Farah Griffin | |
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Awards | Guggenheim Fellowship (2021) Christian Gauss Award (2022) [1] |
Academic background | |
Education | |
Academic work | |
Discipline | African-American literature |
Institutions |
Farah Jasmine Griffin (born 1963) is an American academic and professor specializing in African-American literature. She is William B. Ransford Professor of English and Comparative Literature and African-American Studies, [2] chair of the African American and African Diaspora Studies Department, [3] and Director Elect of the Columbia University Institute for Research in African American Studies at Columbia University. [4]
She received her BA degree from Harvard University in 1985. She completed her PhD from Yale University in 1992. [5]
In 2021,she received a Guggenheim Fellowship. [6]
Archie Shepp is an American jazz saxophonist,educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.
Toni Cade Bambara,born Miltona Mirkin Cade,was an African-American author,documentary film-maker,social activist and college professor.
William Manning Marable was an American professor of public affairs,history and African-American Studies at Columbia University. Marable founded and directed the Institute for Research in African-American Studies. He wrote several texts and was active in numerous progressive political causes.
Miles:The New Miles Davis Quintet is a studio album by the jazz musician Miles Davis which was released in April 1956 through Prestige Records. It is the debut record by the Miles Davis Quintet,and generally known by the original title Miles as indicated on the cover.
Jon Jang is an American jazz pianist,composer,and bandleader. Of Chinese ancestry,he specializes in music which combines elements of jazz and Asian musics,and is known for musical works exploring international as well as Asian American social justice struggles.
African-American dance is a form of dance that was created by Africans in the Diaspora,specifically the United States. It has developed within various spaces throughout African-American communities in the United States,rather than studios,schools,or companies. These dances are usually centered on folk and social dance practice,though performance dance often supplies complementary aspects to this. Placing great value on improvisation,these dances are characterized by ongoing change and development. There are a number of notable African-American modern dance companies using African-American cultural dance as an inspiration,among these are the Whitey's Lindy Hoppers,Alvin Ailey American Dance Theater,Dance Theatre of Harlem,and Katherine Dunham Company. Hollywood and Broadway have also provided opportunities for African-American artists to share their work and for the public to support them.
Loft jazz was a cultural phenomenon that occurred in New York City during the mid-1970s. Gary Giddins described it as follows:"[A] new coterie of avant-garde musicians took much of the jazz world by surprise... [T]hey interpreted the idea of freedom as the capacity to choose between all the realms of jazz,mixing and matching them not only with each other,but with old and new pop,R&B and rock,classical music and world music... [S]eemingly overnight new venues - in many instances,apartments or lofts - opened shop to present their wares." According to Michael Heller,"lofts were not an organization,nor a movement,nor an ideology,nor a genre,nor a neighborhood,nor a lineage of individuals. They were,instead,a meeting point,a locus for interaction." Heller stated that "loft practices came to be defined by a number of key characteristics,including (1) low admission charges or suggested donations,(2) casual atmospheres that blurred the distinction between performer and audience,(3) ownership / administration by musicians,and (4) mixed-use spaces that combined both private living areas and public presentation space." Regarding the music played in these venues,Michael J. Agovino wrote:"This was community music. Part of the point was that,free of the strictures of clubs,the music could be anything,go anywhere,go on for as long as it wanted." David Such stated that "the cutting contests,personality cults,and vices that characterized the jazz scene of the 1940s and 1950s were mostly missing." The scene was reviewed and documented by Giddins,Peter Occhiogrosso of the SoHo Weekly News,Leroi Jones,Robert Palmer,and Stanley Crouch.
Blood on the Forge is a migration novel by the African-American writer William Attaway set in the steel valley of Pittsburgh,Pennsylvania,during 1919,a time when vast numbers of Black Americans moved northward. Attaway's own family was part of this population shift from South to North when he was a child.
The Legendary Prestige Quintet Sessions is a four compact disc box set of recordings by the Miles Davis Quintet released in 2006 by the Concord Music Group. It collates on three discs the entire set of recordings that made up the Prestige Records albums released from 1956 through 1961 —Miles,Cookin',Relaxin',Workin',and Steamin'. The track "'Round Midnight" was released on the album Miles Davis and the Modern Jazz Giants. The fourth disc contains live material from a television broadcast and in jazz club settings. It peaked at #15 on the Billboard jazz album chart,and was reissued on December 2,2016,in a smaller compact disc brick packaging.
Darlene Clark Hine is an American author and professor in the field of African-American history. She is a recipient of the 2014 National Humanities Medal.
Hortense J. Spillers is an American literary critic,Black Feminist scholar and the Gertrude Conaway Vanderbilt Professor at Vanderbilt University. A scholar of the African diaspora,Spillers is known for her essays on African-American literature,collected in Black,White,and In Color:Essays on American Literature and Culture,published by the University of Chicago Press in 2003,and Comparative American Identities:Race,Sex,and Nationality in the Modern Text,a collection edited by Spillers published by Routledge in 1991.
Nelson A. Primus (1842–1916) was an African-American artist,known for his portrait painting.
Brent Hayes Edwards is a professor of English and comparative literature at Columbia University.
Mary Helen Washington is an African-American literary scholar who is the author of numerous books on the African-American female experience. She is best known for her influence on increasing representation of Black authors in education and in literary schools of thought. Washington is a past president of the American Studies Association,and an experienced English professor.
Anna Russell Jones was an African American artist known for her work in graphic,carpet,and textile design. Her papers are held at the African American Museum in Philadelphia.
Mabel O. Wilson is an American architect,designer,and scholar. She is the founder of Studio&and a professor at the Columbia University Graduate School of Architecture,Planning,and Preservation.
Zodiac Suite is a series of 12 pieces of jazz music written by the American jazz pianist and composer Mary Lou Williams and first performed in 1945. The suite makes use of elements of classical music alongside jazz,and Williams was influenced by modernism when writing and arranging it. Each song in the suite is inspired by an astrological sign and musicians or performers who were born under it. Williams began writing music for Zodiac Suite in 1942 and finished the composition in 1945.
Rebecca Primus was a free African-American woman from Connecticut and is one of the few African-American women whose work in Reconstruction programs has been documented. Her life offers insight into the differences and similarities between free people and former slaves in the North and South and their experiences with racism and sexism in the period between the American Civil War and the Great Depression.
Addie Brown was an American working-class free Black woman,who worked in various New England towns and wrote of her difficulties to earn a living. Her letters depict not only the racism and sexism faced by Northern Black women,but also her struggles with education,her awareness of politics,and her romantic friendship with Rebecca Primus. An acute observer,she provided through her letters perspective on the lives of working-class people in the nineteenth century,as well as on women's intimate relationships.