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Alois Maxwell "Al" Hirt was an American trumpeter and bandleader. He is best remembered for his million-selling recordings of "Java" and the accompanying album Honey in the Horn (1963), and for the theme music to The Green Hornet. His nicknames included "Jumbo" and "The Round Mound of Sound". Colin Escott, an author of musician biographies, wrote that RCA Victor, for which Hirt had recorded most of his best-selling recordings and for which he had spent most of his professional recording career, had dubbed him with another moniker: "The King." Hirt was inducted into The Louisiana Music Hall of Fame in November 2009. He received 21 Grammy nominations during his lifetime, including winning the Grammy award in 1964 for his version of "Java".
Floyd Cramer was an American pianist who was inducted into both the Country Music Hall of Fame and the Rock and Roll Hall of Fame. His signature playing style was a cornerstone of the pop-oriented "Nashville sound" of the 1950s and 1960s. Cramer's "slip-note" or "bent-note" style, in which a passing note slides almost instantly into or away from a chordal note, influenced a generation of pianists. His sound became popular to the degree that he stepped out of his role as a sideman and began touring as a solo act. In 1960, his piano instrumental solo, "Last Date" went to number two on the Billboard Hot 100 pop music chart and sold over one million copies. Its follow-up, "On the Rebound", topped the UK Singles Chart in 1961. As a studio musician, he became one of a cadre of elite players dubbed the Nashville A-Team and he performed on scores of hit records.
"Canadian Sunset" is a popular song with music by jazz pianist Eddie Heywood and lyrics by Norman Gimbel. An instrumental version by Heywood and Hugo Winterhalter reached No. 2 on the Billboard Hot 100 chart and No. 7 on the R&B chart in 1956. A version sung by Andy Williams was also popular that year, reaching No. 7 on the Billboard chart. The Sounds Orchestral, conducted by Johnny Pearson, hit the Easy Listening chart reaching No. 14 and the Billboard Hot 100 in 1965 reaching No. 76.
"Do Nothing till You Hear from Me" is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944, Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart.
"Al di là" ("Beyond") is a song written by Italian composer Carlo Donida and lyricist Mogol, and recorded by Betty Curtis. The English lyrics were written by Ervin Drake. The song was the Italian entry in the Eurovision Song Contest 1961, performed in Italian by Curtis at the Palais des Festivals in Cannes, France, on 18 March 1961, after Curtis had won the Sanremo Music Festival 1961 on 2 February.
"You Took Advantage of Me" is a 1928 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart, for the musical Present Arms (1928), where it was introduced by Joyce Barbour and Busby Berkeley as the characters Edna Stevens and Douglas Atwell. The characters were formerly married, but still have romantic feelings for each other. On opening night, Berkeley forgot the lyrics and had to scat and hum the entire second verse. Berkeley also claimed that his nonsense lyrics for the improvised second verse left Hart "almost apoplectic", but the audience was amused and Hart later forgave him. The song was subsequently included in the 1930 film Leathernecking, an adaptation of Present Arms.
"Stella by Starlight" is a popular song by Victor Young that was drawn from thematic material composed for the main title and soundtrack of the 1944 Paramount Pictures film, The Uninvited. Appearing in the film's underscore as well as in source music as an instrumental theme song without lyrics, it was turned over to Ned Washington, who wrote the lyrics for it in 1946. The title had to be incorporated into the lyrics, which resulted in its unusual placement: the phrase appears about three quarters of the way through the song, rather than at the beginning or the end.
"Baby Won't You Please Come Home" is a blues song written by Charles Warfield and Clarence Williams in 1919. The song's authorship is disputed; Warfield claims that he was the sole composer of the song.
"Margie", also known as "My Little Margie", is a 1920 popular song composed in collaboration by vaudeville performer and pianist Con Conrad and ragtime pianist J. Russel Robinson, a member of the Original Dixieland Jazz Band. Lyrics were written by Benny Davis, a vaudeville performer and songwriter. The song was introduced by the Original Dixieland Jazz Band in 1920 as Victor 78, 18717-A, in a medley paired with "Singin' the Blues". The B side was "Palesteena". The ODJB recorded their instrumental version on December 1, 1920.
Other popular versions in 1920-21 were by Gene Rodemich; Eddie Cantor; Ted Lewis; and Frank Crumit. The Rega Dance Orchestra recorded the song in October, 1920 for Okeh Records, 4211.
"Music to Watch Girls By" was the first Top 40 hit by Bob Crewe using his own name, recorded by his group The Bob Crewe Generation. The music was composed by Sidney "Sid" Ramin.
"Down by the Riverside" is an African-American spiritual. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as "Ain' go'n' to study war no mo'", "Ain't Gwine to Study War No More", "Down by de Ribberside", "Going to Pull My War-Clothes" and "Study war no more". The song was first recorded by the Fisk University jubilee quartet in 1920, and there are at least 14 black gospel recordings before World War II.
"Take These Chains from My Heart" is a song by Hank Williams. It was written by Fred Rose and Hy Heath and was recorded at Williams' final recording session on September 23, 1952, in Nashville. The song has been widely praised; Williams' biographer Colin Escott deems it "perhaps the best song [Rose] ever presented to Hank...It was one of the very few songs that sounded somewhat similar to a Hank Williams song." Williams is backed by Tommy Jackson (fiddle), Don Helms, Chet Atkins, Jack Shook, and Floyd "Lightnin'" Chance (bass). In the wake of Williams' death on New Year's Day, 1953, the song shot to No. 1, his final chart-topping hit for MGM Records. Like "Your Cheatin' Heart," the song's theme of despair, so vividly articulated by Williams' typically impassioned singing, reinforced the image of Hank as a tortured, mythic figure.
"Last Date" is a 1960 instrumental written and performed by Floyd Cramer. It exemplifies the "slip note" style of piano playing that Cramer made popular. It peaked at number 11 on the country chart and at number two on the Hot 100 behind "Are You Lonesome Tonight?" by Elvis Presley. Cramer's recording inspired a number of successful cover versions, including a vocal adaptation by Conway Twitty.
"Java" is an instrumental adaptation from a 1958 LP of piano compositions, The Wild Sounds of New Orleans, by Tousan, also known as New Orleans producer/songwriter Allen Toussaint. As was the case of the rest of Toussaint's LP, "Java" was composed in studio, primarily by Toussaint.
Fancy pants may refer to:
"Sugar Lips" is a song written by Billy Sherrill and Buddy Killen and was recorded by Al Hirt for his 1964 album, Sugar Lips. The song reached #30 on the Billboard Hot 100 and #3 on the Adult Contemporary chart in 1964.
Cotton Candy is an album by Al Hirt that was released in 1964 by RCA Victor. The album features the Anita Kerr Singers.
Honey in the Horn is an album by Al Hirt released by RCA Victor. The album was produced by Chet Atkins and Steve Sholes. The Anita Kerr Singers provided the vocals for the album. The backing band on the album consisted of saxophonist Boots Randolph, bassist Bob Moore, guitarists Ray Edenton and Grady Martin, and pianist Floyd Cramer.
Sugar Lips is an album by Al Hirt released in 1964 by RCA Victor.
That Honey Horn Sound is an album by Al Hirt released by RCA Victor in 1965. The album was produced by Chet Atkins and arranged by Anita Kerr and Claus Ogerman.
References
- ↑ Al Hirt, That Honey Horn Sound Retrieved March 26, 2013
- ↑ Al Hirt's "Fancy Pants" Chart Positions Retrieved March 26, 2013
- ↑ "Fancy Pants" by Floyd Cramer Retrieved March 26, 2013
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