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Face of the Screaming Werewolf | |
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Directed by | Gilberto Martínez Solares Rafael Portillo Jerry Warren |
Written by | Fernando de Fuentes Gilberto Martínez Solares Alfredo Salazar Jerry Warren |
Produced by | Jerry Warren |
Starring | Lon Chaney Jr. Yerye Beirute George Mitchell Fred Hoffman Rosita Arenas Ramón Gay |
Cinematography | Raúl Martínez Solares Enrique Wallace |
Edited by | Jerry Warren |
Music by | Luis Hernández Bretón |
Distributed by | A.D.P. Pictures Inc. Something Weird Video |
Release date |
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Running time | 60 minutes |
Countries | Mexico United States |
Language | English (Dubbed) |
Face of the Screaming Werewolf is a 1965 horror film directed by a low budget film maker Jerry Warren. The film was created by combining parts of two unrelated Mexican horror films, La Casa del Terror (1960), and La Momia Azteca (1957), with the addition of original footage shot by Warren. [2] It was released on March 3, 1965, on a double-bill with another of Warren's films, Curse of the Stone Hand . [1]
Warren had earlier released his own re-edited version of La Momia Azteca in 1963, which he had retitled Attack of the Mayan Mummy . [3] He removed large sections of the original Mexican film and replaced them with newly filmed footage featuring American actors. [3] He later used extensive footage from this same Mexican mummy film to incorporate into his Face of the Screaming Werewolf. [2] Ed Wood is rumored to have filmed a few scenes of Lon Chaney Jr. in a werewolf costume in Hollywood in 1964, which Jerry Warren supposedly incorporated into Face of the Screaming Werewolf, but this story has never been verified. [4]
A psychic woman named Ann Taylor (Rosita Arenas), [5] regressed to a former life via hypnosis, leads archaeologists into an Aztec pyramid where they discover a tomb containing two mummies, one of which turns out to be a mummified Caucasian werewolf (Lon Chaney Jr.), the other a mummified ancient Aztec warrior (Angel di Stefani). A mad doctor (Yerye Beirute) [5] kidnaps the werewolf-mummy to his lab and manages to revive him, the unwrapped creature transforming into a snarling werewolf when the full moon rises.
Meanwhile, the second mummy (the Aztec warrior) escapes from captivity later that night. The mummy tries to kidnap Ann Taylor, the psychic, from her apartment. They are both anticlimactically hit by a car and killed (off-screen) as he tries to carry her off. A hastily inserted newspaper headline alerts the public that the mummy has been killed, bringing that plot to an abrupt end.
The werewolf kills the mad scientist, escapes from the lab and goes on a killing spree in a nearby city. Near the film's finale, the werewolf kidnaps a young woman (Yolanda Varela) from her apartment near the film's finale, and Mexican comedian Tin-Tan (German Valdes) battles the monster on a high ledge. However, since almost all of his scenes had been edited out of the original Mexican film by Jerry Warren for this Americanized edition, his appearance at the climax makes no sense. [2] The werewolf escapes back to the lab with the woman, but the lab catches on fire and the nameless hero (Tin-Tan) beats him to death with a burning torch. As the werewolf reverts to his human form in death, a pair of American actors playing policemen dismiss the idea that there was ever a werewolf at all.
Michael Weldon of Psychotronic Video stated that the film did not make sense since so much of the original dialogue scenes had been removed. [6] Cavett Binion of AllMovie referred to it as a "messy film" that contained poor dubbing and editing. [7]
Creighton Tull Chaney, known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard in Son of Dracula, Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films, including six films in their 1940s Inner Sanctum series, making him a horror icon. He also portrayed Lennie Small in Of Mice and Men (1939) and supporting parts in dozens of mainstream movies, including High Noon (1952), The Defiant Ones (1958), and numerous Westerns, musicals, comedies and dramas.
The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's novel of the same name directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle (1909-2014), niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The film was released on September 6, 1925, premiering at the Astor Theatre in New York. Vaudeville stars Broderick & Felsen created a live prologue for the film's Broadway presentation at the B.S. Moss Colony Theater beginning on November 28, 1925. The film's final budget was $632,357.
Leonidas Frank "Lon" Chaney was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters and for his groundbreaking artistry with makeup. Chaney was known for his starring roles in such silent horror films as The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). His ability to transform himself using makeup techniques that he developed earned him the nickname "The Man of a Thousand Faces".
