#Female Pleasure | |
---|---|
#Female Pleasure | |
Directed by | Barbara Miller |
Produced by | Philip Delaquis |
Starring | |
Music by | Peter Scherer |
Release date |
|
Running time | 97 minutes |
Countries | Switzerland, Germany |
Languages | German, English, French, Japanese |
#Female Pleasure is a 2018 Swiss and German documentary film directed by Swiss director Barbara Miller. The film explores female sexuality in the 21st century around the globe.
The film argues for the liberation of female sexuality in equal, sensual relationships between the sexes in the 21st century. It accompanies five women from different cultural backgrounds who stand up against the repression of female sexuality in their cultural and religious communities. The film reveals similarities among the different protagonists, and shows their struggle for self-determined sexuality, [1] and "each woman, all invaluable in terms of the work they are doing, frame their stories in different ways", as Jordan Julian points out in her article in The Daily Beast : [2] The US-American author Deborah Feldman left the New York City Hasidic community; the Somali psychotherapist Leyla Hussein had to undergo genital mutilation as a child, and fights against this practice; Japanese manga artist Rokudenashiko was arrested several times because of her work featuring female genitalia; Bavarian scholar Doris Reisinger, a former nun, reported publicly on the experiences of abuse in a spiritual community in Rome; and Vithika Yadav works as a sex education publisher in Delhi. [3]
The film premiered on August 5, 2018, at the International Film Festival Locarno in the Semaine de la Critique. [4] The film's release was on November 8, 2018, in Germany and Austria, and November 15 in Switzerland. In April 2019, the North American premiere followed at the Hot Docs Canadian International Documentary Festival. [5] On October 18, 2019, was the film's U.S. theatrical release. [6]
The production of the film was led by Mons Veneris Films GmbH, Zurich, [7] Das Kollektiv für audiovisuelle Werke GmbH, Zurich, [8] and Indi Film GmbH, Stuttgart, [9] in a co-production with SRG SSR, Arte, SRF, RTS, and RSI. The film was directed by Barbara Miller.
In Switzerland, the film had the biggest box office of all Swiss documentaries of the year 2018.[ citation needed ] In Germany, #Female Pleasure opened as the most successful film of the weekend, [10] and it was in the Top 4 of 2018. [11] According to the German Television, the film was one of the most relevant documentaries of the year 2018. [12]
At the date of the theatrical release in the U.S., the Alliance of Women Film Journalists labeled the documentary as the movie of the week, because it "shows us why that fight is so important — and how it connects women across distances both geographical and cultural". [13] Even if the five women are disparate in terms of their stories and experiences, "Miller underlines the fact that women's struggle to embrace and own their sexuality in a world dominated by misogyny is universal", wrote Betsy Bozdeck.
As #Female Pleasure focuses on patriarchal constraints on women's sexuality, [14] film critics located the film as a contribution to the #MeToo debate. John DeFore from The Hollywood Reporter concluded that this documentary "reminds us that cultures around the world and throughout time have used sexual mores to assert control over women". [15] Martin Kudlac wrote on Screen Anarchy : "At the beginning of 21st century, gender and cultural stereotypes undergo major re-assessment, while women and their voices in the society are being empowered and heart loud and clear. (...) Miller adds her contribution to the hottest debate through the eyes of five brave women willing to act and testify." He continued that Miller did not attack religions, though the film made "an informed point on inherent sexism and misogyny frequently exerted on behalf or under the pretense of a higher being while using women body as a key". [16]
Annette Scharnberg from Swiss Radio and Television underlined the importance of the film for mutual understanding between the sexes: "One can only hope that those individuals who are upset over the supposed whining about equality, MeToo, and gender issues will be better able to comprehend, thanks to films like #Female Pleasure, why there is no other alternative than to fight back against this culture of oppression." [17] She said that Miller demonstrated how discrimination, misogyny, and sexualized violence were connected around the world to patriarchal structures, legitimized by sacred texts, whether those of Christians, Jews, Muslims, Buddhists, or Hindus. Similar Muriel Del Don on Cineuropa.org: "What this documentary seems to want to tell us is that it's never too late to assert our right to exist. Women can and must assert their sexuality, not for the sake of duty, but in the name of pleasure, because this sexuality fast becomes a weapon with which to fight a patriarchy-prison of grotesque proportions." [18]
Writing for the Los Angeles Times , Maria Garcia estimated the objectivity and universality of the topic: Each of the protagonists "provides an insider view of the unique brand of misogyny that informs their respective cultures. All are survivors of rape or other forms of sexual assault. The issues they confront are not new; yet, the stories of their radicalization are engaging, and Miller's deft editing and objective approach result in a surprisingly intimate and life-affirming film." [19]
Malin Jörnvi from FF2 Media identifies two further important aspects of the film. First, the role of the religion: "the documentary take[s] an explicit stance when it comes to religion: All the narratives involve biting critique against the treatment of women and women bodies within organized human faith." [20] And second, a "powerful tool for learning. Because, not only does the documentary present the responsibility we have as global citizens to educate ourselves in the contemporary state of the world, it also highlights the responsibility we have to be critical to the inevitably one-dimensional perspective enforced by the use of camera." [21]
The film received several awards and nominations: After the Zonta Prize at the Critics Week at the Locarno Festival 2018, [22] the film won the Special Prize of the Interreligious Jury at the International Leipzig Festival for Documentary and Animated Film. [23] For the Swiss Film Award 2019, #Female Pleasure was nominated in the three categories Best Documentary Film, Best Film Score, Best Film Editing; [24] in Austria, it won a Romy Award in the category Best Cinema Documentary. [25] In 2019, the film received the Amnesty International Award at the Thessaloniki Documentary Festival, [26] and the Audience Award at Millennium Docs Against Gravity in Warsaw. [27]
Gurinder Chadha, is a Kenyan-born Indo-British film director of Indian origin. Most of her films explore the lives of Indians living in England. The common theme in her work showcases the trials of Indian women living in the UK and how they must reconcile their converging traditional and modern cultures. Although many of her films seem like simple quirky comedies about Indian women, they actually address many social and emotional issues, especially ones faced by immigrants caught between two worlds.
