Fibrolane

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Fibrolane was the brand name of a regenerated protein fibre produced by Courtaulds Ltd. in Coventry (UK) during the 1940s, 1950s and early 1960s. [1] It was made from the milk protein casein dissolved in alkali and regenerated by spinning the resulting dope into an acid bath using technology similar to that of viscose rayon production.

The fibre was produced as staple, tow or stretch-broken tow ("tops"), mainly for blending with wool. It had a warm, soft handle and could be converted into fine yarns and soft fabrics. Small amounts of Fibrolane could be added to wool to improve the efficiency of felt production.

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<span class="mw-page-title-main">Wool</span> Textile fibre from the hair of sheep or other mammals

Wool is the textile fibre obtained from sheep and other mammals, especially goats, rabbits, and camelids. The term may also refer to inorganic materials, such as mineral wool and glass wool, that have properties similar to animal wool.

<span class="mw-page-title-main">Textile</span> Various fiber-based materials

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<span class="mw-page-title-main">Yarn</span> Long continuous length of interlocked fibres

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<span class="mw-page-title-main">Fiber</span> Natural or synthetic substance made of long, thin filaments

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<span class="mw-page-title-main">Dyeing</span> Process of adding color to textile products

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Camel hair specifically refers to the fur from the body of a camel, but more generally refers to the fibre that may be made from either pure camel hair or a blend of camel hair and another fibre.

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Spinning is an ancient textile art in which plant, animal or synthetic fibres are drawn out and twisted together to form yarn. For thousands of years, fibre was spun by hand using simple tools, the spindle and distaff. It was only with the invention of the spinning wheel in the Islamic world circa 1030, and its subsequent introduction to China, India and Europe in the High Middle Ages, that the output of individual spinners dramatically increased. Mass production later arose in the 18th century with the beginnings of the Industrial Revolution. Hand-spinning remains a popular handicraft.

The United Nations General Assembly declared 2009 as the International Year of Natural Fibres (IYNF), as well as the International Year of Astronomy.

<span class="mw-page-title-main">Animal fiber</span> Natural fiber from animals like silk worms and sheep

Animal fibers are natural fibers that consist largely of certain proteins. Examples include silk, hair/fur and feathers. The animal fibers used most commonly both in the manufacturing world as well as by the hand spinners are wool from domestic sheep and silk. Also very popular are alpaca fiber and mohair from Angora goats. Unusual fibers such as Angora wool from rabbits and Chiengora from dogs also exist, but are rarely used for mass production.

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Alpaca fleece is the natural fiber harvested from an alpaca. There are two different types of alpaca fleece. The most common fleece type comes from a Huacaya. Huacaya fiber grows and looks similar to sheep wool in that the animal looks "fluffy". The second type of alpaca is Suri and makes up less than 10% of the South American alpaca population. Suri fiber is more similar to natural silk and hangs off the body in locks that have a dreadlock appearance. While both fibers can be used in the worsted milling process using light weight yarn or thread, Huacaya fiber can also be used in a woolen process and spun into various weight yarns. It is a soft, durable, luxurious and silky natural fiber.

<span class="mw-page-title-main">Salish weaving</span>

Salish are skilled weavers and knitters of the Pacific Northwest. They are most noted for their beautiful twill blankets many of which are very old. The adoption of new fabrics, dyes, and weaving techniques allow us to study a wide variety of Salish weavings today.

<span class="mw-page-title-main">Natural dye</span> Dye extracted from plant or animal sources

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References

  1. Cheetham, R. C. (May 1957). "Fibro and Fibrolane in the Carpet Trade with particular reference to Dyeing". Journal of the Society of Dyers and Colourists. 73 (5): 189–198. doi:10.1111/j.1478-4408.1957.tb02189.x. ISSN   0037-9859.