The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the early musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930. Today, the Technicolor sequence survives only in black and white. The film was the first musical released by Metro-Goldwyn-Mayer and was Hollywood's first all-talking musical.
Edna May Oliver was an American stage and film actress. During the 1930s, she was one of the better-known character actresses in American films, often playing tart-tongued spinsters.
Helen Chandler was an American film and theater actress, best known for playing Mina Seward in the 1931 horror film Dracula.
Rochelle Hudson was an American film actress from the 1930s through the 1960s. Hudson was a WAMPAS Baby Star in 1931.
Glorifying the American Girl is a 1929 American pre-Code musical comedy film produced by Florenz Ziegfeld that highlights Ziegfeld Follies performers. The last third of the film, which was filmed in early Technicolor, is basically a Follies production, with appearances by Rudy Vallee, Helen Morgan, and Eddie Cantor.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
The Runaround is a 1931 comedy-drama film that was photographed entirely in Technicolor. It was directed by William James Craft, from a screenplay by Alfred Jackson and Barney Sarecky, based on a story by Zandah Owen. The film stars Mary Brian, Joseph Cawthorn, Marie Prevost, Johnny Hines, and Geoffrey Kerr. Produced and directed by RKO Radio Pictures, it premiered in New York City on August 7, 1931, and was released national on August 22. It was the first film to be shot in a new Technicolor process which removed grain, resulting in a much improved color. The film was released in Great Britain as Waiting for the Bride.
Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
Children of Pleasure is a 1930 American pre-Code MGM musical comedy film directed by Harry Beaumont, originally released with Technicolor sequences. It was adapted from Crane Wilbur's 1929 play, The Song Writer.
Mother Wore Tights is a 1947 American Technicolor musical film starring Betty Grable and Dan Dailey as married vaudeville performers, directed by Walter Lang.
The Penguin Pool Murder is a 1932 American pre-Code comedy/mystery film starring Edna May Oliver as Hildegarde Withers, a witness in a murder case at the New York Aquarium, with James Gleason as the police inspector in charge of the case, who investigates with her unwanted help, and Robert Armstrong as an attorney representing Mae Clarke, the wife of the victim. Oliver's appearance was the first film appearance of the character of Hildegarde Withers, the schoolteacher and sleuth based on the character from the 1931 novel The Penguin Pool Murder by Stuart Palmer. It is the first in a trilogy including Murder on the Blackboard, and Murder on a Honeymoon, in which Oliver and Gleason team up for the lead roles.
The Cuckoos is a 1930 American Pre-Code musical comedy film released by RKO Radio Pictures and partially filmed in two-strip Technicolor. Directed by Paul Sloane, the screenplay was adapted by Cyrus Wood from the 1926 Broadway musical The Ramblers by Guy Bolton, Bert Kalmar and Harry Ruby. The film stars Bert Wheeler and Robert Woolsey, and while they had appeared on Broadway and in other films together, this was their first time starring as a team. The success of this picture, combined with Rio Rita being their most successful film of 1929, convinced the studio to headline them as the comedy team Wheeler & Woolsey, through 1937.
The March of Time is the title of an unreleased 1930 American Pre-Code musical film directed by Charles Reisner. The film was originally scheduled to be released in September 1930 by Metro-Goldwyn-Mayer but was shelved. The March of Time would have been one of the many musicals partially filmed in two-color Technicolor.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
The Joy Girl is a 1927 American two-strip Technicolor silent comedy film directed by Allan Dwan, released by Fox Film Corporation, starring Olive Borden, Neil Hamilton, and Marie Dressler, and based on the short story of the same name by May Edginton.
Irene is a 1926 American silent romantic comedy film starring Colleen Moore, and partially shot in Technicolor. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Irene written by James Montgomery with music and lyrics by Harry Tierney and Joseph McCarthy.
The American Venus is a 1926 American silent comedy film directed by Frank Tuttle, and starring Esther Ralston, Ford Sterling, Lawrence Gray, Fay Lanphier, Louise Brooks, and Douglas Fairbanks Jr. The film was based on an original story by Townsend Martin. The scenario was written by Frederick Stowers with intertitles by Robert Benchley.
Technicolor is a series of color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades.
Laugh and Get Rich is a 1931 pre-Code American comedy film, directed by Gregory La Cava, from a screenplay he also wrote with contributions from Douglas MacLean, who also was the associate producer, and Ralph Spence. The film stars Dorothy Lee, Edna May Oliver, Hugh Herbert, and Russell Gleason, and revolves around the antics in a boarding house in the early 1930s, run by Oliver, and the complications caused by her husband.
