In Greco-Roman mythology, Aeneas was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite. His father was a first cousin of King Priam of Troy, making Aeneas a second cousin to Priam's children. He is a minor character in Greek mythology and is mentioned in Homer's Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's Aeneid, where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Víðarr of the Æsir.
Publius Vergilius Maro, usually called Virgil or Vergil in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the Eclogues, the Georgics, and the epic Aeneid. A number of minor poems, collected in the Appendix Vergiliana, were attributed to him in ancient times, but modern scholars consider his authorship of these poems to be dubious.
The Aeneid is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans. Written by the Roman poet Virgil between 29 and 19 BC, the Aeneid comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.
In Greek mythology, Charon or Kharon is a psychopomp, the ferryman of the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins known generically as Charon's obols were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, Aeneid, the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Charon also ferried the living mortals Heracles and Aeneas to the underworld and back again.
Ascanius was a legendary king of Alba Longa and is the son of the Trojan hero Aeneas and Creusa, daughter of Priam. He is a character in Roman mythology, and has a divine lineage, being the son of Aeneas, who is the son of the goddess Venus and the hero Anchises, a relative of the king Priam; thus Ascanius has divine ascendents by both parents, being descendants of god Jupiter and Dardanus. He is also an ancestor of Romulus, Remus and the Gens Julia. Together with his father, he is a major character in Virgil's Aeneid, and he is depicted as one of the founders of the Roman race.
In Roman mythology, Evander was a culture hero from Arcadia, Greece, who was said to have brought the pantheon, laws, and alphabet of Greece to ancient Italy, where he founded the city of Pallantium on the future site of Palatine Hill, Rome, sixty years before the Trojan War. He instituted the festival of the Lupercalia. Evander was deified after his death and an altar was constructed to him on the Aventine Hill.
In Roman mythology, Lavinia is the daughter of Latinus and Amata, and the last wife of Aeneas.
Marcus Claudius Marcellus was the eldest son of Gaius Claudius Marcellus and Octavia Minor, sister of Augustus. He was Augustus' nephew and closest male relative, and began to enjoy an accelerated political career as a result. He was educated with his cousin Tiberius and traveled with him to Hispania where they served under Augustus in the Cantabrian Wars. In 25 BC he returned to Rome where he married his cousin Julia, who was the emperor's daughter. Marcellus and Augustus' general Marcus Vipsanius Agrippa were the two popular choices as heir to the empire. According to Suetonius, this put Agrippa at odds with Marcellus, and is the reason why Agrippa traveled away from Rome to Mytilene in 23 BC.
Events in the year 1812 in Art.
Octavia the Younger was the elder sister of the first Roman emperor, Augustus, the half-sister of Octavia the Elder, and the fourth wife of Mark Antony. She was also the great-grandmother of the Emperor Caligula and Empress Agrippina the Younger, maternal grandmother of the Emperor Claudius, and paternal great-grandmother and maternal great-great-grandmother of the Emperor Nero.
In Greek and Roman mythology, Nisus and Euryalus are a pair of friends serving under Aeneas in the Aeneid, the Augustan epic by Virgil. Their foray among the enemy, narrated in book nine, demonstrates their stealth and prowess as warriors, but ends as a tragedy: the loot Euryalus acquires attracts attention, and the two die together. Virgil presents their deaths as a loss of admirable loyalty and valor. They also appear in Book 5, during the funeral games of Anchises, where Virgil takes note of their amor pius, a love that exhibits the pietas that is Aeneas's own distinguishing virtue.
Caesar Augustus, known as Octavian before he became emperor, was the first and among the most important of the Roman Emperors. As such, he has frequently been depicted in literature and art since ancient times.
Jean-Joseph Taillasson was a French history painter and portraitist, draftsman, and art critic.
Jean-Baptiste Wicar was a French Neoclassical painter and art collector.
The Cumaean Sibyl was the priestess presiding over the Apollonian oracle at Cumae, a Greek colony near Naples, Italy. The word sibyl comes from the ancient Greek word sibylla, meaning prophetess. There were many sibyls throughout the ancient world. Because of the importance of the Cumaean Sibyl in the legends of early Rome as codified in Virgil's Aeneid VI, and because of her proximity to Rome, the Cumaean Sibyl became the most famous among the Romans. The Erythraean Sibyl from modern-day Turkey was famed among Greeks, as was the oldest Hellenic oracle, the Sibyl of Dodona, dating to the second millennium BC according to Herodotus, favored in the east.
George Yeld (1845–1938) was a schoolmaster, climber, explorer and hybridiser of daylilies and irises. He was a member of the Alpine Club and editor of the Alpine Journal. Much of his climbing and exploration was conducted with volcanologist Tempest Anderson and he published reports of his exploits and produced introductory books on Latin for scholars. Yeld received the Victoria Medal of Honour from the Royal Horticultural Society in 1925.
The Aeneid has been analyzed by scholars of several different generations and schools of thought to try to determine the political commentary that Virgil had hoped to portray. The major schools of thought include the overarching idea that Virgil had written a story that parallels Roman history at the time it was written as well as messages both in support of and against the rule of Augustus Caesar. Finally, it has been argued that Virgil had a stance on geopolitics which he conveys in the actions of Aeneas and his crew.
The Shield of Aeneas is the shield that Aeneas receives from the god Vulcan in Book VIII of Virgil's Aeneid to aid in his war against the Rutuli. Imprinted on the front of the shield is a grand depiction of the destiny of Aeneas' descendants and the future of Rome.
Virgil reading the Aeneid before Augustus, Livia and Octavia, known in French as Tu Marcellus Eris, is an 1812 painting by Jean-Auguste-Dominique Ingres. It is an oil on canvas measuring 304 x 323 cm and is in the Musée des Augustins in Toulouse. It depicts the moment when Virgil, reciting his work to the Emperor Augustus, his wife Livia and his sister Octavia, mentions the name of Octavia's dead son, Marcellus, causing Octavia to faint. Augustus' advisors, Marcus Agrippa and Gaius Maecenas, can be seen watching in the background. The painting is based on an anecdote, recorded in the late fourth-century vita of Virgil by Aelius Donatus, in which the poet read the passage in Book VI in praise of Octavia's late son Marcellus, and Octavia fainted with grief. This anecdote has also been depicted in works by other artists, including Jean-Joseph Taillasson, Antonio Zucchi, Jean-Baptiste Wicar, Jean-Bruno Gassies and Angelica Kaufmann.
Landscape with Hercules and Cacus is an oil on canvas painting by French painter Nicolas Poussin, created c. 1660. It is held in the Pushkin Museum, in Moscow. It depicts a scene from lines 190-275 of Book VIII of Virgil's Aeneid.
