It was produced during the artist's stay in Naples between 1782 and 1783. She gained the commission after becoming a close friend of Ferdinand I's wife Maria Carolina. The couple are shown in the centre, with their children Maria Theresa and Francis in a group to the left and Maria Cristina, Maria Luisa, Maria Amalia and Gennaro Giuseppe (who died in infancy) in a group to the right.
Kauffman completed it in Rome, where the work was praised by Ippolito Pindemonte. During the 19th century it was put on display in the portrait gallery of the Capodimonte Palace.
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy designed by Giovanni Antonio Medrano. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957.
Ptolemy Philadelphus in the Library of Alexandria is an 1813 oil on canvas painting by Vincenzo Camuccini. It is now in the National Museum of Capodimonte in Naples.
Sacrificial Scene is a grisaille tempera on canvas painting by Pontormo, produced around 1520 and now in the National Museum of Capodimonte in Naples. It was probably originally produced as part of the decoration of an interior in honour of Cosimo de' Medici.
Last Judgement is a 1549 tempera on panel painting by Marcello Venusti after Michelangelo's Sistine Chapel The Last Judgement (1541). It is now in the National Museum of Capodimonte in Naples.
Harvest Time at Carditello is a 1791 oil on canvas painting by Jakob Philipp Hackert, who had become a painter to the royal court at Naples. In 1791 he was commissioned to paint frescoes in the 'salottino' of the manorhouse at Carditello, but the cycle was partly destroyed by anti-Bourbon figures following the unification of Italy.
Assumption of the Virgin with Saint John the Baptist and Saint Catherine of Alexandria is an oil-on-panel painting by the Italian Renaissance painter Fra Bartolomeo, created c. 1516, commissioned by the church of Santa Maria in Castello in Prato. To the left of the Virgin's tomb is John the Baptist, whilst to the right is Catherine of Alexandria. It is now in the National Museum of Capodimonte in Naples.
Allegory of Justice is an oil-on-panel painting by the Italian Renaissance artist Giorgio Vasari. The painting was commissioned on 6 January 1543 by cardinal Alessandro Farnese for the main room of the Palazzo della Cancelleria in Rome, and was executed the same year. It and the rest of the Farnese collection were later moved to Naples and it is now in the National Museum of Capodimonte.
Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale is an oil-on-canvas painting by the Italian painter Giovanni Paolo Pannini, commissioned by Charles of Bourbon in 1746 and completed the same year. It depicts Charles' visit to Rome after the Bourbon victory over the Austrians at the Battle of Velletri in 1744 – he and pope Benedict XIV were already friends and had signed a Concordat in 1741.
Charles of Bourbon Visiting St Peter's Basilica is an oil-on-canvas painting by Italian artist Giovanni Paolo Pannini, commissioned by its subject Charles of Bourbon in 1746 and completed later that year. It was part of the commission as the same artist's Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale and both works are now in the National Museum of Capodimonte in Naples.
Francis I and His Family is an 1820 oil on canvas painting by Giuseppe Cammarano, now in the National Museum of Capodimonte in Naples.
Portrait of Princess Maria Christina is an oil-on-canvas painting executed c. 1790 by Élisabeth Vigée Le Brun. It was commissioned by Maria Christina's parents Maria Carolina of Austria and Ferdinand I of the Two Sicilies. Vigée Le Brun had taken refuge in Naples after fleeing Paris in 1789 during the French Revolution.
Portrait of Charles of Bourbon in Hunting Dress is an oil on canvas painting by Antonio Sebastiani, likely produced in the 1730s either whilst Charles was still in the Duchy of Parma and Piacenza or at the latest during the early years of his rule of Naples and Sicily - Sebastiani was the court painter. It is now in Room 32 of the National Museum of Capodimonte in Naples, part of the building's former royal apartments.
Portrait of Charles IV of Spain is a portrait of Charles IV of Spain in hunting dress with a hunting dog. Both it and a pendant of his wife were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by Charles's daughter Maria Isabella of Spain along with. It was sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.
Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, produced as a pendant painting to a portrait of her husband. Both works were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by the couple's daughter Maria Isabella of Spain. They were sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.
Portrait of Ferdinand IV is an 1759 painting by Anton Raphael Mengs, now in the National Museum of Capodimonte, in Naples.
Portrait of Philip II is an oil on canvas portrait by Titian of Philip II of Spain wearing the chain of the Order of the Golden Fleece. It is in the collection of the Museo di Capodimonte, in Naples.
Portrait of Joachim Murat is an oil-on-canvas painting created in 1808 by the French painter François Gérard. It depicts general Joachim Murat. It is held in Room 54 of the National Museum of Capodimonte, in Naples.
Equestrian Portrait of Charles of Bourbon is a mid-18th century oil on canvas portrait of Charles of Bourbon, produced by Francesco Liani towards the end of Charles' rule in Naples before becoming Charles III of Spain. Liani also produced a portrait of Charles' wife, Maria Amalia of Saxony. Both works are now in Room 34 of the National Museum of Capodimonte.
Penitent Magdalene is a c. 1550 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
Portrait of Cardinal Alessandro Farnese is a c. 1545–46 oil on canvas three-quarter-length portrait of Alessandro Farnese the Younger (1520–1589) by Titian, now in the Museo nazionale di Capodimonte in Naples.
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