Coincidence and Likely Stories | ||||
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Studio album by | ||||
Released | January 1992 | |||
Recorded | 1990 | |||
Genre | Folk | |||
Length | 43:08 | |||
Label | Ensign/Chrysalis/EMI | |||
Producer | Chris Birkett | |||
Buffy Sainte-Marie chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Rolling Stone | [2] |
Coincidence and Likely Stories (1992) is an album by Buffy Sainte-Marie, her first in sixteen years, during which time she had been raising her son and working on the children's television show Sesame Street . The album itself was largely recorded at Sainte-Marie's home before being sent to producer Chris Birkett for the final production and mixing in London.
The album showed her continuing with the electronic music she had first developed on Illuminations and the tribal themes seen on Sweet America , her last pre-retirement album.
Although the album received some very favourable reviews [3] and was often seen as her best work since Illuminations , [4] it failed to make any impression in the United States. Coincidence and Likely Stories became her only album to chart in the UK, and featured two minor hit singles there.
The album title itself comes from the first line of the song "Disinformation":
"Bury My Heart at Wounded Knee" was covered by Indigo Girls on its album 1200 Curfews (1995).
All songs composed by Buffy Sainte-Marie except where noted.
Year | Chart | Peak position |
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1992 | UK Albums Chart | 39 |
Year | Single | Chart | Position |
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1992 | "The Big Ones Get Away" | UK Singles Chart | 39 |
1992 | "Fallen Angels" | UK Singles Chart | 57 |
Wounded Knee may refer to
Buffy Sainte-Marie, is an Indigenous Canadian-American singer-songwriter, musician, composer, visual artist, educator, pacifist, and social activist. While working in these areas, her work has focused on issues facing Indigenous peoples of the Americas. Her singing and writing repertoire also includes subjects of love, war, religion, and mysticism. She has won recognition, awards and honours for her music as well as her work in education and social activism. Among her most popular songs are "Universal Soldier", "Cod'ine", "Until It's Time for You to Go", "Take My Hand for a While", "Now That the Buffalo's Gone", and her versions of Mickey Newbury's "Mister Can't You See" and Joni Mitchell's "The Circle Game". Her songs have been recorded by many artists including Donovan, Joe Cocker, Jennifer Warnes, Janis Joplin, and Glen Campbell.
"You'll Need Somebody on Your Bond" is a gospel song that is attributed to both tradition and to gospel blues musician Blind Willie Johnson. Johnson first recorded the song in December 1930, although Delta blues musician Charley Patton recorded a similar "You're Gonna Need Somebody When You Die" in October 1929. Over the years, several other musicians have recorded renditions of the song.
Little Wheel Spin and Spin is the third album by Buffy Sainte-Marie, released in 1966. It was her only album to reach the Top 100 of the Billboard 200. Its most famous song is "My Country 'Tis of Thy People You're Dying," which displayed a native perspective on the colonisation of North America.
I'm Gonna Be a Country Girl Again is the fifth album by Cree singer/songwriter Buffy Sainte-Marie. As its title suggested, it saw her embrace Nashville country music with the help of session veterans such as the Jordanaires, Grady Martin, Roy M. Huskey, Jr. and Floyd Cramer. The album included re-recordings of "Now That the Buffalo's Gone" and "The Piney Wood Hills" from her first and second albums respectively. "Tall Trees in Georgia", in contrast to most of the material, showed Sainte-Marie performing in a style reminiscent of her earliest work.
Illuminations is the sixth album by Indigenous Canadian-American singer Buffy Sainte-Marie, released in 1969 on Vanguard Records. From a foundation of vocals and acoustic guitar, Sainte-Marie and producer Maynard Solomon made pioneering use of the Buchla 100 synthesizer to create electronically treated vocals. It was the first quadraphonic vocal album released. The album's only single was "Better to Find Out for Yourself".
She Used to Wanna Be a Ballerina is the seventh album by Buffy Sainte-Marie, released in 1971.
Moonshot is a studio album by Canadian singer-songwriter Buffy Sainte-Marie, released in 1972 by Vanguard Records.
Quiet Places is Buffy Sainte-Marie's ninth album and her last for Vanguard Records, with whom she had had a very strained relationship ever since the financial disaster of the experimental Illuminations. In fact, her next album, Buffy, had already been recorded before Quiet Places was actually released and was not to find a label for many months after she had completely broken with Vanguard.
Buffy is the tenth album by Buffy Sainte-Marie and her first after leaving Vanguard Records, with whom her relationship had been strained for several albums.
Changing Woman is an album by Buffy Sainte-Marie, released in 1975 via MCA Records. It was her second, and last, album for the label.
Sweet America was the twelfth studio album by Buffy Sainte-Marie and her last before retiring from music to work on Sesame Street and in education. The album was dedicated to the American Indian Movement and featured some songs with tribal rhythms and vocals that she was later to develop on her 1992 comeback Coincidence and Likely Stories.
The Best of Buffy Sainte-Marie is a compilation album taken from her first six albums with Vanguard Records, released in 1970.
The Best of Buffy Sainte-Marie Vol. 2 is a compilation double album released by Vanguard Records in 1971 covering a large proportion of the material she had released on her first six albums for the label that was not found on the previous year's The Best of Buffy Sainte-Marie.
Native North American Child: An Odyssey is a 1974 compilation album released after Buffy Sainte-Marie's departure from Vanguard Records.
Running for the Drum is the fourteenth studio album by Buffy Sainte-Marie, released in 2008. One of Sainte-Marie's more successful albums, it spawned one single with "No No Keshagesh". Sainte-Marie also rewrote two verses of "America The Beautiful".
"Cod'ine" is a contemporary folk song by singer-songwriter Buffy Sainte-Marie. Considered one of the earliest anti-drug songs, Sainte-Marie wrote the piece after becoming addicted to codeine which she had been given for a bronchial infection. She recorded it for her debut album, It's My Way! (1964).
"Now That the Buffalo's Gone" is the first song from the 1964 album It's My Way! by Canadian First Nations singer-songwriter Buffy Sainte-Marie. The song's title refers to the near-extinction of the American bison and serves as a metaphor for the cultural genocide inflicted by Europeans. A classic folk protest song, "Now That the Buffalo's Gone" has a simple arrangement with guitar and vocals by Sainte-Marie and bass played by Art Davis. The song is a lament that addresses the continuous confiscation of Indian lands. In the song, Sainte-Marie contrasts the treatment of post-war Germany, whose people were allowed to keep their land and their dignity, to that of North American Indians.
Power in the Blood is the fifteenth studio album by Buffy Sainte-Marie, released May 12, 2015, on True North Records.
She is the eighth studio album released by Australian singer Wendy Matthews in November 2008. She is a collection of personal favourite songs by women who have inspired her over the years, songs by Bonnie Raitt, Aretha Franklin, Chrissie Hynde, Joni Mitchell and Buffy Sainte-Marie. This is her first independent album on her own "Barking Bear Records" label.