Faces in the Dark | |
---|---|
Directed by | David Eady |
Screenplay by | Ephraim Kogan John Tully |
Based on | Les Visages de l'ombre by Boileau-Narcejac |
Produced by | Jon Penington |
Starring | John Gregson Mai Zetterling John Ireland Michael Denison |
Cinematography | Ken Hodges |
Edited by | Oswald Hafenrichter |
Music by | Mikis Theodorakis |
Production company | Penington Eady Productions |
Distributed by | Rank Film Distributors |
Release date |
|
Running time | 84 minutes |
Country | United Kingdom |
Language | English |
Faces in the Dark is a 1960 black and white British thriller film directed by David Eady and starring John Gregson, Mai Zetterling and John Ireland. [1] The screenplay was by Ephraim Kogan and John Tully film is based on the 1952 novel Les Visages de l'ombre by Boileau-Narcejac. [2]
Richard Hammond, an aggressive and ambitious business mogul and inventor with little or no time for his wife, friends or family, is blinded in an explosion on the same day that his long-suffering wife had planned to leave him. He becomes bitter at life.
His wife is a devious woman and is plotting, with her lover, in an attempt to make her husband think he's going insane, in the hope that he will take his own life and leave them free to pursue their illicit affair in peace.
As he is blind when he encounters the lovers in bed the man just has to stay silent to evade detection.
Hammond gets wise to their plan.
The film was shot at Shepperton Studios with sets designed by the art director Anthony Masters. [1]
Monthly Film Bulletin said "Though the central hypothesis of this horrific film – the urgent discovery, lease and furnishing of a house in France so like his own in Cornwall that a blind man couldn’t tell the difference – is as far-fetched as anything yet adapted from Boileau and Narcejac, the situation itself is still an inviting one. David Eady’s handling is sadly unambitious, however. Instead of using all the resources of the cinema to stress and elaborate the tension, he settles for a prosaic, television style of presentation. The photography is suitably harsh but the camerawork lacks fluidity; the characterisation is properly flat, but so is most of the acting. Only the tombstone incident, and Mai Zetterling’s enigmatic Christiane, have anything like the right Grand Guignol flavour." [3]
The Radio Times wrote "this tale of blindness and rage should have been a real nail-biter. Sadly, ex-documentary director David Eady simply doesn't have the thriller instinct and throws away countless opportunities to make the tension unbearable." [4]
TV Guide wrote that "The film has some pot-holes, but the chilling climax is smooth as glass. [5]
Allmovie noted "Although there may be a few minor gaps here and there in the storyline, Faces in the Dark is a suspenseful drama." [6]
Leslie Halliwell said: "Unlikely but watchable puzzler, betrayed by lifeless handing. Hitchcock would have worked wonders with such a plot." [7]
Harold Thomas Gregson, known professionally as John Gregson, was an English actor of stage, television and film, with 40 credited film roles. He was best known for his crime drama and comedy roles.
Boileau-Narcejac is the pen name used by the French crime-writing duo of Pierre Boileau and Pierre Ayraud, also known as Thomas Narcejac. Their successful collaboration produced 43 novels, 100 short stories and 4 plays. They are credited with having helped to form an authentically French subgenre of crime fiction with the emphasis on local settings and mounting psychological suspense. They are noted for the ingenuity of their plots and the skillful evocation of the mood of disorientation and fear. Their works were adapted into numerous films, most notably, Les Diaboliques (1955), directed by Henri-Georges Clouzot, and Vertigo (1958), directed by Alfred Hitchcock.
The Living and the Dead is a 1954 psychological mystery novel by Boileau-Narcejac, originally published in French as D'entre les morts. It served as the basis for Alfred Hitchcock's 1958 film Vertigo.
Only Two Can Play is a 1962 British comedy film directed by Sidney Gilliat starring Peter Sellers, Mai Zetterling and Virginia Maskell. The screenplay was by Bryan Forbes, based on the 1955 novel That Uncertain Feeling by Kingsley Amis.
Derby Day is a 1952 British drama film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Googie Withers, John McCallum, Peter Graves, Suzanne Cloutier and Gordon Harker. An ensemble piece, it portrays several characters on their way to the Derby Day races at Epsom Downs Racecourse. It was an attempt to revive the success that Neagle and Wilding had previously enjoyed on screen together. To promote the film, Wilcox arranged for Neagle to launch the film at the 1952 Epsom Derby.
