Aphrodite is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretized Roman goddess counterpart Venus, desire, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of "sacred prostitution" in Greco-Roman culture, an idea which is now generally seen as erroneous.
Alcaeus of Mytilene was a lyric poet from the Greek island of Lesbos who is credited with inventing the Alcaic stanza. He was included in the canonical list of nine lyric poets by the scholars of Hellenistic Alexandria. He was a contemporary of Sappho, with whom he may have exchanged poems. He was born into the aristocratic governing class of Mytilene, the main city of Lesbos, where he was involved in political disputes and feuds.
Sappho was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style.
Venus is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles.
Ibycus was an Ancient Greek lyric poet, a citizen of Rhegium in Magna Graecia, probably active at Samos during the reign of the tyrant Polycrates and numbered by the scholars of Hellenistic Alexandria in the canonical list of nine lyric poets. He was mainly remembered in antiquity for pederastic verses, but he also composed lyrical narratives on mythological themes in the manner of Stesichorus. His work survives today only as quotations by ancient scholars or recorded on fragments of papyrus recovered from archaeological sites in Egypt, yet his extant verses include what are considered some of the finest examples of Greek poetry.
In Greek mythology, Hermaphroditus was a child of Aphrodite and Hermes. According to Ovid, he was born a remarkably beautiful boy whom the naiad Salmacis attempted to rape and prayed to be united with forever. A god, in answer to her prayer, merged their two forms into one and transformed him into a hermaphrodite, he being considered the origin of the name. His name is compounded of his parents' names, Hermes and Aphrodite. He was one of the Erotes.
Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffman was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
Ambrose Philips was an English poet and politician. He feuded with other poets of his time, resulting in Henry Carey bestowing the nickname "Namby-Pamby" upon him, which came to mean affected, weak, and maudlin speech or verse.
Sir Thomas Stanley was an English author and translator.
An epithalamium is a poem written specifically for the bride on the way to her marital chamber. This form continued in popularity through the history of the classical world; the Roman poet Catullus wrote a famous epithalamium, which was translated from or at least inspired by a now-lost work of Sappho. According to Origen, the Song of Songs might be an epithalamium on the marriage of Solomon with the Pharaoh's daughter.
Anacreon was a Greek lyric poet, notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry, it was composed to be sung or recited to the accompaniment of music, usually the lyre. Anacreon's poetry touched on universal themes of love, infatuation, disappointment, revelry, parties, festivals, and the observations of everyday people and life.
Francis Fawkes (1720–1777) was an English poet and translator. He translated works by Anacreon, Sappho and other classical authors, modernised parts of the poems of Gavin Douglas, and was the author of the well-known song, The Brown Jug, and of two poems, Bramham Park and Partridge Shooting. His translation of the Argonautica in rhymed couplets appeared in 1780.
Nationality words link to articles with information on the nation's poetry or literature.
Sapho and Phao is an Elizabethan era stage play, a comedy written by John Lyly. One of Lyly's earliest dramas, it was likely the first that the playwright devoted to the allegorical idealisation of Queen Elizabeth I that became the predominating feature of Lyly's dramatic canon.
In Greek mythology, Eros is the Greek god of love and sex. His Roman counterpart is Cupid ('desire'). In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods.
Sappho and Phaon is an 1809 neoclassical painting by the French painter Jacques-Louis David of Cupid, Sappho and her lover Phaon. It was commissioned by Prince Nikolai Yusupov for his Moika Palace and is now the only painting by David in the Hermitage Museum in Saint Petersburg.
The Ode to Aphrodite is a lyric poem by the archaic Greek poet Sappho, who wrote in the late seventh and early sixth centuries BCE, in which the speaker calls on the help of Aphrodite in the pursuit of a beloved. The poem survives in almost complete form, with only two places of uncertainty in the text, preserved through a quotation from Dionysius of Halicarnassus' treatise On Composition and in fragmentary form in a scrap of papyrus discovered at Oxyrhynchus in Egypt.
Sappho 2 is a fragment of a poem by the archaic Greek lyric poet Sappho. In antiquity it was part of Book I of the Alexandrian edition of Sappho's poetry. Sixteen lines of the poem survive, preserved on a potsherd discovered in Egypt and first published in 1937 by Medea Norsa. It is in the form of a hymn to the goddess Aphrodite, summoning her to appear in a temple in an apple grove. The majority of the poem is made up of an extended description of the sacred grove to which Aphrodite is being summoned.
Sappho was an ancient Greek lyric poet from the island of Lesbos. She wrote around 10,000 lines of poetry, only a small fraction of which survives. Only one poem is known to be complete; in some cases as little as a single word survives. Modern editions of Sappho's poetry are the product of centuries of scholarship, first compiling quotations from surviving ancient works, and from the late 19th century rediscovering her works preserved on fragments of ancient papyri and parchment. Along with the poems which can be attributed with confidence to Sappho, a small number of surviving fragments in her Aeolic dialect may be by either her or her contemporary Alcaeus. Modern editions of Sappho also collect ancient "testimonia" which discuss Sappho's life and works.
Cupid and Ganymede or Venus Finds Cupid Playing Dice with Ganymede is a 1782 painting by Angelica Kauffman, one of four works commissioned from her by George Bowles It is now in a private collection. It is based on Matthew Pryor's poetic reworking of an ancient myth about how Ganymede beat Cupid at dice, with the stakes being Cupid's arrows, an attribute of his divine power, and shows Cupid being chastised by his mother Venus.