The Wolf Man is a 1941 American gothic horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney Jr. in the title role. Claude Rains, Warren William, Ralph Bellamy, Patric Knowles, Bela Lugosi, Evelyn Ankers, and Maria Ouspenskaya star in supporting roles. The title character has had a great deal of influence on Hollywood's depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). This film is part of the Universal Monsters movies and is of great cinematic acclaim for its production.
Germán Genaro Cipriano Teodoro Gómez Valdés y Castillo, known professionally as Tin-Tan, was a Mexican actor, singer and comedian who was born in Mexico City but was raised and began his career in Ciudad Juarez, Chihuahua. He often displayed the pachuco dress and employed pachuco slang in many of his movies, some with his brothers Manuel "El Loco" Valdés and Ramón Valdés. He made the language of the border Mexican, known in Spanish as fronterizos pachucos, famous in Mexico. A "caló" based in Spanglish, it was a mixture of Spanish and English in speech based on that of Mexicans on the Mexican side of the border, specifically Ciudad Juarez.
House of Frankenstein is a 1944 American horror film starring Boris Karloff, Lon Chaney Jr. and John Carradine. It was directed by Erle C. Kenton and produced by Universal Pictures. Based on Curt Siodmak's story "The Devil's Brood", the film is about Dr. Gustav Niemann, who escapes from prison and promises to create a new body for his assistant Daniel. Over the course of the film, they encounter Count Dracula, the Wolf Man and Frankenstein's monster. The film is a sequel to Frankenstein Meets the Wolf Man (1943).
The Mummy's Curse is a 1944 American horror film directed by Leslie Goodwins. Produced by Universal Pictures, it is the fifth entry in Universal's original Mummy franchise, serving as a sequel to The Mummy's Ghost (1944). It marks Lon Chaney Jr.'s final appearance as Kharis, an Egyptian mummy.
Commander USA's Groovie Movies is an American movie showcase series that ran weekend afternoons on the USA Network.
La Casa del Terror is a Mexican Monster movie starring Lon Chaney Jr. and Mexican comedian Tin Tan. The film involves Casimiro (Tin-Tan), a night watchman in a Wax Museum, whose boss, Professor Sebastian, has been secretly draining his blood to use in his experiments in resurrection. A mummy who is stolen from an Egyptian sarcophagus is revived to life, and becomes a werewolf when moonlight hits him.
The Robot vs. the Aztec Mummy is a 1958 Mexican science fiction horror film directed by Rafael Portillo, and starring Ramón Gay and Rosa Arenas. It is the third installment in a trilogy preceded by The Aztec Mummy and The Curse of the Aztec Mummy, and a large portion of the film is an extended recap of the events from the first two entries. The three films were all shot consecutively.
Cruz Pío Socorro Alvarado Bolado, known professionally as Crox Alvarado, was a Mexican actor who appeared in over 90 films. He was considered a popular star of the Golden Age of Mexican cinema.
Jerry Warren was an American film director, producer, editor, screenwriter, cinematographer, and actor. Warren grew up wanting to get into the film business in Los Angeles, California. He appeared in small parts in a few 1940s films such as Ghost Catchers, Anchors Aweigh, and Unconquered.
The Curse of the Aztec Mummy is a 1957 Mexican horror film directed by Rafael Portillo. It is the second film in the Aztec Mummy series which began with The Aztec Mummy which was released earlier that year.
House of the Black Death is a 1965 American horror film directed by Harold Daniels, Reginald LeBorg and Jerry Warren. The film was written by Richard Mahoney, based on a novel titled The Widderburn Horror by Lora Crozetti. The movie starred Lon Chaney Jr. and John Carradine, although the two actors shared no scenes in the film.
The Aztec Mummy is a 1957 Mexican adventure horror film produced by Guillermo Calderon from his own story idea, scripted by Alfredo Salazar, and directed by Rafael Portillo. The plot centers on a group of scientists who uncover a secret Aztec tomb through past-life regression, only to awaken an ancient warrior who has been cursed to guard the tomb and its hidden treasures. It is the first of a trilogy featuring the titular character, all filmed back-to-back in order to increase potential profit.
Ramón Gay was a Mexican film actor. He was one of the stars of the Golden Age of Mexican cinema, known to horror film fans for his role in The Aztec Mummy trilogy of films in the late 1950s.
Curse of the Stone Hand is a 1965 horror film created by movie producer Jerry Warren by editing together two 1940s Chilean films, La casa está vacía, a 1945 film directed by Carlos Schlieper, and La dama de la muerte, a 1946 film directed by Carlos Hugo Christensen.