Piccadilly Third Stop is a 1960 British thriller film directed by Wolf Rilla and starring Terence Morgan, Yoko Tani and John Crawford. It was written by Leigh Vance. A wealthy playboy hires a gang of criminals to help him steal £100,000.
The Ringer is a 1952 British mystery film directed by Guy Hamilton and starring Herbert Lom, Donald Wolfit, Mai Zetterling, Greta Gynt, William Hartnell, and Denholm Elliott. The screenplay was by Lesley Storm and Val Valentine. It was Hamilton's directorial debut and the third English-language sound version of Edgar Wallace's 1929 play based on his 1925 novel The Gaunt Stranger. The previous adaptations were in 1928 (silent), 1931, 1932 (Germany-Austria), and 1938.
The Truth About Women is a 1957 British comedy film directed by Muriel Box and starring Laurence Harvey, Julie Harris, Mai Zetterling and Diane Cilento.
Your Witness is a 1950 British drama film directed by and starring Robert Montgomery, Leslie Banks, Felix Aylmer and Andrew Cruickshank. It was released in the U.S. as Eye Witness.
Offbeat is a 1961 black-and-white British second feature ('B') crime film directed by Cliff Owen and starring William Sylvester, Mai Zetterling, John Meillon and Anthony Dawson. The screenplay was by Peter Barnes.
Strange Boarders is a 1938 British comedy thriller film, directed by Herbert Mason, produced by Edward Black and written by Sidney Gilliat and A. R. Rawlinson. It stars Tom Walls, Renée Saint-Cyr, Googie Withers and Ronald Adam. The film is an adaptation of the 1934 espionage novel The Strange Boarders of Palace Crescent by E. Phillips Oppenheim, and was well received by critics. It was produced by Gainsborough Pictures and distributed by General Film Distributors.
The Gang's All Here is a 1939 British black-and-white comedy-mystery, directed by Thornton Freeland and starring Jack Buchanan and Googie Withers. It was produced by Associated British Picture Corporation and released in the U.S. in 1943 as The Amazing Mr. Forrest.
Rough Shoot, released in the USA as Shoot First, is a 1953 British thriller film directed by Robert Parrish and written by Eric Ambler, based on the 1951 novel by Geoffrey Household. The film stars Joel McCrea, in his only postwar non-Western role, with Evelyn Keyes as the leading lady, and featuring Herbert Lom, Marius Goring and Roland Culver. The scenario is set in Cold War England when tensions ran high regarding spying.
Her Favourite Husband is a 1950 British-Italian comedy film directed by Mario Soldati and starring Jean Kent, Robert Beatty and Margaret Rutherford. The screenplay was by Noel Langley, based on an adaptation by Stefano Vanzina, Mario Monicelli and Soldati of the 1947 play Quel bandito sono io! by Peppino De Filippo. The film's art direction was by Piero Gherardi.
Alias John Preston is a 1955 British 'B' thriller film directed by David MacDonald and starring Christopher Lee, Betta St. John and Alexander Knox. A mysterious and wealthy man moves to a small village where he outwardly appears to be a friendly figure but nurses a dangerous secret.
The Man Who Finally Died is a 1963 British CinemaScope thriller film directed by Quentin Lawrence and starring Stanley Baker, Peter Cushing, Mai Zetterling and Eric Portman. It was based on the 1959 ITV series of the same name. The screenplay concerns a German immigrant living in Britain who receives a mysterious phone call telling him his father is not really dead. He returns to Bavaria to investigate the matter.
Kill Her Gently is a 1957 British second feature thriller film directed by Charles Saunders and starring Griffith Jones, Maureen Connell and Marc Lawrence. It was written by Paul Erickson.
House of Whipcord is a 1974 British exploitation thriller film directed and produced by Pete Walker and starring Barbara Markham, Patrick Barr, Ray Brooks, Ann Michelle, Sheila Keith, Dorothy Gordon, Robert Tayman and Penny Irving. The film was Walker's first collaboration with screenwriter David McGillivray, who went on to write a further three films for him. It also marked the horror film debut of actress Sheila Keith, who went on to star in four more films for Walker.
October Moth is a 1960 British second feature drama film directed and written by John Kruse and starring Lana Morris and Lee Patterson.
The Bay of St Michel is a 1963 British second feature ('B') film directed by John Ainsworth and starring Keenan Wynn, Mai Zetterling, Ronald Howard and Rona Anderson. It was written by Christopher Davis.