The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
Silly Symphony is an American animated series of 75 musical short films produced by Walt Disney Productions from 1929 to 1939. As the series name implies, the Silly Symphonies were originally intended as whimsical accompaniments to pieces of music. As such, the films usually did not feature continuing characters, unlike the Mickey Mouse shorts produced by Disney at the same time. The series is notable for its innovation with Technicolor and the multiplane motion picture camera, as well as its introduction of the character Donald Duck making his first appearance in the Silly Symphony cartoon The Wise Little Hen in 1934. Seven shorts won the Academy Award for Best Animated Short Film.
Blackmail is a 1929 British sound all-talking thriller film directed by Alfred Hitchcock and starring Anny Ondra, John Longden, Donald Calthrop, and Cyril Ritchard. Based on the 1928 play of the same name by Charles Bennett, the film is about a London woman who is blackmailed after killing a man who tries to rape her.
The Singing Fool is a 1928 American sound part-talkie musical drama motion picture directed by Lloyd Bacon which was released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer. It is credited with helping to cement the popularity of American films of both sound and the musical genre.
Abie's Irish Rose is a 1928 early sound (part-talkie) film directed by Victor Fleming and starring Charles "Buddy" Rogers, Nancy Carroll, Jean Hersholt, and J. Farrell MacDonald. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film based on the 1922 play Abie's Irish Rose by Anne Nichols. The film was later remade in 1946.
Phonofilm is an optical sound-on-film system developed by inventors Lee de Forest and Theodore Case in the early 1920s.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
A part-talkie is a sound film that includes at least some "talking sequences" or sections with audible dialogue. The remainder of the film is provided with a synchronized musical score with sound effects. These films more often than not contain a main theme song that is played during key scenes in the film and is often sung offscreen on the musical soundtrack. During the portion without audible dialogue, speaking parts are presented as intertitles—printed text briefly filling the screen—and the soundtrack is used only to supply musical accompaniment and sound effects.
Hollywood Party, also known under its working title of The Hollywood Revue of 1933 and Star Spangled Banquet, is a 1934 American pre-Code musical film starring Laurel and Hardy, The Three Stooges, Jimmy Durante, Lupe Vélez and Mickey Mouse. It was distributed by Metro-Goldwyn-Mayer. Each sequence featured a different star with a separate scriptwriter and director assigned.
Spite Marriage is a 1929 American sound comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It is the second film Keaton made for MGM and his last film without audible dialogue, although he had wanted it to be a "talkie" or full sound film. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
Glad Rag Doll is a 1929 American sound part-talkie pre-Code drama film directed by Michael Curtiz and starring Dolores Costello, Ralph Graves and Audrey Ferris. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This is one of many lost films of the 1920s, no prints or Vitaphone discs survive, but the trailer survives. The film's working title was Alimony Annie, but was changed match the title of the theme song. The theme song is entilted Glad Rag Doll both played and sung throughout the soundtrack.
The American Venus is a 1926 American silent comedy film directed by Frank Tuttle, and starring Esther Ralston, Ford Sterling, Lawrence Gray, Fay Lanphier, Louise Brooks, and Douglas Fairbanks Jr. The film was based on an original story by Townsend Martin. The scenario was written by Frederick Stowers with intertitles by Robert Benchley.
The Younger Generation is a 1929 sound part-talkie American drama film directed by Frank Capra and starring Ricardo Cortez. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was produced by Jack Cohn for Columbia Pictures. It was Capra's first sound film. The screenplay was adapted from a 1927 Fannie Hurst play, It Is to Laugh.
For Those We Love is a 1921 American silent romantic drama film produced by and starring Betty Compson, and featuring Lon Chaney and Richard Rosson. Written and directed by Arthur Rosson, the film was based on a story by Perley Poore Sheehan (who later co-wrote the script for Chaney's The Hunchback of Notre Dame. The film was distributed by Goldwyn Pictures. Some sources list the release date as being in March 1921. This is unlikely since the film was only copyrighted in July, but the exact release date has not been confirmed. It is now considered a lost film. A still exists showing Chaney holding the heroine.
The Love That Lives is a 1917 American silent drama film produced by Famous Players Film Company and distributed through Paramount Pictures. The film stars Pauline Frederick and was directed by Robert G. Vignola. The film is based on the story "Flames of Sacrifice", by Scudder Middleton.
Lucky Boy is a 1929 American sound part-talkie musical comedy-drama film directed by Norman Taurog and Charles C. Wilson and starring George Jessel. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The sound was recorded using the Tiffany-Tone system using RCA Photophone equipment. The film's plot bore strong similarities to that of the hit 1927 film The Jazz Singer, which had originally been intended to star Jessel before Al Jolson took over the role.
Varsity is a lost 1928 American sound part-talkie comedy film directed by Frank Tuttle, written by Howard Estabrook, George Marion Jr. and Wells Root, and starring Charles "Buddy" Rogers, Mary Brian, Chester Conklin, Phillips Holmes, Robert Ellis and John Westwood. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was released on October 27, 1928, by Paramount Pictures.
The Fall of Eve is a 1929 American comedy film directed by Frank R. Strayer, which stars Patsy Ruth Miller, Ford Sterling, and Gertrude Astor. The screenplay was written by Gladys Lehman, from a story by Anita Loos and John Emerson, and the film was released by Columbia Pictures on June 25, 1929.
The Singing Brakeman is a 1929 short film, starring Jimmie Rodgers, and released by Columbia-Victor Gems. Rodgers sings three of his songs: "Waiting for a Train", "Daddy and Home" and "Blue Yodel".
Fighting the Flames is a 1925 American silent drama film directed by B. Reeves Eason.
