Fire & Fleet & Candlelight | ||||
---|---|---|---|---|
Studio album by | ||||
Released | June 1967 [1] | |||
Genre | Folk rock | |||
Length | 36:22 | |||
Label | Vanguard | |||
Producer | Maynard Solomon | |||
Buffy Sainte-Marie chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
Fire & Fleet & Candlelight is the fourth album by singer and songwriter Buffy Sainte-Marie.
More than its predecessor Little Wheel Spin and Spin , it marked a significant departure from the simple folk songs of her first two albums. Following the same path that Joan Baez and Judy Collins were taking at the time, Sainte-Marie relies on the orchestration of Peter Schickele on "Summer Boy", "The Carousel" and "Hey Little Bird". In contrast, "The Circle Game" and "97 Men in This Town Would Give a Half a Grand in Silver Just to Follow Me Down" feature for the first time a full rock band consisting of Bruce Langhorne on electric guitar, Alexis Rogers on drums and Russ Savakus on bass. "Song to a Seagull", the other Joni Mitchell song, is a much simpler voice-and-guitar rendition.
Her version of the traditional hymn "Lyke Wake Dirge" predates the version by Pentangle by over two years and the album's title is taken from one of the lines in that song's chorus. "T'es pas un autre" is a French language reworking of her well-known composition "Until It's Time for You to Go" that she originally recorded on her second album Many a Mile .
Sainte-Marie's version of "The Circle Game" is featured in the film Once Upon a Time in Hollywood , in the scene where Sharon Tate is driving on an L.A. freeway.
All tracks composed by Buffy Sainte-Marie; except where noted.
Side 1
Side 2
Billboard (North America)
Year | Chart | Peak position |
---|---|---|
1967 | Pop Albums | 126 |
Roberta Joan "Joni" Mitchell is a Canadian-American singer-songwriter, multi-instrumentalist, and painter. As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate pop and jazz elements. She has received many accolades, including eleven Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her "one of the greatest songwriters ever", and AllMusic has stated, "Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century."
Buffy Sainte-Marie, is an American singer-songwriter, musician, and social activist.
The "Lyke-Wake Dirge" is a traditional English folk song and dirge listed as number 8194 in the Roud Folk Song Index. The song tells of the soul's travel, and the hazards it faces, on its way from earth to purgatory, reminding the mourners to practise charity during lifetime. Though it is from the Christian era and features references to Christianity, much of the symbolism is thought to be of pre-Christian origin.
"Tears Are Not Enough" is a 1985 charity single recorded by a supergroup of Canadian artists, under the name Northern Lights, to raise funds for relief of the 1983–85 famine in Ethiopia. It was one of a number of such supergroup singles recorded between December 1984 and April 1985, along with Band Aid's "Do They Know It's Christmas?" in the United Kingdom, USA for Africa's "We Are the World" in the United States, "Cantaré, cantarás" by a supergroup of Latin American and Spanish singers, Chanteurs sans Frontières's "Éthiopie" in France, and Fondation Québec-Afrique's "Les Yeux de la faim" in Quebec.
Song to a Seagull is the debut studio album by Canadian singer-songwriter Joni Mitchell. Produced by David Crosby, the album was recorded in early 1968 at Sunset Sound and released in March 1968 by Reprise Records.
"Universal Soldier" is a song written by singer-songwriter Buffy Sainte-Marie. The first released recording was a single by The Highwaymen, released in September 1963. The song was also released on Sainte-Marie's debut album It's My Way!, released in April 1964. "Universal Soldier" was not an immediate popular hit at the time of its release, but it did garner attention within the contemporary folk music community. It became a hit a year later when Donovan covered it, as did Glen Campbell. Sainte-Marie said of the song: "I wrote 'Universal Soldier' in the basement of The Purple Onion coffee house in Toronto in the early sixties. It's about individual responsibility for war and how the old feudal thinking kills us all." The idea was based on that politicians, with power over the military, in democratic states are elected by the people.
Bruce Langhorne was an American folk musician. He was active in the Greenwich Village folk scene in the 1960s, primarily as a session guitarist for folk albums and performances.
Patrick Sky was an American musician, folk singer, songwriter, and record producer. He was noted for his album Songs That Made America Famous (1973). He was of Irish and Native American ancestry, and played Irish traditional music and uilleann pipes in the later part of his career.
The Ducks were a short-lived American rock group formed in the summer of 1977 by singer-songwriter Jeff Blackburn. The band included Bob Mosley, Canadian singer-songwriter Neil Young, and Johnny Craviotto. The band played a series of impromptu bar gigs around the Santa Cruz area in 1977.
Many a Mile is Buffy Sainte-Marie's second album, released in 1965.
Little Wheel Spin and Spin is the third album by Buffy Sainte-Marie, released in 1966. It was her only album to reach the Top 100 of the Billboard 200. Its most famous song is "My Country 'Tis of Thy People You're Dying," which displayed a native perspective on the colonisation of North America.
Illuminations is the sixth album by American singer Buffy Sainte-Marie, released in 1969 on Vanguard Records. From a foundation of vocals and acoustic guitar, Sainte-Marie and producer Maynard Solomon made pioneering use of the Buchla 100 synthesizer to create electronically treated vocals. It was also an early quadraphonic vocal album. The album's only single was "Better to Find Out for Yourself".
Moonshot is a studio album by American singer-songwriter Buffy Sainte-Marie, released in 1972 by Vanguard Records.
Quiet Places is Buffy Sainte-Marie's ninth album and her last for Vanguard Records, with whom she had had a very strained relationship ever since the financial disaster of the experimental Illuminations. In fact, her next album, Buffy, had already been recorded before Quiet Places was actually released and was not to find a label for many months after she had completely broken with Vanguard.
The Best of Buffy Sainte-Marie Vol. 2 is a compilation double album released by Vanguard Records in 1971 covering a large proportion of the material she had released on her first six albums for the label that was not found on the previous year's The Best of Buffy Sainte-Marie.
Running for the Drum is the fourteenth studio album by Buffy Sainte-Marie, released in 2008. One of Sainte-Marie's more successful albums, it spawned one single with "No No Keshagesh". Sainte-Marie also rewrote two verses of "America The Beautiful".
"Cod'ine" is a contemporary folk song by the singer-songwriter Buffy Sainte-Marie. Considered one of the earliest anti-drug songs, Sainte-Marie wrote the piece after becoming addicted to codeine which she had been given for a bronchial infection. She recorded it for her debut album, It's My Way! (1964).
1969 is an album by Hungarian guitarist Gábor Szabó featuring performances recorded in 1969 and released on the Skye label. This album is peaked #143 on Billboard 200 on 1969/08/16.
She is the eighth studio album released by Australian singer Wendy Matthews in November 2008. She is a collection of personal favourite songs by women who have inspired her over the years, songs by Bonnie Raitt, Aretha Franklin, Chrissie Hynde, Joni Mitchell and Buffy Sainte-Marie. This is her first independent album on her own "Barking Bear Records" label.
"The Circle Game" is a song by Canadian singer-songwriter Joni Mitchell composed in 1966. One of her most-covered songs, it was originally recorded by Ian & Sylvia and Buffy Sainte-Marie in 1967, and by Tom Rush for his 1968 album of the same name. Mitchell recorded it for her 1970 album Ladies of the Canyon; it also appears on her 1974 live album Miles of Aisles.