The Fadettes of Boston (1888-ca.1920) was an all-women orchestra based in Boston, Massachusetts, and directed by Caroline B. Nichols. "The original group of six expanded to twenty by 1898" [1] with "a first violin and director, four additional first violins, four second violins, two violas, two violincellos, two contrabassos, kettle-drums and a bass, two flutes and piccolo, two clarinets, two cornets, two French horns, three trombones, snare-drum and 'traps,' and piano-forte." [2] The group incorporated in 1895 as "the Fadettes of Boston." [3]
In 1898 "vaudeville manager B.F. Keith booked them into his theatres all over the United States. According to Nichols, between 1890 and 1920 the Fadettes gave over 6,000 concerts, half of them as headliners in first-class vaudeville theatres." [1] At a concert in Pittsburgh in 1902, for instance, the Fadettes played marches, waltzes, songs and arias by Frederic Field Bullard, Daniel Auber, Karl Michael Ziehrer, George M. Rosey, Victor G. Boehnlein [4] and others. [5] The group also performed at the Los Angeles Orpheum. [6]
The performers "wore shimmery gowns." [7] Among the musicians were Annie Andros Hawley, [8] Mildred Rogers, [5] and Lillian Thain (violin). [9] Nichols "conducted the orchestra for thirty years and trained over six hundred women for professional careers as orchestral musicians." [10]
Carl Emil Paul Lincke was a German composer and theater conductor. He is considered the "father" of the Berlin operetta. His well-known compositions include "Berliner Luft", the unofficial anthem of Berlin, from his operetta Frau Luna; and "The Glow-Worm", from his operetta Lysistrata.
Events in the year 1899 in music.
Events in the year 1898 in music.
Berliner Gramophone – its discs identified with an etched-in "E. Berliner's Gramophone" as the logo – was the first disc record label in the world. Its records were played on Emile Berliner's invention, the Gramophone, which competed with the wax cylinder–playing phonographs that were more common in the 1890s and could record.
Amy Marcy Cheney Beach was an American composer and pianist. She was the first successful American female composer of large-scale art music. Her "Gaelic" Symphony, premiered by the Boston Symphony Orchestra in 1896, was the first symphony composed and published by an American woman. She was one of the first American composers to succeed without the benefit of European training, and one of the most respected and acclaimed American composers of her era. As a pianist, she was acclaimed for concerts she gave featuring her own music in the United States and in Germany.
John Harris Harbison is an American composer and academic.
In music, a serenade is a musical composition or performance delivered in honour of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word serenata, which itself derives from the Latin serenus. Sense influenced by Italian sera "evening", from Latin sera, fem. of serus "late".
William Steinberg was a German-American conductor.
The string section is composed of bowed instruments belonging to the violin family. It normally consists of first and second violins, violas, cellos, and double basses. It is the most numerous group in the standard orchestra. In discussions of the instrumentation of a musical work, the phrase "the strings" or "and strings" is used to indicate a string section as just defined. An orchestra consisting solely of a string section is called a string orchestra. Smaller string sections are sometimes used in jazz, pop, and rock music and in the pit orchestras of musical theatre.
Bernardo De Pace was an actor, musician and comedic vaudeville entertainer of the 1910s and 1920s, billed as "the Wizard of the Mandolin". He learned to play mandolin in the Italian tradition under Francesco Della Rosa. De Pace's repertoire and technique was described in the Brooklyn Life as involving "the most difficult violin and piano compositions, executed at inconceivably rapid tempi demanding an uncanny technique seldom heard on fretted instruments". In 1927 the Minneapolis Star said that he had been recognized as one of the best mandolinists in the United States. It added that he was more than a mandolinist, that his skill was in playing on human emotions as few musicians were able.
Georg Wilhelm Rauchenecker was a German composer, conductor and violinist.
Ethel Barns was an English violinist, pianist and composer. She was born in London and entered the Royal Academy of Music at as a teenager, where she studied with Emile Sauret for violin, Ebenezer Prout for composition and Frederick Westlake for piano.
Women in Music was an American newsletter founded in July 1935 by its publisher and editor, Frédérique Petrides, then the conductor of the Orchestrette Classique – an orchestra based in New York made-up of female musicians. The publication ran until December 1940. The thirty-seven extant issues were reprinted in the 1991 book by Jan Bell Groh, Evening the Score: Women in Music and the Legacy of Frédérique Petrides. The newsletter title Women in Music was coined in 1935 by Petrides's husband, journalist, Peter Petrides to encapsulate the gist of its contents.
The Orpheum Circuit was a chain of vaudeville and movie theaters. It was founded in 1886, and operated through 1927 when it was merged into the Keith-Albee-Orpheum corporation, ultimately becoming part of the Radio-Keith-Orpheum (RKO) corporation.
Flora Edna White, known professionally as Edna White and privately for much of her life as Edna White Chandler, was an American trumpet soloist, chamber musician, vaudeville performer, and composer. A child prodigy, White began her professional career as a soloist in 1901 at the age of eight and graduated from the Institute of Musical Art in 1907. White, who switched from cornet to trumpet during her studies at the institute, was one of the first soloists to perform on trumpet rather than cornet.
Marion Gilman Osgood was an American violinist, composer, and orchestra conductor. She established her own company, the Marion Osgood's Ladies Orchestra, which was the first women's orchestra organized for professional work in the United States. She was one of the leading solo violinists in the country.
Ethel Atwood was an American musician and orchestra leader. With Caroline B. Nichols, she established the Fadette Ladies' Orchestra.
Caroline B. Nichols (1864–1939) was an American violinist, conductor and founder of the Fadette Ladies Orchestra. Along with Emma Roberto Steiner, she is credited as one of the first women in the United States to make a successful career out of conducting musical performances.