Film emulation is a technique used to give digital image the appearance of being captured with an analogue photosensitive media. The desired effect is achieved by manipulating specific characteristics like film grain, halation, light reflection, bloom, film artifacts etc.
To emulate film, special functions or plugins available in video or photo editing software are used. The result is an image that closely resembles a photograph or motion picture captured on analogue media, even though it was taken digitally.
In the early years of photography, such media as heliography (1822), daguerreotype (1839), cyanotype (1842), tintype (1853) and ambrotype (1854) were used to capture images.
Since its invention in the 1880s, film has long been the most popular way to store images. Popularized by the Lumière brothers, Kodak and Pathé, celluloid film became the basis of modern photography and cinematography. [1]
First of all, film is strongly associated with cinema, which, until the widespread use of television, remained a monopoly on moving pictures.
The rise of video formats introduced by companies like Sony, Sharp, Hitachi, and Panasonic in the 1980s further solidified the divide between video for home use and film for cinemas.
Sony released one of the first digital cinema cameras, the HDW-F900 CineAlta, in 2000. Film gradually lost its mass market appeal and came to be used primarily by film studios and film enthusiasts.
For most of the 20th century, film was practically the only way that photographs and movies were produced.
But with the release of mass-produced digital cameras such as from Nikon (Nikon D1) and Canon (PowerShot) in the mid-90s, camera phones in the 2000s, and the dominance of smartphones with integrated digital cameras since the mid-2010s, photographic film and analog cameras have gradually lost their position in the market.
The economic challenges faced by film giants like Kodak and Fujifilm led to price increases, [2] [3] causing many customers to shift away from film.
There are several reasons why film emulation is a popular technology.
Directors and visionaries like Christopher Nolan, Quentin Tarantino, Jim Jarmusch or Wes Anderson shoot on film to create memorable cinematic experiences that are distinct from other styles. Their work keeps the viewer interested in the cinematic nature of the frame, how it looks and feels. The “magic of cinema” lies in the color rendering, in the depth of the picture, the shadows, but also in the director’s ability to construct the scene and inspire the actors. Film as a limited resource, a consumable material, allows every moment and movement to be unique.
“As far as I’m concerned, digital projection is the death of cinema as I know it, at least it does nothing for me. I actually think I’m getting gypped when I go to a movie, and I realise that it’s either been shot on digital or is being projected in digital. It’s the death keel, the death rattle”, - Quentin Tarantino [6]
Photography as an art form is capable of “capturing the moment” like no other and evoking emotions and immersing you in experiences without a single sound or movement.
“You really are in there with the characters. The grain itself, it somehow makes it feel much more personal”, Gale Anne Hurd [7]
The exponential growth of social networks and digital media in the mid-2000s spurred active demand for digital content created differently than traditional film shooting.
Users of the Instagram, TikTok and YouTube platforms, live-streaming broadcasts on Twitch and Discord create huge amounts of content each day. The use of digital methods is incentivized by simple monetization and sponsorship programs. [9] [10]
Film emulation offers a middle ground between here-and-now content and an authentic look.
By emulating film, creators can reconstruct the warmth, texture, and specific color palettes associated with traditional film, contributing to the overall visual language of their work. Turning to the French New Wave or interpreting American classics, they construct for the modern viewer the experience and sensations of cinemas.
This is particularly true for short formats, music videos, and fashion or art photography.
Tools like DaVinci Resolve, Adobe Premiere or Lightroom allow anyone - an enthusiast or an entire studio - to create their work in the style of the Golden Age of Hollywood by manipulating color and tone, applying presets and advanced filters to their digital images.
The unique aesthetics of film lie in the way the image is captured, fundamentally distinct from magnetic tape video film or the image sensor of a digital camera.
A basic photosensitive material consists of a "sandwich" structure comprising a transparent base, such as celluloid or glass, and a photographic emulsion containing photosensitive silver halide crystals. Color films contain layers of light filters.
When light contacts the photographic emulsion, a chemical reaction involving silver salts takes place, resulting in the formation of a negative image. The brighter areas of the captured scene are exposed more intensely than the darker areas, leading to their appearance as dark regions on the negative. [11]
At the processing stage the negative is developed using photochemicals that produces a visible negative image.
To get a positive image, the negative is projected to the print media (photo paper or positive film) in a dark room, resulting in the formation of a latent positive image, which is also chemically developed into a visible positive image on a paper or print film, known as a print, either by using an enlarger or by contact printing. The final print may also be scanned to get a file for digital delivery.
The main principle of operation of digital cameras is practically no different from classic analog cameras. Instead of photographic material, a semiconductor image sensor is installed in the focal plane of the lens, registering light with electrical potentials, then reading and converting these potentials into digital values using an ADC, which are transferred to buffer memory and finally stored on a storage device or memory card as the files.
Based on the method of obtaining an image, features appear on the film due to chemical processes and the medium itself. Here are some unique characteristics exclusive to photographic film, which are absent in magnetic film or image sensors:[ citation needed ]
Basic film emulation tools are available in various video and photo editing software, such as Adobe Premiere or DaVinci Resolve. Partial list of computer film emulation methods:
Film grain. There are primarily two main methods for film grain emulation:
Both methods have their respective advantages and considerations when it comes to implementing film emulation in post-processing software.
Bloom. In digital photography and video, bloom can be emulated by adding a blur or glare effect around bright areas of the image.