Visions du Réel is an internationally renowned documentary film festival held in April each year in Nyon, Switzerland. Established in 1969 as the Nyon International Documentary Film Festival, the event adopted its current name in 1995 and is the largest Swiss documentary festival.
CPH:DOX is the official name for the Copenhagen International Documentary Film Festival, an international documentary film festival established in 2003 and held annually in Copenhagen, Denmark. CPH:DOX has since grown to become one of the largest documentary film festivals in Europe with 114,408 admissions in 2019.
Andrea Štaka is a Swiss film director and screenwriter, best known for winning the Golden Leopard at the 59th Locarno International Film Festival in 2006 for her film, Das Fräulein.
Erika Lust is a Swedish erotic film director, screenwriter and producer. Since the debut of her first indie erotic film The Good Girl in 2004, Lust has been cited as one of the current leading participants in the feminist pornography movement, asserting that an ethical production process sets her company apart from mainstream pornography sites. Lust has stated that she finds no issue in calling her films porn, since she expects viewers to be sexually aroused, unlike other directors of erotic films who make a distinction between their work and porn even when both types contain sexually explicit scenes. In addition to directing and producing a number of award-winning films, she has written several books.
Feminist pornography is a genre of film developed by or for those within the sex-positive feminist movement. It was created for the purpose of promoting gender equality by portraying more bodily movements and sexual fantasies of women and members of the LGBT community.
Leyla Hussein is a Somali-born British psychotherapist and social activist. She is the founder of Dahlia project, one of the co-founders of the Daughters of Eve non-profit organization and a Chief Executive of Hawa's Haven. In 2020, Hussein was elected Rector of the University of St Andrews, making her the third woman and first woman of colour to hold this position. Her 3-year term in the position has been labelled as 'chronically absent' and 'disappointing'.
Eliza Hittman is an American screenwriter, film director, and producer from New York City. She has won multiple awards for her film Never Rarely Sometimes Always, which include the New York Film Critics Circle Award and the National Society of Film Critics Award—both for best screenplay.
Philip Delaquis is a Swiss film and theatre producer and member of the Swiss Film Academy and the European Film Academy.
Als die Sonne vom Himmel fiel is a 2015 Swiss documentary. Focusing on the atomic bombing of Hiroshima by the United States Army Air Force on 6 August 1945, it was filmed and produced at locations in the Hiroshima and in the Fukushima prefectures, Japan, and produced by the Japanese-Swiss film-maker Aya Domenig.
Aya Domenig is a film-maker and anthropologist of Japanese–Swiss origin.
Min Li Marti is a Swiss sociologist, historian, publisher and politician of the Social Democratic Party of Switzerland (SP).
Juliana Rojas is a Brazilian filmmaker who was born in Campinas, São Paulo. She graduated in Cinema in Escola de Comunicação e Artes da USP where she met fellow Brazilian filmmaker Marco Dutra. This was the beginning of a long partnership between them. In 2004, while still in school, they codirected a short film called Lenço Branco. Their short film was part of a section of the Cannes Film Festival that is dedicated to university films, Cinéfondation. Three years later, in 2007, Um Ramo, another short film directed by Rojas and Dutra, would be nominated to Semaine de la Critique of Cannes Film Festival. In 2011, her first feature film would be premiered in the Festival, in the "Un Certain Regard" section. Her film, Good Manners was nominated in 2017 at the Locarno Film Festival. She has also worked as an editor.
Sadia Khatri is a Pakistani writer, photographer and feminist based in Karachi. She has worked as a journalist at Dawn and The Kathmandu Post, and as a reportage editor with Papercuts Magazine. Khatri is also one of the founders of the feminist collective Girls at Dhabas.
Guillaume Brac is a French film director from Paris. He has directed films such as Tonnerre, July Tales, Treasure Island, and À L'abordage.
Do Communists Have Better Sex? is a 2006 German documentary film directed by André Meier. It compares the sexuality manifested by Germans during the period being divided into a Western and an Eastern part. The hypothesis manifested by scholars, interviews and footage is that sex was more free and women had more sexual pleasure in East Germany. The film discusses the possible reasons, considering the differences between the ideology and practical politics of a capitalist and a self-proclaimed communist regime.
Anca Miruna Lăzărescu is a German-Romanian film director. For her film work, she has received a nomination for the European Film Award. She directed the international drama series Hackerville (2018) for HBO and TNT Serie as well as the German Netflix series We Are the Wave (2019) and the third season of the Amazon Prime series Hanna.
Khartoum Offside is a 2019 Sudanese sports documentary film with a focus on young women in Sudan, produced, written and directed by Sudanese filmmaker Marwa Zein. It was globally premiered in the 2019 Berlinale Forum in Germany and is one of the three notable Sudanese films of 2019.
Whether the Weather is Fine or Kun Maupay Man It Panahon is a 2021 drama film directed and co-written by Carlo Francisco Manatad in his feature directorial debut. The film is a disaster movie which combines satirical and surreal elements. Starring Daniel Padilla, Rans Rifol, and Charo Santos-Concio, the film is set against the backdrop of the devastation caused by the 2013 Typhoon Haiyan in the Philippines. The film is a joint production by Black Sheep Productions, Globe Studios, and Dreamscape Entertainment.
Fisnik Maxville is a Kosovo-Swiss film director, screenwriter and producer.