Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffman was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
The Stoclet Palace is a mansion in Brussels, Belgium. It was designed by the Austrian architect Josef Hoffmann for the Belgian financier Adolphe Stoclet. Built between 1905 and 1911 in the Vienna Secession style, it is located at 279–281, avenue de Tervueren/Tervurenlaan, in the Woluwe-Saint-Pierre municipality of Brussels. Considered Hoffman's masterpiece, the residence is one of the 20th century's most refined and luxurious private houses.
The Schirn Kunsthalle is a Kunsthalle in Frankfurt, Germany, located in the old city between the Römer and the Frankfurt Cathedral; it is part of Frankfurt's Museumsufer. The Schirn exhibits both modern and contemporary art. It is the main venue for temporary art exhibitions in Frankfurt. Exhibitions included retrospectives of Wassily Kandinsky, Marc Chagall, Alberto Giacometti, Bill Viola, and Yves Klein. The Kunsthalle opened in 1986 and is financially supported by the city and the state. Historically, the German term "Schirn" denotes an open-air stall for the sale of goods, and such stalls were located here until the 19th century. The area was destroyed in 1944 during the Second World War and was not redeveloped until the building of the Kunsthalle. As an exhibition venue, the Schirn enjoys national and international renown, which it has attained through independent productions, publications, and exhibition collaborations with museums such as the Centre Pompidou, the Tate Gallery, the Solomon R. Guggenheim Museum, the Hermitage Museum, or the Museum of Modern Art.
Tom Hunter is a London-based British artist working in photography and film. His photographs often reference and reimagine classical paintings. He was the first photographer to have a one-man show at the National Gallery, London.
Julian Rosefeldt is a German artist and film-maker. Rosefeldt's work consists primarily of elaborate, visually opulent film and video installations, often shown as panoramic multi-channel projections. His installations range in style from documentary to theatrical narrative.
Tobias G. Natter is an Austrian art historian and internationally renowned art expert with a particular expertise in "Vienna 1900".
Young Hare is a 1502 watercolour and bodycolour painting by German artist Albrecht Dürer. Painted in 1502 in his workshop, it is acknowledged as a masterpiece of observational art alongside his Great Piece of Turf from the following year. The subject is rendered with almost photographic accuracy, and although the piece is normally given the title Young Hare, the portrait is sufficiently detailed for the hare to be identified as a mature specimen — the German title translates as "Field Hare" and the work is often referred to in English as the Hare or Wild Hare.
Sibylle Bergemann was a German photographer. In 1990, she co-founded the Ostkreuz photographers agency. She is remembered for documenting developments in East Berlin during the Communist era and for her international assignments for Stern and later for Geo.
Christian Schoen is a German art historian and curator. He works on classical art and contemporary art phenomena. From 2000 to 2003 he co-curated the municipal gallery Lothringer13 in Munich. In 2005 he was appointed director of the Center for Icelandic Art, which he ran until 2010. As Commissioner he was responsible for the Icelandic Pavilion at the Biennale di Venezia 2007 and 2009. 2006 to 2008 he was member of the advisory board and the acquisition committee of the Reykjavík Art Museum. He co-founded the art festival Sequences in 2006. Since 2001 he is director of Osram Art Projects and assistant professor for transdisciplinary methods at the University St. Gallen (Switzerland).
Jürgen Hermann Mayer is a German architect and artist. He is the leader of the architecture firm "J. MAYER H." in Berlin and calls himself Jürgen Mayer H.
Bettina Baumgärtel is a German art historian who is head of the painting collection of the Museum Kunstpalast in Düsseldorf. She is a leading authority on the art of Angelica Kauffman and founded the Angelika Kauffmann Research Project (AKRP), of which she is the director, in 1990.
Martin Roemers is a Dutch photographer and artist.
Angelika Platen is a German photographer known internationally for her portraits of artists.
Anastasia Khoroshilova is an artist and arts educator working primarily with portrait photography. She was a lecturer at the Rodchenko Art School in Moscow (2012-2017). Khoroshilova is currently based between both Moscow and Berlin.
The Kunstmuseum Wolfsburg is an art museum in central Wolfsburg, Lower Saxony, opened 1994. It presents modern and contemporary art and is financed by the Kunststiftung Volkswagen.
Limits of Reason is a 1927 painting by Paul Klee (1879-1940). It is in the permanent collection of the Pinakothek der Moderne—Pinakothek of modern art—in central Munich's Kunstareal.
The Croquet Game is an 1873 oil on canvas painting by Édouard Manet, now in the Städel Museum in Frankfurt. It shows a group of people playing croquet, a very fashionable game at that time. The group comprises the painter Alfred Stevens, artists' models Victorine Meurent and Alice Legouvé and, in the background, Manet's friend Paul Rodier.
Martha Dix was a German goldsmith and silversmith, as well as the wife of the painter Otto Dix. She was portrayed many times by her husband from 1921 to 1933. A well-known double portrait of the couple appears in the photographer August Sander's portfolio People of the 20th Century (1925).
Wolfgang Scheppe is a German philosopher, author and curator who since 1996 has lived and taught in the US, Switzerland and Italy. His work as a theorist frequently includes the medium of exhibitions taking a form described as “theory installations”. Since 2009, he has directed the Arsenale Institute for Politics of Representation in Venice, which emerged from the Università Iuav di Venezia and was founded with Lewis Baltz.
The Pupils is an oil on canvas painting made in 2001 by the Belgian Michaël Borremans. It depicts three young men, each looking down at an upturned head, with thin white lines between the eyes of the heads above and below. The title plays with the two meanings of the word pupil. Critics have described how the impression of The Pupils changes as the viewer discovers its details. They say it may reflect the relationship between the painting and viewer, it appears both familiar and incomprehensible, and it may be about self-doubt. It was shown at a Borremans exhibition held in Ghent, London, and Dublin in 2005.
