The Finlay colour process was an early additive colour photography process devised by an Irish woman named Clare Elizabeth Finlay which could produce a picture in natural colour with a single exposure.
The Finlay colour process was based on the theory of scientist Clerk Maxwell, who discovered in 1861 that all the colours in nature could be matched by the proper admixture of the three primary colours. [1] It was on this principle that Mr. Finlay made a screen of geometric pattern comprising red, green and blue-violet squares in regular sequence. Patented by Finlay in 1906 and introduced in 1908 as the "Thames Colour Screen". It used a screen with a precise checkerboard of red, green, and blue elements as opposed to the random mosaic pattern used in the Autochrome system. This separate screen could be used with any type of panchromatic film or photographic plate to make a colour photograph.
In 1909 the "Thames Colour Plate" was released, which incorporated the filter screen and the emulsion in a single plate.
Both processes were abandoned after World War I, but improved versions were marketed under the name of Finlay Colour in 1929 and 1931. They were major rivals to Dufaycolor until the introduction of the subtractive materials in the mid-1930s. [2]
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Blue is one of the three primary colours in the RYB colour model, as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres. Most blues contain a slight mixture of other colours; azure contains some green, while ultramarine contains some violet. The clear daytime sky and the deep sea appear blue because of an optical effect known as Rayleigh scattering. An optical effect called Tyndall effect explains blue eyes. Distant objects appear more blue because of another optical effect called aerial perspective.
The RGB color model is an additive color model in which the red, green, and blue primary colors of light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors, red, green, and blue.
A set of primary colors consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a broad range of colors in, e.g., electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors can be predicted by an appropriate mixing model that reflects the physics of how light interacts with physical media, and ultimately the retina.
Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two images or video streams together based on colour hues. The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion picture, and video game industries. A colour range in the foreground footage is made transparent, allowing separately filmed background footage or a static image to be inserted into the scene. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as colour keying, colour-separation overlay, or by various terms for specific colour-related variants such as green screen or blue screen; chroma keying can be done with backgrounds of any colour that are uniform and distinct, but green and blue backgrounds are more commonly used because they differ most distinctly in hue from any human skin colour. No part of the subject being filmed or photographed may duplicate the colour used as the backing, or the part may be erroneously identified as part of the backing.
The Autochrome Lumière was an early color photography process patented in 1903 by the Lumière brothers in France and first marketed in 1907. Autochrome was an additive color "mosaic screen plate" process. It was the principal color photography process in use before the advent of subtractive color film in the mid-1930s.
Color photography is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray.
In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens.
RYB is a subtractive color model used in art and applied design in which red, yellow, and blue pigments are considered primary colors. Under traditional color theory, this set of primary colors was advocated by Moses Harris, Michel Eugène Chevreul, Johannes Itten and Josef Albers, and applied by countless artists and designers. The RYB color model underpinned the color curriculum of the Bauhaus, Ulm School of Design and numerous art and design schools that were influenced by the Bauhaus, including the IIT Institute of Design, Black Mountain College, Design Department Yale University, the Shillito Design School, Sydney, and Parsons School of Design, New York.
Color printing or colour printing is the reproduction of an image or text in color. Any natural scene or color photograph can be optically and physiologically dissected into three primary colors, red, green and blue, roughly equal amounts of which give rise to the perception of white, and different proportions of which give rise to the visual sensations of all other colors. The additive combination of any two primary colors in roughly equal proportion gives rise to the perception of a secondary color. For example, red and green yields yellow, red and blue yields magenta, and green and blue yield cyan. Only yellow is counter-intuitive. Yellow, cyan and magenta are merely the "basic" secondary colors: unequal mixtures of the primaries give rise to perception of many other colors all of which may be considered "tertiary."
Textile printing is the process of applying color to fabric in definite patterns or designs. In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction. Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns.
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
Dufaycolor is an early British additive colour photographic film process, introduced for motion picture use in 1932 and for still photography in 1935. It was derived from Louis Dufay's Dioptichrome plates, a glass-based product for colour still photography, introduced in France in 1909. Both Dioptichrome and Dufaycolor worked on the same principles as the Autochrome process, but achieved their results using a layer of tiny colour filter elements arrayed in a regular geometric pattern, unlike Autochrome's random array of coloured starch grains. The manufacture of Dufaycolor film ended in the late 1950s.
Dye transfer is a continuous-tone color photographic printing process. It was used to print Technicolor films, as well as to produce paper colour prints used in advertising, or large transparencies for display.
The Paget process was an early colour photography process patented in Britain in 1912 by G.S. Whitfield and first marketed by the Paget Prize Plate Company in 1913. A paper-based Paget process was also briefly sold. Both were discontinued in the early 1920s. One of the most outstanding exponents of the Paget process was Australian photographer Frank Hurley.
A laser projector is a device that projects changing laser beams on a screen to create a moving image for entertainment or professional use. It consists of a housing that contains lasers, mirrors, galvanometer scanners, and other optical components. A laser projector can contain one laser light source for single-color projection or three sources for RGB full color projection.
Thomas Sutton was an English photographer, author, and inventor.
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film.
Impossible colors are colors that do not appear in ordinary visual functioning. Different color theories suggest different hypothetical colors that humans are incapable of seeing for one reason or another, and fictional colors are routinely created in popular culture. While some such colors have no basis in reality, phenomena such as cone cell fatigue enable colors to be perceived in certain circumstances that would not be otherwise.
Structural coloration in animals, and a few plants, is the production of colour by microscopically structured surfaces fine enough to interfere with visible light, sometimes in combination with pigments. For example, peacock tail feathers are pigmented brown, but their microscopic structure makes them also reflect blue, turquoise, and green light, and they are often iridescent.
Azure is a variation of blue that is often described as the color of the sky on a clear day.