Halation. This can be emulated by adding a blur or glow effect around bright areas of the image.
Camera and projector mechanical effects. The features mostly related to the film movement and shutter effects, typical for any device with film transportation and mechanical shutter — be it a camera, projector or video coding device (telecine or scanner).
Color grading. This often involves creating artistic effect by applying color and tone transformations characteristic to the analogue media.
Dust and scratches. Digital images often lack these artifacts, or they are deliberately removed during the image editing process. [13]
Film softness. This nuanced attribute selectively masks high-frequency details in an image. The amount of softness largely depends on the grain size of the film. Larger grain results in a less detailed image, where crisp edges and textures become less pronounced, without losing larger details that define the contents of the image. The softness of film is simulated using grain rendering. By controlling the distribution and size of the digital grains making up the image, it's possible to reproduce film softness without it appearing artificially blurred..
Adding specific film elements. This includes features like perforations, keyсode and film gates of different shapes.
Black and white, colour negative and reversal; 8mm, 16mm, 35mm and 65mm film gauges – many film stocks have come and have subsequently been discontinued, and specialist developing processes once available to filmmakers no longer exist (production of some Kodachrome products was discontinued by the end of 2000, for example) In many cases the only way for contemporary photography to contain the aesthetic of older film and video technology is to replicate it through post-production tools.
Product | Photo plugin | Video plugin | Mobile application |
---|---|---|---|
Colourlab AI | Davinci Resolve (macOS, Windows, Linux) Adobe Premiere (macOS, Windows) | ||
Dehancer | Adobe Photoshop / Lightroom (macOS, Windows) Capture One (macOS, Windows) Aphinity Photo (macOS, Windows) | Davinci Resolve (macOS, Windows, Linux) Adobe Premiere / After Effects (macOS, Windows) Final Cut Pro (macOS) | iOS |
Filmbox | Davinci Resolve (macOS, Windows, Linux) Baselight (Linux) | ||
Filmconvert | Davinci Resolve (macOS, Windows) Adobe Premiere / After Effects (macOS, Windows) Final Cut Pro (macOS) | ||
Nik Collection Nik Silver Efex DxO FilmPack | DXO PhotoLab (macOS, Windows) Adobe Photoshop / Lightroom (macOS, Windows) Aphinity Photo (macOS, Windows) | ||
Really Nice Images | TBA | Adobe Photoshop / Lightroom (macOS, Windows) Capture One (macOS, Windows) | iOS |
VSCO | iOS, Android |
Film stock is an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to X-rays and high-energy particles. Most are at least slightly sensitive to invisible ultraviolet (UV) light. Some special-purpose films are sensitive into the infrared (IR) region of the spectrum.
Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. A person who makes photographs is called a photographer.
The following list comprises significant milestones in the development of photography technology.
Film speed is the measure of a photographic film's sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system introduced in 1974. A closely related system, also known as ISO, is used to describe the relationship between exposure and output image lightness in digital cameras. Prior to ISO, the most common systems were ASA in the U.S. and DIN in Europe.
Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in 1935. It was one of the first successful color materials and was used for both cinematography and still photography. For many years, Kodachrome was widely used for professional color photography, especially for images intended for publication in print media.
In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives. Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film.
Color photography is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray.
An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives, or from transparencies.
C-41 is a chromogenic color print film developing process introduced by Kodak in 1972, superseding the C-22 process. C-41, also known as CN-16 by Fuji, CNK-4 by Konica, and AP-70 by AGFA, is the most popular film process in use, with most, if not all photofinishing labs devoting at least one machine to this development process.
Instant film is a type of photographic film that was introduced by Polaroid Corporation to produce a visible image within minutes or seconds of the photograph's exposure. The film contains the chemicals needed for developing and fixing the photograph, and the camera exposes and initiates the developing process after a photo has been taken.
In infrared photography, the photographic film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Film is usually sensitive to visible light too, so an infrared-passing filter is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum; these filters thus look black (opaque) or deep red.
A film base is a transparent substrate which acts as a support medium for the photosensitive emulsion that lies atop it. Despite the numerous layers and coatings associated with the emulsion layer, the base generally accounts for the vast majority of the thickness of any given film stock. Since the late 19th century, there have been three major types of film base in use: nitrate, acetate, and polyester.
A chromogenic print, also known as a C-print or C-type print, a silver halide print, or a dye coupler print, is a photographic print made from a color negative, transparency or digital image, and developed using a chromogenic process. They are composed of three layers of gelatin, each containing an emulsion of silver halide, which is used as a light-sensitive material, and a different dye coupler of subtractive color which together, when developed, form a full-color image.
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
The following outline is provided as an overview of and topical guide to photography:
Analog photography, also known as film photography, is a term usually applied to photography that uses chemical processes to capture an image, typically on paper, film or a hard plate. These processes were the only methods available to photographers for more than a century prior to the invention of digital photography, which uses electronic sensors to record images to digital media. Analog electronic photography was sometimes used in the late 20th century but soon died out.
The merits of digital versus film photography were considered by photographers and filmmakers in the early 21st century after consumer digital cameras became widely available. Digital photography and digital cinematography have both advantages and disadvantages relative to still film and motion picture film photography. In the 21st century, photography came to be predominantly digital, but traditional photochemical methods continue to serve many users and applications.
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film. Film is typically segmented in frames, that give rise to separate photographs.