the publication of his second collection of poems, The Less Deceived, followed by The Whitsun Weddings (1964) and High Windows (1974). He contributed to The Daily Telegraph as its jazz critic from 1961 to 1971, with his articles gathered in All What Jazz: A Record Diary 1961–71 (1985), and edited The Oxford Book of Twentieth Century English Verse (1973). His many honours include the Queen's Gold Medal for Poetry. He was offered, but declined, the position of Poet Laureate in 1984, following the death of Sir John Betjeman.
In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs, or related fiction/non-fiction excerpts by different authors.
The Faber Book of Modern Verse was a poetry anthology, edited in its first edition by Michael Roberts, and published in 1936 by Faber and Faber. There was a second edition (1951) edited by Anne Ridler, and a third edition (1965) edited by Donald Hall. The selection was of poems in English printed after 1910, which meant that work by Gerard Manley Hopkins could be included. A later edition was edited by Peter Porter.
The Faber Book of Twentieth Century Verse: An Anthology of Verse in Britain 1900-1950 was a poetry anthology edited by John Heath-Stubbs and David Wright, and first published in 1953 by Faber and Faber. A selection in self-conscious contrast to the Faber Book of Modern Verse, it did not attempt to cover American poetry. It has been through numerous further editions. It was last issued as a hardback in St. Clair Shores, Michigan by Somerset Publishers Inc. in 1988 with ISBN 0-403-07212-3.
Michael Roberts, originally named William Edward Roberts, was an English poet, writer, scientist, mathematician, critic and broadcaster, a polymath who made his living as a teacher.
Frederick Louis MacNeice was an Irish poet, playwright and producer for the BBC. His poetry, which frequently explores themes of introspection, empiricism, and belonging, is considered to be among the greatest of twentieth century literature. Despite being renowned as a member of the Auden Group, he was also an independently successful poet with an influential body of work, which is replete with themes ranging from faith to mortality. His body of work was appreciated by the public during his lifetime, due in part to his relaxed but socially and emotionally aware style. Never as overtly or simplistically political as some of his contemporaries, he expressed a humane opposition to totalitarianism as well as an acute awareness of his roots.
Geoffrey Edward Harvey Grigson was a British poet, writer, editor, critic, exhibition curator, anthologist and naturalist. In the 1930s he was editor of the influential magazine New Verse, and went on to produce 13 collections of his own poetry, as well as compiling numerous anthologies, among many published works on subjects including art, travel and the countryside. Grigson exhibited in the London International Surrealist Exhibition at New Burlington Galleries in 1936, and in 1946 co-founded the Institute of Contemporary Arts. Grigson's autobiography The Crest on the Silver was published in 1950. At various times he was involved in teaching, journalism and broadcasting. Fiercely combative, he made many literary enemies.
Peter Neville Frederick Porter OAM was a British-based Australian poet.
Babette Deutsch was an American poet, critic, translator, and novelist.
"Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten. The second version was first published in 1938 and was titled "Funeral Blues" in Auden's 1940 Another Time. The poem experienced renewed popularity after being read in the film Four Weddings and a Funeral (1994), which also led to increased attention on Auden's other work. It has since been cited as one of the most popular modern poems in the United Kingdom.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
David John Murray Wright was an author and "an acclaimed South African-born poet".
— W. H. Auden, from "September 1, 1939"
Nationality words link to articles with information on the nation's poetry or literature.
This is a bibliography of books, plays, films, and libretti written, edited, or translated by the Anglo-American poet W. H. Auden (1907–1973). See the main entry for a list of biographical and critical studies and external links. Dates are dates of publication of performance, not of composition.
Leonora Speyer, Lady Speyer, was an American poet and violinist.
The Tomb of Lt. John Learmonth, AIF is a poem by Australian poet J. S. Manifold. It was first published in New Republic magazine on 10 September 1945, and later in the poet's poetry collections Collected Verse (1978), and On My Selection : Poems (1983). The poem has subsequently been published numerous times in various Australian poetry anthologies.