Creighton Tull Chaney, known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard in Son of Dracula, Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films, including six films in their 1940s Inner Sanctum series, making him a horror icon. He also portrayed Lennie Small in Of Mice and Men (1939) and supporting parts in dozens of mainstream movies, including High Noon (1952), The Defiant Ones (1958), and numerous Westerns, musicals, comedies and dramas.
London After Midnight is a lost 1927 American silent mystery horror film directed and co-produced by Tod Browning and starring Lon Chaney, with Marceline Day, Conrad Nagel, Henry B. Walthall and Polly Moran. The film was distributed by Metro-Goldwyn-Mayer, and was written by Waldemar Young, based on the story "The Hypnotist" which was written by Browning. Merritt B. Gerstad was the cinematographer, and the sets were designed by Cedric Gibbons and Arnold Gillespie. Harry Sharrock was the assistant director. The film cost $151,666.14 to produce, and grossed $1,004,000. Chaney's real-life make-up case can be seen in the last scene of the film sitting on a table, the only time it ever appeared in a film.
The Wolf Man is a 1941 American gothic horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney Jr. in the title role. Claude Rains, Warren William, Ralph Bellamy, Patric Knowles, Bela Lugosi, Evelyn Ankers, and Maria Ouspenskaya star in supporting roles. The title character has had a great deal of influence on Hollywood's depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). This film is part of the Universal Monsters movies and is of great cinematic acclaim for its production.
Germán Genaro Cipriano Teodoro Gómez Valdés y Castillo, known professionally as Tin-Tan, was a Mexican actor, singer and comedian who was born in Mexico City but was raised and began his career in Ciudad Juarez, Chihuahua. He often displayed the pachuco dress and employed pachuco slang in many of his movies, some with his brothers Manuel "El Loco" Valdés and Ramón Valdés. He made the language of the border Mexican, known in Spanish as fronterizos pachucos, famous in Mexico. A "caló" based in Spanglish, it was a mixture of Spanish and English in speech based on that of Mexicans on the Mexican side of the border, specifically Ciudad Juarez.
House of Frankenstein is a 1944 American horror film starring Boris Karloff, Lon Chaney Jr. and John Carradine. Based on a story by Curt Siodmak, it was directed by Erle C. Kenton and produced by Universal Pictures.
Werewolf of London is a 1935 horror film directed by Stuart Walker and starring Henry Hull as the titular werewolf. The supporting cast includes Warner Oland, Valerie Hobson, Lester Matthews, and Spring Byington. Jack Pierce, who is best known for creating the iconic makeup worn by Boris Karloff in the 1931 film Frankenstein, created the film's werewolf makeup. Produced by Universal Pictures, Werewolf of London was the first feature-length werewolf film.
Commander USA's Groovie Movies is an American movie showcase series that ran weekend afternoons on the USA Network.
La Casa del Terror is a Mexican Monster movie starring Lon Chaney Jr. and Mexican comedian Tin Tan. The film involves Casimiro (Tin-Tan), a night watchman in a Wax Museum, whose boss, Professor Sebastian, has been secretly draining his blood to use in his experiments in resurrection. A mummy who is stolen from an Egyptian sarcophagus is revived to life, and becomes a werewolf when moonlight hits him.
The Robot vs. the Aztec Mummy is a 1958 Mexican science fiction horror film directed by Rafael Portillo, and starring Ramón Gay and Rosa Arenas. It is the third installment in a trilogy preceded by The Aztec Mummy and The Curse of the Aztec Mummy, and a large portion of the film is an extended recap of the events from the first two entries. The three films were all shot consecutively.
Bodily mutilation in film refers to practical effects implemented on a film set during production, in contrast to special effects, which are applied in post-production. The primary objective is to visually depict physical trauma endured by a character, aiming to elicit emotional responses from the audience and foster empathy towards the character. Bodily mutilation is most usually portrayed in the context of horror, but is also used in other genres, such as medical dramas or war films. It is used primarily either to shock or fascinate the audience of a film, or to add a sense of realism. Improved special effects in recent decades have seen an increase in the prevalence of bodily mutilation in film.
Cruz Pío Socorro Alvarado Bolado, known professionally as Crox Alvarado, was a Mexican actor who appeared in over 90 films. He was considered a popular star of the Golden Age of Mexican cinema.
Jerry Warren was an American film director, producer, editor, screenwriter, cinematographer, and actor. Warren grew up wanting to get into the film business in Los Angeles, California. He appeared in small parts in a few 1940s films such as Ghost Catchers, Anchors Aweigh, and Unconquered.
The Curse of the Aztec Mummy is a 1957 Mexican horror film directed by Rafael Portillo. It is the second film in the Aztec Mummy series which began with The Aztec Mummy which was released earlier that year.
House of the Black Death is a 1965 American horror film directed by Harold Daniels, Reginald LeBorg and Jerry Warren. The film was written by Richard Mahoney, based on a novel titled The Widderburn Horror by Lora Crozetti. The film is about two elderly brothers who are warlocks, Belial and Andre, who have been feuding with each other for years over the family estate. Belial, who sports small goat's horns on his forehead, has been using his black magic to bewitch members of the family, while Andre spends the entire film bedridden. The two actors did not share any scenes in the film.
The Aztec Mummy is a 1957 Mexican adventure horror film produced by Guillermo Calderon from his own story idea, scripted by Alfredo Salazar, and directed by Rafael Portillo. The plot centers on a group of scientists who uncover a secret Aztec tomb through past-life regression, only to awaken an ancient warrior who has been cursed to guard the tomb and its hidden treasures. It is the first of a trilogy featuring the titular character, all filmed back-to-back in order to increase potential profit.
Ramón Gay was a Mexican film actor. He was one of the stars of the Golden Age of Mexican cinema, known to horror film fans for his role in The Aztec Mummy trilogy of films in the late 1950s.
Curse of the Stone Hand is a 1965 horror film created by movie producer Jerry Warren by editing together two 1940s Chilean films, La casa está vacía, a 1945 film directed by Carlos Schlieper, and La dama de la muerte, a 1946 film directed by Carlos Hugo Christensen.
