In Greek mythology, the Minotaur is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". He dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, upon command of King Minos of Crete. The Minotaur was eventually killed by the Athenian hero Theseus.
Theseus was a divine hero and the founder of Athens from Greek mythology. The myths surrounding Theseus, his journeys, exploits, and friends, have provided material for storytelling throughout the ages.
In Greek mythology, Ariadne was a Cretan princess, the daughter of King Minos of Crete. There are different variations of Ariadne's myth, but she is known for helping Theseus escape from the Minotaur and being abandoned by him on the island of Naxos. There, Dionysus saw Ariadne sleeping, fell in love with her, and later married her. Many versions of the myth recount Dionysus throwing Ariadne's jeweled crown into the sky to create a constellation, the Corona Borealis.
In Greek mythology, the Cretan Bull was the bull Pasiphaë fell in love with, giving birth to the Minotaur.
Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
Ariadne auf Naxos, Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention.
The King Must Die is a 1958 bildungsroman and historical novel by Mary Renault that traces the early life and adventures of Theseus, a hero in Greek mythology. It is set in locations throughout Ancient Greece: Troizen, Corinth, Eleusis, Athens, Knossos in Crete, and Naxos. Renault wrote a sequel, The Bull from the Sea, in 1962.
Bacchus and Ariadne (1522–1523) is an oil painting by Titian. It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts. An advance payment was given to Raphael, who originally held the commission for the subject of a Triumph of Bacchus.
The House of the Vettii is a domus located in the Roman town Pompeii, which was preserved by the eruption of Mount Vesuvius in 79 AD. The house is named for its owners, two successful freedmen: Aulus Vettius Conviva, an Augustalis, and Aulus Vettius Restitutus. Its careful excavation has preserved almost all of the wall frescos, which were completed following the earthquake of 62 AD, in the manner art historians term the Pompeiian Fourth Style. The House of Vetti is located in region VI, near the Vesuvian Gate, bordered by the Vicolo di Mercurio and the Vicolo dei Vettii. The house is one of the largest domus in Pompeii, spanning the entire southern section of block 15. The plan is fashioned in a typical Roman domus with the exception of a tablinum, which is not included. There are twelve mythological scenes across four cubiculum and one triclinium. The house was reopened to tourists in January 2023 after two decades of restoration.
L'Arianna is the lost second opera by Italian composer Claudio Monteverdi. One of the earliest operas in general, it was composed in 1607–1608 and first performed on 28 May 1608, as part of the musical festivities for a royal wedding at the court of Duke Vincenzo Gonzaga in Mantua. All the music is lost apart from the extended recitative known as "Lamento d'Arianna". The libretto, which survives complete, was written in eight scenes by Ottavio Rinuccini, who used Ovid's Heroides and other classical sources to relate the story of Ariadne's abandonment by Theseus on the island of Naxos and her subsequent elevation as bride to the god Bacchus.
Ariadne in Naxos is a painting by the Le Nain brothers, dating approximately 1635, that is part of the collection of French paintings in Orléans's Fine Arts museum. It is a 102*152 cm oil on canvas.
The Minotaur is an opera in two acts, with 13 scenes by English composer Harrison Birtwistle to a libretto by poet David Harsent, commissioned by the Royal Opera House in London. The work, a retelling of the Greek myth of the Minotaur, premiered at the Royal Opera House on 15 April 2008 under the stage direction of Stephen Langridge. The score is modernistic, and the scenes fall into three types: bullfights; scenes between Ariadne and Theseus; and dream sequences for the Minotaur, in which the creature has the gift of speech. The opera lasts about 140 minutes. A detailed analysis of the opera was published by Rhian Samuel.
Ariadne auf Naxos is a duodrama in one act by Czech composer Georg Benda with a German libretto by Johann Christian Brandes. It was commissioned by Abel Seyler, whose theatrical company arrived in Gotha in 1774. The opera's first performance was at the Schloss Friedenstein, Gotha, on 27 January 1775.
Bacchus and Ariadne is a poem by Leigh Hunt written and published in 1819. The result of three years of work, the poem tells the Greek myth of Hero and Leander, two lovers, and the story of their forlorn fate. Hunt began working on the poem during the summer of 1816, arousing the interest of the publisher John Taylor, and despite repeated delays to allow Hunt to deal with other commitments the poem was finished and published in a collection 1819. Hunt later claimed in a poem about Bacchus and Ariadne that he was seeking to humanise myths and make them more understandable to the common people. The collection was well received by contemporary critics and poets, including Thomas Carlyle, while more modern writers such as Edmund Blunden have criticised the flow of its narrative.
The Soothsayer's Recompense is a 1913 painting by Italian painter Giorgio de Chirico. It is now in the Philadelphia Museum of Art as part of the permanent collection. It was accessioned in 1950 as one of the thousand items donated to the institution by Walter and Louise Arensberg. The piece was created in France, through a process of "squaring-up" in which Chirico drew a version of the piece divided into nine squares, and subsequently used this draft to quickly create the fleshed-out painting.
Ariadne (1932) is a short epic or long narrative poem of 3,300 lines, by the British poet F. L. Lucas. It tells the story of Theseus and Ariadne, with details drawn from various sources and original touches based on modern psychology. It was Lucas's longest poem. His other epic reworking of myth was Gilgamesh, King of Erech (1948).
Ariadne is a 1913 painting by Italian painter Giorgio de Chirico. Done in oil and graphite on canvas, the painting depicts the mythical figure Ariadne as she lies sleeping in an empty public square; this is in reference to the myth that birthed the character, in which Ariadne is abandoned on Naxos by her lover Theseus. According to sources provided by the Metropolitan Museum of Art, this reflects Chirico's personal feelings of isolation after moving to Paris in 1911.
Bacchus, Venus and Ariadne is an oil painting executed in Venice in 1576–77 by the Italian painter Jacopo Tintoretto which hangs in the Sala dell'Anticollegio at the Doge's Palace in Venice. It is one of four almost square paintings on mythological subjects in the same room which were commissioned to celebrate the government of Doge Girolamo Priuli (1486–1567).
The Minotaur is an 1885 painting by the English painter George Frederic Watts. It depicts the Minotaur from Greek mythology as he waits for his young sacrificial victims to arrive by ship. It is an allegorical comment to child prostitution, an issue brought to attention by W. T. Stead in 1885. The painting has been in the collection of Tate Britain since 1897.
Sappho Inspired by Love is an oil painting on canvas of 1775 by Angelica Kauffman, now in the John and Mable Ringling Museum of Art in Florida, having been in John Ringling's collection.
